The slipcover to the new release of the Back to the Future trilogy, just released on 4K Ultra HD Blu-ray for the first time, refers to the threesome as the “most popular movie series of all time.” I’m not sure about that; the trilogies of The Lord of the Rings and the original Star Wars (episodes 4, 5, and 6 in George Lucas’ bizarre numbering system) might have something to say about that. But The Lord of the Rings is a long slog for some viewers, running over 10 hours in its extended versions. And Return of the Jedi, episode 6 of Star Wars, with its army of cuddly teddy bears (can you say merchandizing?) was too cutesy by half.
But both of the latter trilogies were essentially serious endeavors, their heroes battling evil. Back to the Future, on the other hand, is a tongue-in cheek romp.
The other day I was fiddling with my car radio in an attempt to find an interesting station, not an easy exercise in my end of the woods. I landed on a real estate broadcast. I’m not in the market to buy or sell property, but I stayed with it rather than dial while driving. My car doesn’t have one of those all-singing, all dancing, voice activated in-car entertainment systems”Alexa, play soft jazz.”
The subject being discussed was what sort of home improvements homeowners were investing in these days. In the current environment it may seem odd that some folks are putting in swimming pools, adding bedrooms, and remodeling here and there. But if it keeps contractors in business and their workers employed I’m happy for them. One question asked of the commentator was if these upgrades included an uptick in home theater installations. Given the current (non) status of commercial movie theaters, this seemed logical. The answer given, however, was a definite no. With the ability to now watch and listen on portable devices such as smart phones and tablets, the responder claimed that some current home theater owners are even converting their entertainment spaces to home offices or other more pressing needs. Yuck.
Most sci-fi fans have their favorite genre films from each decade. The 1980s had more than their share of them. There would be plenty of votes for the second and third Star Wars releases: The Empire Strikes Back, and Return of the Jedi. Star Trek TOS would also crash the party with perhaps the best sci-fi trilogy of all: The Wrath of Khan, The Search for Spock, and The Voyage Home. There were one-shot candidates as well, including Aliens, Cocoon, Inner Space, War Games, Enemy Mine, and, of course, E.T.
Yes, the ‘80s were a good time for sci-fi. Even more amazing is the fact that most of these films used only physical (practical) effects; CGI was barely a buzzword. But two live-action films from the first half of the decade hinted at what was to come. Tron made an attempt at using computer generated images, though many of the effects were supplemented by animation. But it was another film from the ‘80s that more clearly pointed the way to the future: The Last Starfighter.
I sort of expected it when I moved to Florida 5+ years ago, so when the eye of hurricane Sally struck about 100 miles west of here last week, it wasn’t really a surprise. It was Tuesday when the heavy rain started, and it continued through midday Wednesday. There was some wind, enough to drop a few trees within a mile of me, but heavy rain caused much of the damage. Over 20 inches fell in this area. They could have used that 20 inches on the west coast to kill the fires there; that’s something like eight years of rain at my former Los Angeles address! I hope no readers were seriously impacted by storms or wildfires on either side of the country.
Outlaw Audio has been in the amplifier business for over 20 years. I reviewed their first entry, the 5-channel Model 750, in the late ‘90s for the long-departed Stereophile Guide to Home Theater. It’s still here, now serving to drive my four Atmos speakers with one channel to spare. Many Outlaw amps have passed under the bridge since then, with many (perhaps most) made by ATI in California, so I was intrigued when Outlaw sent me their latest 7-channel amp — the 7220 — to have a look and listen.
Recently I completed one of my all too infrequent efforts to cull the herd of old magazines more than three years old; anything earlier worth finding is almost certainly available on-line. A few key older issues were kept for various reasons, and a complete set of the long-defunct Stereophile Guide to Home Theater is still hiding somewhere in the garage. But by accident I ran across my only remaining issue of Video Theater. Never heard of it? It was a magazine begun in the late ‘80s by J. Gordon Holt. Holt is best known as the founder of Stereophile magazine, which inspired a whole raft of competitors anxious to fill a pent-up demand for information on how equipment actually sounds, not just how it measures.
