Ultra HD Blu-ray Movie Reviews

After making Return of the Jedi, Executive producer George Lucas was looking for fresh creative frontiers, and he would embark upon new cinematic collabs with previous and first-time cohorts. One such experiment was his team-up with mastermind Jim Henson for the family-friendly fantasy, Labyrinth. With a playful script by Monty Python alum Terry Jones, the story follows an angry teenager Sarah (Jennifer Connelly) with a fondness for fairy tales.

A few more noteworthy titles just slid down the chimney, past our deadline for the Entertainment Holiday Gift Guide in the pages of the magazine but a dazzling menagerie nonetheless, and deserving of our consideration, so we hereby present an additional mini-sackful of eminently giftable Blu-rays.

The title of Le cercle rouge is derived from a Buddhist proverb about people coming together in fateful encounters—a theme pertinent to recently released convict Corey (Alain Delon) who crosses paths with escaped suspect Vogel (Gian-Maria Volonte). Along with alcoholic ex-cop Jansen (Yves Montand), they team up for a big-franc jewel heist—sophisticated for its time—unaware that determined detective Mattei (André Bourvil) and his snitches are on their trail. While similarities inevitably exist, anyone expecting the visceral intensity of a more recent Heat or a Reservoir Dogs will be in for a surprise.

Return with us to a halcyon age of cinema when mature subject matter wasn’t forbidden, it was simply rated R. So it was with Little Darlings, a surprisingly sweet and remarkably honest snapshot of adolescence circa 1980. There’s no real violence or profanity, and the teenage coitus at its core is merely alluded to, never shown. See, summer camp brings together youngsters from all walks of life, and one of the more experienced girls strong arms two newbies into a bet: whoever loses her virginity first wins.

Director/Producer Steven Soderbergh is an admirably free thinker, a true creative with an eye on the future of filmmaking. He’s very particular about the projects he chooses, emerging from pseudo-retirement to direct his latest, Logan Lucky. Made largely outside the Hollywood system he walked away from, it still managed to score some A-list talent on a modest budget, with James Bond and Kylo Ren likely welcoming the opportunity to play against type, as a down-on-his-luck explosives expert and a goodhearted sad-sack, respectively.

Let's never forget that the enduring Mad Max franchise—four movies in with a fifth on the way—began right here 42 years ago with this low-budget car/motorcycle-chase gem. Relative to its more popular sequel, The Road Warrior, Max can be viewed as a sort of origin story, showing how a good cop (Mel Gibson) goes mad after a horrible act of violence befalls his family. He hits the road to exact some fuel-injected revenge, leaving behind the world he once knew. What's striking about this movie today is seeing how much better it is than it needed to be, from the emotional story to the intense acting, superb cinematography, sharp editing, and outrageous stunts.

Before comic book adaptations became their own industry, this earnest action-comedy take on Lowell Cunningham's lesser-known creation became a runaway hit, spawning a popular movie, TV and merch franchise. These supremely discrete "MIB" government agents monitor the comings and goings of Earth's rather frequent alien visitors, maintaining peace through secrecy. Their newest recruit, Jay (Will Smith), needs to step up when a particularly nasty creature lands with ill intent for the galaxy, and Jay's winning chemistry with his world-wearier partner, Kay (Tommy Lee Jones), combined with many highly imaginative sight gags, yields plenty of laughs. At a brisk 98 minutes--the plot was cleverly streamlined after negative test audience feedback--Men in Black is definitely a fun re-watch.