AV Receiver Reviews

Performance
Features
Ergonomics
Value

With gas approaching $5 a gallon in some parts of the country, most consumers are cutting back on discretionary spending in order to make ends meet. If you have to drive an SUV (like I do), then a trip to the local gas station could set you back $100 to fill the tank. In times like these, your quest to find the greatest bang for your buck might even extend all the way to your equipment rack. If you’re in the market for a new AVR, you won’t have to look far thanks to Onkyo. What if I told you you could have seven channels of amplification, first-rate video processing, and many of the features found on the flagship products for less than $600? If I’ve piqued your interest, then keep on reading, because the TX-NR609 is one of the best values that’s come down the pike in a long time.

Daddy, Am I High End?

What exactly is a high-end A/V receiver? Is it the most expensive and feature-rich model in a manufacturer’s line? Is it a model with power specs above a certain level? Is it a model that sells above a certain price point? Is it any model from a manufacturer with a high-end pedigree? There are some who insist the phrase “high-end A/V receiver” is a contradiction in terms. Before we split any more hairs, let’s all favor that kind of person with a dirty look. Under certain circumstances, it might be OK to throw a martini in his smug little face.

Internet in a Boxx

As networked media features steadily infiltrate HDTVs, Blu-ray players, set-top boxes, and other audio/video products, streaming may be upstaging 3D as the must-have technology. The question is how to get streaming into your system. Do you want your choice of HDTV to hinge on streaming features—as opposed to, say, picture quality? While that may be the ideal solution for some, others will seek ways of smuggling streaming into their racks via smaller purchases such as Blu-ray players, set-top boxes—or A/V receivers, like the Sherwood R-904N NetBoxx. At $650, it delivers a huge array of networked media features for a nice price.

Performance
Features
Ergonomics
Value

Anthem Lite and Right

When I hear “Anthem,” I also usually hear “ka-ching!” Anthem’s Statement D2v surround processor sells for a cool $8,500, which is enough cash to keep a Colorado hippie blazing in medical marijuana for years. The MRX 700 is the company’s welcome foray into the world of down-to-earth-priced AVRs, punctuated by the inclusion of the same Anthem Room Correction (ARC) system the company uses in its costlier separates. Anthem’s proprietary room correction alone might be enough to swing some consumers’ decision. Those who’ve used ARC with Anthem’s separates (including some people employed by this fine publication) hold it in high regard. An AVR at the MRX 700’s $2,000 price point is going to be up against a lot of stiff competition. Will Anthem pull it off, or is its first attempt at a killer AVR for the masses about to go up in smoke?

There's a trend afoot in A/V-land to make even Flagship receivers simpler (at least on the outside), easier to use, and physically more compact and less intimidating. Now Yamaha has boarded this bus, not just with a single model but with an entire new family of AVRs it's calling Aventage (rhymes with fromage). Cheesy names aside, the news here is that, for once, "new and improved" really is: new form factor, new user interface, new network-ability, new remote control, and lots of new (or at least evolved) audio and video technology.

Performance
Features
Ergonomics
Value

Porthole Chic

It’s not unusual for a Marantz A/V receiver to have a curved front panel, inspired by the company’s high-end two-channel gear. But this one has an unusual twist found in no other AVR models (so far). Between the usual volume and source-select knobs is a porthole display. It’s not large enough to support much information—but if you flip down the large door below it, another display appears.