But Gordon was not only an audiophile. He was passionate about video as well in an era when home video hadn’t yet moved much beyond the 21-inch, CRT color TV. Video Theater was short lived, but was well served by Gordon’s unique observations and take-no-prisoners words. But the issue I found also had some pithy editorial observations about the road home audio had travelled, in Gordon’s estimation, and how this might predict the future of video beyond when these words were written, in mid-1990. Here they are:
We all have our own early experiences with moviegoing. My mother once told me that when I was two or three she took me to a movie about a dog. I apparently sobbed uncontrollably when the dog got lost and couldn’t find his way home. This probably left a lifelong scar; as the old saying goes, never follow a dog act. I’m not a cat person, perhaps because few movies have ever been made about a cat (well, there was at least one recently about a bunch of them, but let’s not go there!). There was never a Fluffy Come Home.
Once upon a time the movie on the screen was only part of a theater experience; the theater itself was often part of the show.
My last blog was limited to placement of the left and right speakers in 2-channel system, or just the left and right speakers in a home theater setup. There’s a lot more involved with a full surround sound setup....The remaining speaker channels we haven’t yet discussed are the center, the surrounds, and possibly Dolby Atmos. I’ll limit this discussion to 5.X or 5.X.4 setups, both with and without four Atmos speakers (for newbies, the 0.4 in the 5.2.4 designation describes the number of Atmos speakers, and the X is a stand-in here for the number of subwoofers, most often one or two). There’s a wide range of additional possibilities, including front height speakers, two additional surrounds (7.X.4), more than four Atmos speakers (though we don’t know of any consumer Atmos sources that offer more than four discrete Atmos channels), or only two rather than four Atmos speakers. But I suspect that 5.1.4 or 5.2.4 (five main channels, one or two subs, and four Atmos speakers) will describe most readers’ setups....
I recently responded to a question from a reader on proper speaker placement, a complicated subject that can never be given enough attention. It involves not only how you or I might prefer to position the speakers, but also possible veto by the décor committee. Here are some tips on where to put speakers for the best possible sound.
We all suffer through choosing a film to play for friends and family on a movie night. This might invariably include Joe and Ann from down the block, the neighborhood’s premier movie fans (apart from you!) who claim to have seen just about everything. Of course, most of what they’ve seen might have been on a 40-inch set (or even an old 27-inch, low definition CRT), constantly interrupted by commercials. Or perhaps new neighbor Bob from across the street, who hasn’t seen a movie in 20 years on anything but his computer or not at all.
It’s only been two months since I last opined on this topic, but things are never static in these interesting times. The subject of the survival of movie theaters, important not only to the movie industry but to the home video market as well, continues to evolve. Both industries, for better or worse, are dependent on the on the health of the film industry.
Some folks believe that the market for streamed movies will compensate for any permanent closing of theaters.
As we march into the third month in this Days of Our Lives lockdown, it appears that the jail doors are starting to inch open, if ever so cautiously. Before long we might be back to some semblance of normal. The long term effects of our response to the Covid-19 virus might be worse than the virus itself, but that story won’t fully hit the presses for a few monthsor years. In the meantime, here are a few, pithy thoughts on some perennial home theater topics.
TV Shopping Takes a Hit…
Unless you’re Amazon, this virus has been a serious blow to the consumer electronics market.
We have no confirmed data to show how the current coronavirus pandemic might affect the consumer electronics market. Even experts paid to research such things can only guess, but there’s little doubt it’s effect will be significant.
Ah, the good old days. Happy crowds coming together in joyful celebration, shopping together for a new TV on a lazy Saturday afternoon. Seems like only yesterday. Oh, wait, it was. But in the greater scheme of things, how the current Wuhan Virus pandemic will affect our small world of consumer audio-video isn’t a big topic on the nightly news. Nevertheless, that’s our gig here, and it’s important to consider the possible consequences. Will this be the end of the A/V world as we know it?
A month or so ago, my local AMC theater sent out a notice that they were only selling seats separated by a few feet to minimize close contact. A few days earlier I had gone to the Dolby Cinema screen in the same complex to see Onward, but it was a weekday afternoon and there were only about a half dozen of us spread out across the theater’s 250 seats. Today, thanks to the corona virus, that theater is closed for the duration. That’s true throughout the world...