Blu-ray Movie Reviews

Legend has it that director Zack Snyder was streaming his Dawn of Justice one day and was unhappy with the color, specifically red, a shade relevant to much more than a certain Last Son of Krypton. And so, the studio took the unusual step of remastering the movie from the existing 4K video transfer and rereleasing it, with the new version addressing Snyder's crimson concerns as well as showcasing the de rigueur IMAX scenes in their full and correct 1.43:1 aspect ratio.

Pixar O.G. and now Chief Creative Officer Pete Docter touched our hearts with Up, then plumbed the intricacies of the human mind in Inside Out. It would follow, then, that his next movie would be Soul.

Together, these are arguably the most grown-up entries in the Pixar canon, not for any sort of overly mature content, but rather for their sophisticated themes and storytelling. And Soul might be the most adult-skewing: It's the longest of the three, exploring The Great Hereafter and even "The Great Before," namely where souls originate prior to their arrival on Earth. This concept requires quite a bit of exposition, and it's executed masterfully by Docter, co-writer/co-director Kemp Powers, and co-writer Mike Jones, through bold visuals and pithy gags.

Closing an almost 50-year career that began with Un Chien Andalou, writer-director Luis Buñuel—aided by screenwriting partner Jean-Claude Carrière—created a trio of subversive amusements that savagely poke fun at pillars of French society, including church, military, and figures of the establishment. The master surrealist did so by playing with and disrupting conventional narrative structures, questioning the validity of his protagonists' rationality, and reducing their self-serving behavior and values to nonsense while upsetting cinematic expectations of viewers.

The Paramount Presents line kicked off last April, reintroducing viewers to some of the most enduring titles in the studio's vast library in reverent new Blu-ray editions. Thomas J. Norton recently reviewed the 13th release, The Court Jester, and three more are now available, spanning quite different eras of filmmaking.

Total Recall is a near-perfect mix of sci-fi action, plot twists, and the kind of warped tongue-in-cheek humor we expect from director Paul Verhoeven, delivered here with gusto by Arnold Schwarzenegger playing Douglas Quaid, a construction worker. More correctly, Schwarzenegger is Carl Hauser, a secret operative for the "Agency" who believes he is Quaid due to a memory implant. After being attacked by agents from the "Agency," Quaid escapes to Mars to aid the rebel independence movement and discover his true identity.

What a journey. Originally conceived as a simple sequel to his popular children's book, The Hobbit, J.R.R. Tolkien's The Lord of the Rings grew to become the epitome of epic fantasy. Set in the far-off, long-ago realm of Middle-earth, it introduces the good-hearted, vertically-challenged Frodo Baggins (wide-eyed Elijah Wood), tasked with destroying a cursed ring in order to stop a great evil from conquering the world.

"It's the getting started that's the puzzle—no way for a poor man to start. You need capital. Or you need some kind of miracle. Or a crime." These words, uttered by King-Lu, a Chinese immigrant seeking fortune in the mid-19th century Oregon Territory, set forth a series of events leading to a business selling baked goods to the hardscrabble inhabitants of Fort Tillicum. King-Lu's partner in the venture—which originates from a crime, as opposed to capital or a miracle—is Otis Figowitz, a mild-mannered cook also trying to carve out a future among the fort's traders and trappers.