Projector Reviews

Ever since I first heard about front projectors with LED light sources, I've been intrigued by the idea. LED-illuminated RPTVs were available just before the product category imploded, but front projectors using this technology have only now begun to appear.

Tell me you’ve never imagined what you’d do first if you won the lottery. Even if you never play and you know you have a better chance of getting hit by lightning than winning $10 million or (it’s a dream, isn’t it, so why go small potatoes?) even $100 million. Sure, if you take it all at once rather than in $5 million drabs over 20 years, that will drop to $50 million out of the gate. After Uncle Sam gets his cut, you’re down to $25 million. There goes your chance to buy the Seattle Seahawks.

Broaden Your Horizons

If you’ve investigated the subject of constant-height projection, you know that it can be a complicated, slightly intimidating business. We covered the ground rather thoroughly in “Beating the Black Bars” (HT, October 2008). Constant-height display generally involves placing a so-called anamorphic lens in front of a projector’s native lens when viewing true widescreen films—that is, films with an aspect ratio of around 2.35:1 (often called scope films). Such a setup also employs a 2.35:1 screen. For material with an aspect ratio of 1.85:1 or less, the lens is normally moved out of the way and the image is projected onto the 2.35:1 screen with black bars on each side. This is sometimes called windowboxing.

My wife always wanted twins. I got her the next best thing: DWINs. Hanging on the ceiling is my DWIN HDP-500 CRT projector (wow, has it really been seven years already?), while on a table below and slightly behind it is the new DWIN TransVision 4 DLP projector. Actually, the new DWIN, like the old DWIN, is not just a projector, but a full projection <i>system</i> that manages all your critical video switching and processing needs. Seven years. I feel the itch.

2D Performance
3D Performance
Features
Ergonomics
Value

AT A GLANCE
Plus
Excellent contrast and black level for LCD
Capable of powerful brightness
Good overall 2D and 3D performance
Minus
Wireless transmitter needs to be in same space as projector

THE VERDICT
Powerful light output and contrast combined with impressive 3D make the 5030UBe a great projector option at an affordable price.

When Sound & Vision reviewed the Epson 5030UBe’s predecessor, the 5020UBe, in 2013, we were impressed by its exceptional brightness and its ability to convey satisfying blacks. Clearly, LCD projection has come a long way in a short time. Home theater projectors like the 5020UBe tend to get reviewed in a cluster with models from companies like JVC and Sony, and while the Epson ultimately didn’t match its LCOS competition when it came to contrast (JVC) or color accuracy (Sony), overall it held up extremely well—especially considering that the Epson cost several hundred dollars less and offers significantly greater brightness than either of those options.

2D Performance
3D Performance
Features
Ergonomics
Value

AT A GLANCE
Plus
Very good picture quality for the price
Flexible installation options
Fully backlit remote
Minus
Inaccurate out-of-box color
Some motor noise from Auto Iris
High fan noise in certain picture modes

THE VERDICT
Epson’s mid-range projector delivers very bright images, but it also offers enough refinement to make it a worthy upgrade over cheaper budget-priced models.

Let’s face facts: Budget home theater projectors can be a mixed bag. Last year, I tested a trio of such models from Optoma (December 2016 issue), InFocus (soundandvision.com), and ViewSonic (September 2016 issue). More recently, I checked out BenQ’s HT1070 (May), another projector that proved to be a high-value find. But while I liked the idea of getting a big, bright 1080p-resoluton picture for under $1,000, the less-than-impressive picture contrast and sparse installation features put a cap on my enthusiasm. When I look back at the bunch, it seems clear that “better” means “more expensive” when it comes to projectors.

Performance
Features
Ergonomics
Value

AT A GLANCE
Plus
Good resolution in HD and UHD
Impressive HDR
Low price
Minus
Contrast and black level could be better
Manual HDR/SDR switching

THE VERDICT
The Epson 4000 offers an effective combination of HDR and SDR projection at a price that seemed impossible a year ago.

Native 4K imaging—where the chips display all 8.3 million individual pixels (3840 x 2160) in each frame simultaneously—is still rare in an affordable consumer projector. Currently, the entry price is $5,000, for Sony’s new VPL-VW285ES. But last year, Epson introduced two 3LCD models that use pixel shifting to achieve an apparent resolution close to 4K. The less expensive of the two was the PowerLite Home Cinema 5040UB, still selling, as I write this, for around $2,700. (Its virtual twin, the Pro Cinema 6040UB, was reviewed in the October 2016 Sound & Vision.)