Daniel Kumin

Performance
Build Quality
Value

AT A GLANCE
Plus
Accurate and dynamic sound
Excellent imaging depth of field
Impressive bass extension and weight
Minus
Bass balance may be less amenable to some rooms or placements

THE VERDICT
The latest tower from SVS is a top value/performance contender for full-range loudspeakers.

Certain geographies have long-held associations with loudspeaker design. Maidstone, Kent or Steyning, Sussex in Britain (KEF and Bowers & Wilkins, respectively) for example. Or Cambridge, Massachusetts (Acoustic Research/KLH/ Advent) and Los Angeles, California (JBL) here in the United States.

And Youngstown, Ohio?

Performance
Build Quality
Value

AT A GLANCE
Plus
Top-tier tonal accuracy and dynamic ability
Amazingly compact for performance level
On-board EQ offers flexible placement options
Minus
Relatively tight sweet spot
No on-board streaming, digital inputs, or DSP

THE VERDICT
Elac's powered-speaker is highly compact, yet capable enough to satisfy serious listeners.

Active loudspeakers, or speakers with built-in amplification, have long been box-office poison in the U.S. market. That's because we Americans like our big receivers, choosing them based on power ratings, and then hooking them up to conventional, passive speakers using garden-hose speaker wire. When you add up the market segments that simply won't consider active speakers, including owners of receivers lacking preamp outputs and those who simply cannot get their heads around the whole powered-speaker concept, the issue becomes a non-starter.

Speakers
Performance
Build Quality
Value

Subwoofer
Performance
Features
Build Quality
Value

AT A GLANCE
Plus
Rich, full-range sound
Fine imaging
Great-looking and nicely finished
Minus
Center-channel not a perfect timbral match with towers
Subwoofer output and extension does not fully complement towers

THE VERDICT
This highly affordable Q Acoustics 5.1 package offers big, warm, dynamic stereo sound from compact towers, and good movie sound with or without the included sub.

Q Acoustics is a relatively new British loudspeaker manufacturer who has made a goodly amount of noise in the value/performance speaker arena for a dozen years now. I count the firm among the 21st-century flowering of affordable-speaker-makers catalyzed by partnerships with Chinese manufacturing firms and ever-more powerful and widely accessible computer-modeling design processes. The result of this confluence has been a bounty of excellent designs in the most competitive price ranges, from new and old names alike, that in the aggregate make the home-theater dollar go further than ever before.

Performance
Features
Ergonomics
Value

AT A GLANCE
Plus
Reference-grade sonics
Outstanding digital audio performance up to 32-bit/384kHz
Gorgeous fit and finish and industrial design
Minus
Basic user interface
Comparatively limited onboard music streaming options
Ethernet connection can be finicky

THE VERDICT
The Micromega M-150 is a pricey, somewhat limited, but fine-sounding integrated amp with a super-slim form factor and surprising power.

Nominally, French firm Micromega would seem a deeply conflicted organization. Is it micro, or is it mega? We may never know. (For the record, “Micomégas” is an 18th-century, ur-science-fiction novella by that most French of Enlightenment figures, Voltaire.)

Either way, the south-of-Paris firm has an established record of filling niches in the ever-shifting digital-audiophile world, beginning with several notable high-end CD players. Today, like most such manufacturers, Micromega is redefining itself for the post-physical media age: Witness its latest M-One duo of streaming- capable, digital-input integrated amplifiers—streamplifiers, as I like to call them.