We finally have a victor in the consumer electronics industry’s long-running race to the bottom: the Dayton B652. How much less expensive can a two-way speaker get than $34.50 per pair? That’s the price Parts Express currently demands for the B652.
I am not a luddite. In fact, barring cybernetic augmentations (bring 'em on), I'd say I'm about as far from a luddite as one could be. I love technology. Thanks to my job, I'm often the first of my circle to have the latest gadget. I've got tons of Apple iStuff, a beloved Android phone, an oversized HDTV, 18MP DSLR, and yadda yadda.
We’ve received a few inquiries from readers about a music track I’ve mentioned in recent subwoofer reviews. Considering that I’ve described the piece in question as having “the most intense low bass I’ve ever heard,” this interest isn’t surprising.
The 30th Anniversary of Raiders of the Lost Ark came and went on June 12th, and while there's still no Blu-ray announcement, a special screening at the Academy of Motion Picture Arts and Sciences (you know, the Oscar folks) brought together a panel of behind-the-scenes people who worked on the film.
If you’re carrying a smartphone, you’re carrying one potent little entertainment system. It has two weaknesses, though: the tiny screen and the fact that most people tether themselves to the device with a set of headphones.
RedMere, based in Balbriggan, Ireland, is one of those clever companies that comes up with something needed, then licenses it out for other companies to make and sell. In this case it's a tiny chip, small enough to fit in an HDMI connector, that allows the cable to be significantly smaller than other cables.
I haven’t tried every audio-oriented app for Android phones, but I’ve tried a bunch. Not surprisingly, the one I like best by far costs $6.99, which for an Android app is a truly Rolls Royce price. Yet it’s also the most insane deal of all time for DIY audio measurement software.
I have a confession to make: Often when I see a new über-expensive high-end audio product, I think, “It’s cool, but who would actually buy this?” I sure didn’t feel that way when I got a demo of the new Steinway Lyngdorf S-series at the company’s showroom in Los A
Sitting beside my laptop computer is the coolest portable TV I have ever used. But the question I’m trying to answer is whether anyone’s going to want it.
An audio reviewer hears two lines over and over: “That never happened with any of the other samples” and “We created this [fill in the blank] because the products that are out there now are inadequate.” I heard the second line last week in a ramshackle Van Nuys, California industrial space bordered by a security gate and half-filled with piles of decades-old test gear. Unlikely as the setting seemed, its tenant actually delivered on his claims.
When Netflix announced their new pricing plans this week, it was as if they'd kicked a baby. Twitter, Facebook, and even the desolate Google+ ignited as thousands cried out in horror: "How dare you raise your prices!" "I'm cancelling my subscription!" and the terseless "Netflix is making their service more "convenient" by charging me $5 more a month. Thanks a lot."
Last year, an audio dealer named Gordon Sauck called to get my permission to use a 1997 article of mine on his website. As I chatted with him, I realized there was a huge emerging trend to which I and most of the other guys who write about audio have been largely oblivious.
Last year, an audio dealer named Gordon Sauck called to get my permission to use a 1997 article of mine on his website. As I chatted with him, I realized there was a huge emerging trend to which I and most of the other guys who write about audio have been largely oblivious.