AV Receiver Reviews

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Chris Lewis  |  Feb 15, 2005  | 
Good sound made easy by Lexicon and Canton.

In case you didn't believe we were serious about dedicating more of our pages to the overriding reality of home theater—the necessity of individual components coming together to form a cohesive system—we offer exhibit B, our new Spotlight System review. Exhibit A, for those keeping score, is our Hook Me Up column: Sometimes it includes reviews, and sometimes it doesn't, but it always keeps an eye on system issues, especially connections. This new column contains all of the elements of a standard gear review, with the notable exception of being focused on a system, rather than individual components.

Lawrence E. Ullman  |  Feb 13, 2005  |  First Published: Feb 14, 2005  | 

For a company that recently celebrated its 50th anniversary, Harman Kardon looks maahvelous. Consider the sleek industrial design of the company's new AVR-series receivers. With minimalist gloss-black front panels and distinctive, ring-shaped, blue-illuminated volume controls, these components look both strikingly modern and a tad retro—an appropriate synthesis coming from the company that introduced the world's first receiver back in 1954.

Mark Fleischmann  |  Jan 18, 2005  |  First Published: Jan 19, 2005  | 
Practicality trumps mystique.

Years ago, I crossed swords with the editor-in-chief of a magazine that covered tech only in passing. His deputy editor took me aside, and a reflective look came into his eyes as he explained why his distinguished boss hated my work: "There's a kind of hardheaded practicality to him, and the whizbang stuff you write just leaves him cold. High-end cars he understands, but not high-end audio, and he wants you to convince him that this stuff is really worth paying good money for." Ever since then, I've tried to recognize that hardheaded practicality when I run across it—especially in readers.

Daniel Kumin  |  Dec 27, 2004  | 

Sure, it's great to be an "early adopter" of new technology. You get to play with the latest, coolest gear before any of your oh-so-20th-century friends, and you can learn about new trends as they emerge, transforming yourself into a thundering bore . . . er, valued cocktail-party guest.

Lawrence E. Ullman  |  Dec 15, 2004  | 

Back in the misty days when 2-channel stereo was still an exciting new format and tubes ruled the land, Sherwood was a brand name to be reckoned with. Together with such companies as Harman/Kardon, Fisher, Marantz, and McIntosh, Sherwood was instrumental in launching the American hi-fi industry on a path that would culminate in today's high-end audio gear&mdash;grist for our sister publication, <I>Stereophile</I>.

Thomas J. Norton  |  Dec 15, 2004  | 

The STR-DA9000ES is Sony's entry in what has become a new trend in home theater: receivers that seriously challenge separate components. That challenge is extended not only in features and performance, but in size as well. Many of these new behemoths equal the sheer bulk of more than a few preamplifier-processor and amplifier combinations.

Chris Lewis  |  Dec 14, 2004  |  First Published: Dec 15, 2004  | 
The gateway to four figures.

Being a big electronics company and not having a $1,000 A/V receiver is a little like being a big car company and not having a car around $20,000 to $25,000. It's that key middle ground that you hope will ultimately help transition people from your entry level to your high-end level. It's also one of the first levels where people expect something well beyond the basics, and the competition to provide it, and grab those extra dollars, is stiff.

Steve Guttenberg  |  Dec 14, 2004  |  First Published: Dec 15, 2004  | 
The sound goes round and round and comes out here.

The 2004 Home Entertainment East Show was chock full of cool, new high-tech goodies, but I found myself returning again and again to the Arcam/Gallo Acoustics room. This was all the more surprising because I'm pretty familiar with Arcam's uncommonly elegant electronics and Gallo's radically round speakers, but they were demoing the Drumline DVD at realistically loud levels, and the choreographed thunder of competing marching bands was huge, dynamically alive, and tons of fun. A week after the show, I was still reminiscing about the sound. I made some phone calls, worked out some scheduling and shipping details, and now I'm sitting here exploring the system's capabilities in my very own home theater. Let me tell ya, the spectacular sound I heard at the show wasn't a hallucination; the Arcam/Gallo combination is good. . .really good.

