Music Reviews

Neil Finn is a restless soul. Though the New Zealand–bred singer/songwriter/multi-instrumentalist has long mastered the craft of concocting melodic gems—Split Enz’s “I Got You,” Crowded House’s “Don’t Dream It’s Over,” his solo single “She Will Have Her Way”—he continues to search for ways to shake up song arrangements and their ensuing sonic character while still managing to keep everything eminently hummable. By teaming up with longtime Flaming Lips sonic alchemist/producer Dave Fridmann to co-turn the knobs for his third solo album, Dizzy Heights, Finn plants a stylistic flag that whips together a heady mixture of stark minimalism and ethereally dramatic effects.

Neil Young is an international treasure. Perhaps he should adopt Frank Sinatra's signature mantra "I did it my way" as his own, because his artistic vision is, frankly, unparalleled in the history of popular music. Neil always does what he wants, releases new and archival material whenever he wants, and often chooses to lay it all down in whatever genre strikes his fancy. Even better, he takes great pains to ensure we the listeners get to hear all of it in the highest resolution possible.

When I saw Nirvana play Roseland Ballroom in New York City in July 1993, it was three months before the release of In Utero, the band’s explosive follow-up to the game-changing Nevermind. The balls-out, frenzied new songs I heard that night foreshadowed In Utero’s raw power. And this 20th anniversary Super Deluxe Edition not only reconfirms the depth of Kurt Cobain’s tragic genius, it also reminds our collective ear that alternative-rock icons could sound great too, despite the somewhat misleading lo-fi tag hung on the grunge movement.

Decaydance/Fueled by Ramen Music ••• Sound •••½

If nothing else, you certainly have to commend Panic at the Disco for deliberately choosing n