Music Disc Reviews

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Brent Butterworth  |  Jan 24, 2012  |  0 comments

What do you want to hear when you listen to music? Do you want a lower-fidelity version of what the artists, engineers, and producers heard in the studio? Or would you prefer to hear exactly what they heard in the studio?

Of course, you'd prefer the latter. But you're probably getting the former - unless, that is, you're listening to high-resolution downloads from HDtracks. If you're listening to CDs, MP3s, or even vinyl records, what you're hearing is not a precise copy of the original digital recording or analog tape. It's downconverted. If it's on CD, the digital resolution has been reduced. If it's on vinyl, the audio has been remastered and the record you're listening to is actually a third-generation mechanical copy.

Sure, it might sound ok. But it's not the best fidelity you can get. HDtracks is. And HDtracks and Sound+Vision have put together an introductory sampler to show you just how good high-resolution listening can be.

Brett Milano  |  Dec 29, 2011  |  0 comments

Editor’s Note: Brett Milano originally submitted this for one of his “This Week in Music” columns, but the CD’s release date was bumped . . . and bumped . . . and bumped. We only just learned that the set finally appeared on December 16. Accordingly, we can’t let Brett’s write-up go to waste. So, just in time to be the soundtrack for your New Year’s Eve party . .

Michael Berk  |  Dec 01, 2011  |  0 comments

Love radio? Tired of Internet radio's algorithmic bent, and long for the days when a flesh and blood DJ put a lifetime of obsession into picking that next track? Slacker Radio just might be what you're looking for.

Ken C. Pohlmann  |  Nov 08, 2011  |  0 comments

The genius of Pink Floyd's music is intertwined with the genius of the recording of the music. And the innovative studio techniques used by the band and its producers and recording engineers are integral to the music. It's impossible to imagine The Dark Side of the Moon without vital creative touches such as the sound of clanging money or thumping heartbeats. Perhaps no other band has pushed the technical envelope so aggressively, or profited from it so enormously. The catalog of their works is one of innovation - both musically and sonically.

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