Barry Willis  |  Nov 05, 2004  | 

New Acoustic Dimensions, aka NAD, has been building reliable, affordable, good-sounding audio equipment for well over a quarter of a century. Anecdotal evidence: My NAD 7225PE receiver, 20+ years old, is still working perfectly as the heart of my garage workshop audio system.

Fred Manteghian  |  Oct 16, 2004  | 

A cross between a torque-driven Datsun Z and a rev-happy Mazda RX was the first thing I thought of when I read the model designation of Yamaha's new flagship receiver: RX-Z9. I wasn't far off. This baby is a beast of a receiver with enough horse under the hood to drag you kicking and spitting into a 21st-century home theater beyond reproach. The list of standard features is as long as a dragster's tailpipes, but starting with the 170W to each of seven primary channels (and another 50W for two Presence channels), Yamaha's intentions are quite clear: This is all the receiver you need!

Kevin Hunt  |  Oct 15, 2004  |  First Published: Oct 01, 2004  | 
1-Bit o honey.

In a previous lifetime, the Sharp SD-PX2 was probably a too-cool 1940s Bakelite radio—boxy, plastic, and proud of it. The SD-PX2 DVD/receiver is a certifiable forward-thinker. Utilizing Sharp's 1-Bit digital amplifier technology, the streamline SD-PX2 packs a DVD player and receiver into a stand-up chassis that, at only 4.5 inches deep, wouldn't look out of place on a bedside stand.

Mark Fleischmann  |  Aug 19, 2004  |  First Published: Aug 01, 2004  | 
The most reliable guide to power ratings isn't the specs provided by the manufacturers but the measurements made by our technical editor. He follows the mandates of the Federal Trade Commission in measuring power output and distortion with all channels continuously driven (along with a less-demanding two-channel spec). When objective third-party measurements aren't available, here's a quick-and-dirty means of sorting high-power receivers from the junk: Just feel the weight. Aside from the nefarious inclusion of useless lead weights, more pounds indicate either the presence of a heavier power supply or a heavier, more-sturdy chassis—ideally, both. All things being equal, with conventional amplifiers, you don't need expensive test gear to figure out that a 50-pound model is likely to play louder and cleaner than a 15-pound lightweight, even if both are rated at 100 watts per channel.
Mark Fleischmann  |  Aug 19, 2004  |  First Published: Aug 01, 2004  | 
This receiver's front panel is black but sets itself apart with a high-gloss finish and Pioneer's traditional (and rather attractive) amber display. It doesn't depend excessively on the jog dial. To the left, above the jog dial, are buttons labeled "music" and "movies," which make it easy to switch between Dolby Pro Logic II's music and movie modes (there's no IIx). To the right are buttons that choose the external line inputs for a universal player, select modes for the room EQ (including off), and bypass the tone controls for direct stereo playback. Touching any button on the remote activates red-orange backlighting.
Mark Fleischmann  |  Aug 19, 2004  |  First Published: Aug 01, 2004  | 
If you're shopping for a deal, you might find one on this stylish two-tone receiver. Its list price is not the lowest in this group. Search the Internet, though, and you'll find good deals on the AVR 630 from authorized dealers. (To make sure you buy from an authorized dealer, with a valid warranty, check the "where to buy" page at www.harmankardon.com.) The street-price differential between the AVR 630 and the others in this roundup is many hundreds of dollars. For some, that may prove to be the deciding factor.
Mark Fleischmann  |  Aug 19, 2004  |  First Published: Aug 01, 2004  | 
This feature-laden receiver conceals its gifts behind a basic black exterior. There's nothing unusual about the plain white fluorescent display, volume and jog dials, or flip-down panel that conceals most of the buttons. Denon's one original touch is a set of navigation controls behind the hinged panel that follow the same layout as those on the remote (up/down/left/right, with the enter button in the center).

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