AV Receiver Reviews

Performance
Features
Ergonomics
Value

AT A GLANCE
Plus
Dirac Live and Pioneer MCACC room/speaker correction
9 powered channels for driving a 5.1.4 Dolby Atmos or DTS:X system
HDMI 2.1, 8K-ready with variable refresh on all inputs
Minus
Small, unlit remote
Cheesy speaker-out terminals
Can’t store Dirac and MCACC “runs” simultaneously

THE VERDICT
The Pioneer VSX-LX505 provides a lot of bang for your buck, including nine channels for powering a full Dolby Atmos or DTS:X setup and two excellent auto-EQ options.

Pioneer's VSX-LX505 Elite A/V receiver represents a new generation of reasonably priced AVRs that boast up-to-date technology and enough channels to rock a full 5.1.4 Dolby Atmos or DTS:X surround setup with four height speakers without having to rely on an outboard amplifier to power "extra" channels. And that's not its only marquee feature: The LX505 is Roon Tested to ensure compatibility with the music-management/streaming software, supports HDMI 2.1/4K passthrough on its main HDMI inputs and outputs, and is certified to work with Sonos systems. It also supports 8K video and incorporates Dirac Live room/speaker-correction EQ technology along with Pioneer's proprietary MCACC (Multi-Channel Acoustic Calibration) system.

Performance
Features
Ergonomics
Value

AT A GLANCE
Plus
Onboard Dirac Live room/speaker correction
Nine amp channels for a full Atmos/DTS:X experience
Multiple HDMI 2.1 connections with 8K/60Hz and 4K/120Hz support
Minus
Small remote control a bit cramped
Somewhat light-duty casing and speaker outputs

THE VERDICT
This affordable Onkyo AVR renders powerful Dolby Atmos and DTS:X sound via its nine built-in amp channels, and it brings the considerable benefits of Dirac Live room EQ as well.

The arrival of yet another A/V receiver doesn't usually engender much excitement here at S&V's currently sub-arctic regional headquarters in New England. But Onkyo's new TX-NR7100 is not "just another" receiver. First, the TX-NR7100 features a true nine-channel-power layout, which makes possible a full 5.1.4 Dolby Atmos system without supplemental amplification within hollerin' distance of the magical ten-Benjamins line. Just as notably, it's among the first affordably priced AVRs to incorporate Dirac Live, the eponymous Swedish tech firm's widely praised room/speaker-correction software system, at no extra cost.

Performance
Features
Ergonomics
Value

AT A GLANCE
Plus
HDMI 2.1-ready (via firmware update)
Versatile speaker switching
Built-in phono preamp
Minus
Small front panel and onscreen displays
Lacks analog video connections

THE VERDICT
Yamaha's latest mid-priced A/V receiver promises—and delivers—cutting-edge features at an unprecedented price.

Performance
Features
Ergonomics
Value

AT A GLANCE
Plus
Striking front panel display
Excellent sound quality
Effective Dirac Live room correction
Future-ready MDC chassis
Minus
No analog video inputs
HDMI Out 2 only supports 1080p

THE VERDICT
Those who value sound quality will find much to love about the T 778, which features BluOS multiroom music streaming and Dirac Live room correction, along with an upgradeable chassis to prevent obsolescence.

While entry-level surround systems move increasingly toward less complicated designs that pair soundbars with wireless speakers and subs, the A/V receiver remains the steadfast workhorse of the media room. As such, it is arguably the most important component in your system, handling all audio/video switching, amplification, audio and room correction processing, and often much more. And as systems move from 5.1- to 11.2-channels-plus, the AVR is being called on to do even more.

Performance
Features
Ergonomics
Value

AT A GLANCE
Plus
Audiophile-quality sonics
Easy access to networked and internet-streamed music
Extensive HDMI switching
Minus
Non-backlit remote

THE VERDICT
Denon’s modern take on the classic stereo receiver delivers excellent sound quality, video switching for 2-channel home theater, and all the amenities of an app-driven, internet-connected music system.

As I uncrated the Denon DRA-800H stereo receiver and set it on my rack for review, I was struck by a powerful wave of nostalgia. Back in my early days of audiophilia, stereo—no wait, stereo and vinyl—was pretty much the game. Buying a basic receiver was a typical rite of passage for a high school or college student back then, and it was staring at rows of them at the local TV/appliance store—with their shiny brushed chrome faceplates, dials and buttons, and backlit tuning displays—that got me hooked on audio in the first place.

Performance
Features
Ergonomics
Value

AT A GLANCE
Plus
IMAX Enhanced certified
Nine channel amp for flexibility
Extensive wireless options
Minus
Ample power for a medium-size room
Limited crossover control Non-illuminated remote

THE VERDICT
Pioneer's first A/V receiver to carry IMAX Enhanced certification offers fine sound and bang- up-to-date technology at a mid-level price.

More than any other category of home theater gear, A/V receivers are subject to an ever-evolving list of "must have" technologies. The required logos for each of these licensed features now forms a long row extending the full width of most receivers, with IMAX Enhanced counting as the latest logo gunning for real estate on any AVR that wants to be up-to-date.

Performance
Features
Ergonomics
Value

AT A GLANCE
Plus
Class-leading DSP surround
5.1.2-channel Dolby Atmos/DTS:X decoding
Useful Scene memory feature
Wireless surround speaker (and multiroom) option via MusicCast speakers
Minus
No 9-channel (front- and rear-height) Atmos/DTS:X expansion option
Slow DLNA audio streaming respons

THE VERDICT
Yamaha’s unique DSP-surround technology sets apart what is otherwise still a strong A/V receiver in a highly competitive market niche.

I get to review a lot of A/V receivers. Familiarity breeding— well, familiarity— I confess that I tend to sort new examples into one of three classes. The flagship models cost a lot, pump out 140 or so watts from each of at least nine and often more channels, and they tend to cram in every conceivable feature. Entry-level jobs are cheap, five- or seven-channel affairs that usually top out at 65-or-so real watts per channel and incorporate more basic feature sets.