Ultra HD Blu-ray Movie Reviews

Marvel has undeniably defined the modern comic book movie universe. As a consequence, much of Shazam!, the latest effort from rival DC, feels clichéd, and not just by superhero standards. Good young protagonists facing adversity, otherworldly forces granting extraordinary abilities, bullies who ultimately get theirs— it's all here. Shazam! even borders on outright theft with an end credit sequence straight out of Spider-Man: Homecoming.

Tensions, rivalries, banter, squabbling, self-aggrandizement, and, above all, putdowns add to the hot air on this day in the life of Bedford–Stuyvesant, Brooklyn as the 98 percent Black (down to 70 percent in the last census) community and small mix of Hispanics, Whites, and Asians try to get along during a sweltering summer.

Expectations for the release of Alita: Battle Angel, the long-awaited film adaptation of the Japanese cyberpunk manga series, Battle Angel Alita, ran extremely high, no doubt due to the high-profile names involved in its production. Co-written and co-produced by James Cameron and directed by Robert Rodriguez, it stars Rosa Salazar as cyborg-warrior Alita, with supporting performances by past Academy Award recipients Jennifer Connelly, Mahershala Ali, and Christoph Waltz.

There is simply no precedent for a cinematic event of this magnitude. Avengers: Endgame is not merely the latest installment in the Marvel canon, but one that builds upon all that has come before to complete story arcs begun as far back as 2008's crucial Iron Man. It also concludes the most recent dramatic "phase" in the 22-film series, and of course drops the other shoe from the 2018 Avengers set-up, Infinity War. And it does all of this with a deft touch, despite its plethora of fantasy characters and an absurdly brisk three-hour running time.

The village of Berk is now the overcrowded home not only of our favorite Viking clan, now led by a grown-up Hiccup, but also a huge and motley assortment of friendly dragons. After they encounter a revived gang of dragon-hunters led by the ruthless Grimmel, Hiccup decides that their only solution is to evacuate Berk, where they're an obvious target, and search for a new home where they'll be safe.

With Get Out, his first film as writer/director, Jordan Peele introduced us to a refined new form of horror. He was the only filmmaker who could do justice to his Oscar-bound script, finding just the right tone and wringing that last bit of mood from every line, every shot, every performance. Now, with Us, he has raised the stakes, telling a deeper story on a much grander scale.

If your crystal ball predicted that someday the writer/director of There's Something About Mary would take home an Academy Award for Best Picture, let's hope you bet big and didn't smash the thing. Peter Farrelly's Green Book is an emotional smorgasbord, one that would no doubt be appreciated by its ever-famished "hero," Tony Lip (Viggo Mortensen). He's a gleefully ignorant yet strangely lovable tough guy (what my people would call a cavone), albeit one who needs to learn a thing or two about race relations. Tony gets his chance when, on a hiatus from his job as a bouncer at The Copacabana, he's hired to chauffeur piano virtuoso Dr. Don Shirley (two-time Oscar-winner Mahershala Ali)—a black man—on a concert tour of the Deep South in 1962.