Projector Reviews

2D Performance
3D Performance
Features
Ergonomics
Value

Epson is one of the world’s most prolific projector manufacturers, serving both the business and home markets. The company’s current flagship home theater model, the PowerLite Pro Cinema 6020UB, sells for $4,000. But for $2,700, you can buy the PowerLite Home Cinema 5020UB. The latter omits the spare lamp, ceiling mount, additional warranty year, and all-black case that come standard with the 6020UB.

Let’s go over some of the numbers here: 1080p, 3D, $1,000. Pretty solid specs and pricing for flat-panel TV, except ... this is no flat-panel. BenQ’s W1070 is, as you have probably deduced, a projector. I’ve reviewed a few projectors in this price range  as exclusives for soundandvision.com and all came up rather lacking.

Panasonic entered the home theater projector market in 2001. But the company already had decades of experience in the business projector world, beginning with CRTs in 1975 and later moving into its current mix of LCDs and DLPs. All of the company’s home theater designs have used LCD imaging chips, however, and the PT-AE8000U is the latest link in a long chain dating back to that 2001 model, the PT-AE100.

2D Performance
3D Performance
Features
Ergonomics
Value

In Sony’s pantheon of projectors, the VPL-HW models are the company’s solid middle-class family. While a product selling for $4,000 or nearly so isn’t likely to be found at Target or Walmart, in the projector world it sits nicely between bargain basement and “if you have to ask” pricing.

This is a fascinating hybrid of a product: a portable projector with built-in, Roku-powered, media streaming.

There are web streamers, and there are projectors, but this is the first time I've seen them combined into one, easy-to-use product.

Fascinating is one thing. Worthwhile? That's a different question. . .

2D Performance
3D Performance
Features
Ergonomics
Value

It seems like only yesterday that DLP was the belle of the ball for front projector technologies. Oh, how things have changed these last few years. Now we see a polarized market made up of budget entry-level offerings or cost-no-object three-chip designs with little in the way of middle ground. I don’t know how much this has to do with Texas Instruments almost abandoning development of consumer-based chips (we haven’t seen any developments in DMD design for quite some time) or consumers’ leaning toward the higher contrast numbers of LCOS and SXRD designs. Or maybe it’s the price/performance that LCD has brought to the table. One thing is for sure, though: DLP is still a very capable technology that, when properly implemented, can throw a mesmerizing image. And now with 3D being a key feature in the market, maybe it’s time DLP’s popularity got a significant boost.

If there’s a sweet spot for home projector prices right now, it would be $3,000 to $3,500. Over the past few months, we’ve reviewed excellent projectors in that range from Epson and Sony, and promising, similarly priced offerings are also available from JVC and other manufacturers.

Once an LCD projector staple, Mitsubishi made the switch to DLP a few years ago. On paper, its HC7800D ticks all the right boxes: 3D-capable, full-glass lens, and all the other bells and whistles.

But that’s just on paper. So we figured we’d test it for real, right here... on paper. Eh, you get my meaning. Behold, the HC7800D!