In the last couple of years, I’ve heard several speaker manufacturers predict that the increasingly good-sounding $300 products from the likes of Panasonic, Samsung, and Vizio would soon push all the traditional audio companies out of the soundbar biz. But it hasn’t happened. This year’s CES saw the introduction of several new soundbars from respected brands.
We haven’t made any secret of our general disdain for headphones endorsed by hip-hop artists. Not that we have anything against hip-hop artists, nor is there any good reason why hip-hop ’phones should sound bad. It’s just that many of them do.
In last year’s celebrity headphone test, we didn’t dig the Soul by Ludacris SL300WB at all, and had a mixed reaction to the Beats Pro and Skullcandy Roc Nation Aviator. But our not-unpleasant experience with the Sync by 50 SMS-WS got us thinking that maybe someone in the hip-hop world was starting to understand that while crazy, bass-heavy tonal balances may be initially impressive, they’re not something most of us want to live with on a day-to-day basis.
Next up in the battle of the rapperphones is the $275 WeSC Chambers by RZA.
We haven't made any secret of our general disdain for headphones endorsed by hip-hop artists. Not that we have anything against hip-hop artists, nor is there any good reason why hip-hop 'phones should sound bad. It's just that many of them do.
In last year's celebrity headphone test, we didn't dig the Soul by Ludacris SL300WB at all, and had a mixed reaction to the Beats Pro and Skullcandy Roc Nation Aviator. But our not-unpleasant experience with the Sync by 50 SMS-WS got us thinking that maybe someone in the hip-hop world was starting to understand that while crazy, bass-heavy tonal balances may be initially impressive, they're not something most of us want to live with on a day-to-day basis.
Next up in the battle of the rapperphones is the $275 WeSC Chambers by RZA.
GoldenEar Technology may have had the fastest rise to the top of any speaker manufacturer in history. The company started less than 2 years ago. Yet its very first product, the Triton Two tower speaker, was named Sound+Vision’s 2010 Audio Product of the Year — and practically every other audio publication raved about it, too.
It shouldn’t have come as too big a surprise, though. GoldenEar is the creation of Sandy Gross, a co-founder of Polk Audio and Definitive Technology, and engineer Don Givogue, the other co-founder of Def Tech. Still, to have people comparing your $2,500-per-pair speaker to $10,000-per-pair models is an accomplishment.
TRADITIONAL two-channel audio never went away. But there’s no denying that since the early ’90s, stereo has been overshadowed by home theater. Most of the audio industry devoted most of its effort to adding more speakers, more channels of sound, and more complexity to our systems.
The name Mark Levinson is familiar even to those who couldn’t care less about audio. It’s been mentioned in numerous Lexus commercials, because Mark Levinson audio systems are an option in the higher-end models. Audio enthusiasts know Levinson as the founder of the company that still bears his name, and that 40 years later still makes some of world’s finest audio electronics, although under different ownership.
Levinson has been a prominent figure in the audio biz since 1972, but he’s been fairly low-key for the last 10 years. Now he’s coming back with what he says will be his last audio company and his last audio system. A couple of weeks ago, I got to be one of the first in the U.S. to give it a lengthy audition.
I’ve been covering video projection since the early 1990s, but last week was the first time I walked into a product display and had a hard time figuring out which projector was showing which picture.
I love the form factor of on-ear, or "supra-aural" headphones — the kind where the ear pads press against your ears’ pinnae instead of surrounding them — because they usually fit easily into my laptop computer case. But I’ve had a problem finding a model comfortable enough to wear for more than an hour. What’s more, I’ve found no on-ears whose performance compares to that of a good over-ear (or circumaural) headphone — until now.