Can the all-in-one soundbar really replace a dedicated home theater system?
The emergence of the soundbar audio genre can be traced to two trends: 1) consumers’ desire to buy slender, space-saving speaker systems to match their slender, space-saving flat-panel HDTVs; and 2) consumers’ hatred of running speaker wire around the room. Studies show that people either leave their surrounds at the front of the room, which wreaks havoc with the soundstage, or they simply don’t hook them up at all, which is just a shame. To address the former, speaker companies began to incorporate the front three channels of a 5.1-channel system into one slender bar you could place above or below your TV. To address the latter, they took it one step further, putting all five channels into a single bar and using acoustic manipulation to create a sense of surround envelopment. It seems like every major speaker manufacturer is now jumping on the soundbar bandwagon, but does the technology really work? Can one speaker honestly re-create a 5.1-channel soundfield, and what kind of sacrifices must be made to do so? To find out, we brought in the latest soundbar models from Philips, Marantz, Yamaha, Denon, and Polk.
Jim Thiel must be a magician. At least that’s what I thought when I first heard his newest speaker, the SCS4. I was listening to an a cappella band, and the guys were all there—not just the voices, but I felt like the Persuasions were in the room with me. The sound was so utterly natural; it was as if the speakers weren’t doing anything.
To Americans accustomed to seeing other Americans waddling through shopping malls—and let me be the first to admit I’ve been doing a fair amount of waddling myself lately—the streets of Paris come as a pleasant shock. How do people who feast on duck liver and red wine stay so lean and sexy? Perhaps that eternal mystery springs from the same source as Cabasse’s fashionably thin Artis Baltic Evolution tower loudspeaker. Like one of Frank Lloyd Wright’s amazing cantilevered houses, it seems to defy gravity, the sphere holding its coaxial driver array floating on a skinny diagonal slash of solid wood. I suspect that the people who designed the speaker sat down to an excellent dinner afterward.
The best way to spice up a dull, dark, soundless day.
Here’s how Edgar Allen Poe opens his short story “The Fall of the House of Usher”: “During the whole of a dull, dark, and soundless day in the autumn of the year, when the clouds hung oppressively low in the heavens, I had been passing alone, on horseback, through a singularly dreary tract of country; and at length found myself, as the shades of the evening drew on, within view of the melancholy House of Usher.” Although trade shows are hardly soundless, and I don’t navigate them on horseback, Poe evokes a bit of the feeling I get slogging through them. But the Usher exhibit didn’t seem all that melancholy when I stumbled on it at the 2007 Home Entertainment Show. In fact, hearing a pair of the Be-718s in action made me want to review them.
It was 40 years ago today (well, just about) that Sgt. Pepper taught the band to play. What a year 1967 was! It was also the year of Are You Experienced by Jimi Hendrix, Disraeli Gears by Cream, Piper at the Gates of Dawn by Pink Floyd, Surrealistic Pillow by the Jefferson Airplane, The Doors by the Doors, and that album with the banana on the cover by the Velvet Underground. A scan of Rolling Stone magazine’s “40 Essential Albums of 1967” also turns up Moby Grape, the Hollies, James Brown, Big Brother and the Holding Company, Arlo Guthrie, the Beach Boys, Tim Buckley, the Kinks—please, a sustained round of applause for the Kinks—Van Morrison, Dionne Warwick, Buffalo Springfield, the Moody Blues, Love, the 13th Floor Elevators, and (a previously undiscovered gap in my listening life) the Serpent Power. Thank God I wasn’t into drugs then. Look at what I would have missed.
One of the home theater industry’s greatest sins is modesty. If excessively modest people hide their lights under a bushel, speaker and receiver manufacturers go them one better, hiding their achievements in boxes. Boxes with drivers on the front, boxes with buttons and knobs that sit in a rack—boxes. True, surround speaker packages that break away from the boxy norm are slowly making inroads into the conservative milieu of home theater, just as some clever surround receivers boast digital amps and slim form factors. This month’s Spotlight System does none of those things. To divine what’s special about it, you’ll have to look deeply into its soul.
One of the annual highlights of my career as an audio/video scribe is the Home Entertainment Show. The 2007 edition took place at the Grand Hyatt in New York, practically on top of the gorgeously renovated Grand Central Terminal. It was there that I became interested in Silverline, a California-based speaker maker that was displaying both their Minuet mini-monitor (say that ten times fast) and the slender, floorstanding Prelude. The temptation to try five Minuets in a surround system proved to be overwhelming.
There are people who claim to read your future in your palm. Others reach conclusions about your income, taste, and character according to what type of shoes you're wearing. For my own part, I can look at your selection of loudspeakers and know exactly what kind of home theater person you are.
Like a master linguist conjugating a verb, Harman International has a way of reusing original ideas to good advantage in different settings. So, it's not exactly a surprise to find a family resemblance between Infinity's high-end Cascade speaker line, circa 2006, and the TSS-800 set, circa 2007. They share a unique extruded-aluminum form that's tapered at both the top and bottom, for starters.
"The only thing constant is change" is a corollary that surely applies to consumer electronics, as new technologies and products are regularly brought to market. Loudspeakers are no exception; however, it seems as though some speaker designs remain timeless. A good example is coaxial speakers that have passed the test of time because they work. The French manufacturer Cabasse produces an entire line of speakers built around the coaxial design, and their latest offering is the Eole 5.1-channel speaker system.
Outlaw Audio markets A/V receivers and amplifiers direct to consumers via the Internet (hence, the inside-joke corporate name) and it remains among a handful of hi-fi manufacturers pursuing this "retail channel" exclusively. Consequently, it has from the outset pitched its products on the technology-value-performance troika.
I'm a bit reluctant to say this, but my experience with Boston Acoustics goes back a long way – to the days when the Boston Acoustics A40 and A70 speakers were the giants of the bookshelf speaker world. In fact, most of the Boston A-series speakers back then were highly regarded when it came to sound quality. Build quality was so-so but decent for late-1980s vinyl-wrap box cabinets. Just about any store that carried them sold tons of Boston Acoustics' bookshelf and floorstanding speakers, and they were proud to do it, too.
Having worked in and around recording studios for 30 years, I cut my teeth on professional gear before broadening my horizons to the vast consumer audio/video world. In studios, you quickly learn that trustworthy monitors are essential. Every tracking and mixing decision hinges on what your monitors tell you; if they mislead you with any inaccuracy, your recording will suffer.
Is the age of the traditional loudspeaker almost over? Never before has there been so many alternatives to the typical monolith speaker, from in-walls that disappear into the décor to ultra-tiny speaker enclosures that sit on a shelf. A general aversion to complex and highly visible multichannel audio systems has left a good many consumers with only half the home theater experience. According to a September 2006 article from the Consumer Electronics Association, called "Home Theater Opportunities," 76% of all flat panel TV users are not using a separate audio system. As the article points out there are a good deal of opportunities for audio equipment manufacturers to develop alternate methods for delivering quality audio for high-definition TVs.