After assassinating Congo’s Minister of Mining in 2006, Jim Terrier (Sean Penn) must flee the country, leaving the woman he loves (Jasmine Trinca) to his friend Felix (Javier Bardem). Eight years later, Terrier returns, only to discover that he has become a target. Searching for answers as he struggles to stay alive, Terrier manages to either murder or precipitate the death of everyone he meets, including his closest friends. In the end, with the help of a clever Interpol agent (Idris Elba), Terrier learns that his former employer is trying to eradicate all evidence of the crime—including him.
Remember reading that Oscar winner and True Blood star Anna Paquin was going to reprise her role as the mutant Rogue in the most recent X-Men movie, Days of Future Past? And then the movie came out and she was in exactly two shots with nary a word of dialogue, and even that moment came a scant four-and-a-half minutes before the end? Well, there was in fact more planned for her, and the new “Rogue Cut” reinstates her scenes as part of a rethought, expanded version of the movie. To be frank, it’s largely the same story you’re probably used to. Rogue’s return has minimal impact on the plot, but there are lots of other little changes along the way too, successfully enhancing the overall drama.
Picking up five days after the thrilling conclusion of Divergent, we find Tris and her companions in exile with the Amity group while they decide what their next move will be. Riddled with guilt over the death of her parents, Tris does her best to look strong, but she’s carrying around some serious emotional baggage. When the authorities finally catch up to her in the second act, the back story of the isolated community starts to make more sense, and as shocking as it sounds, Tris is the gateway to the past as well as their hope for the future, despite the Erudite’s leader doing her best to silence the rebellion.
Computer programmer Caleb Smith wins an inter-company competition to spend a week at the remote estate of the company’s brilliant, yet quirky CEO and founder, Nathan Bateman. He soon learns that the vacation will be anything but when he’s coerced into signing a nondisclosure release in order to administer a Turing Test on a new AI program that could revolutionize the world. It turns out that the AI has been placed in a fully functional—and human-looking—robot named Ava, who has been locked in a glass enclosure and can’t be freed unless she proves to Smith and Bateman that she’s achieved full consciousness and is not just copying human behavior.
In this witty and pithy examination of modern New York living circa 1991, director Terry Gilliam posits the absolute necessity to abandon cynicism in order to believe in something and someone. Jeff Bridges is wonderfully arrogant and nasty as stretch-limo-riding radio shock-jock, Jack, who accidentally provokes a desperate caller into entering a restaurant and slaughtering its yuppie patrons. Jack bails on his life, climbing into a bottle of whiskey and a chasm of sarcasm, self-loathing, and self-pity. Parry (another wonderfully manic Robin Williams performance), still traumatized by having seen his beloved blown away in the massacre, has gotten out of a mental institution only to become a crazed homeless person. After a chance meeting, Jack is drawn by his guilt to help Parry on a quest to steal the Holy Grail in the hope of healing both their damaged souls.
As popular as 007’s grittier, more credible exploits have been of late, fans raised on the character’s more extreme tendencies have wondered what those movies might be like if he had continued his cheeky, over-the-top evolution. And for them, there’s Matthew Vaughn’s Kingsman: The Secret Service. Here a small but well-funded super-secret organization, independent of government, is populated by consummate gentleman (and lady) spies, quietly risking their lives to save others and maintain peace. Headquartered in a posh Savile Row tailor shop, they have access to impossible high-tech gadgets, bold training, and virtually unlimited resources.
Apollo 13 launched on April 11, 1970, to a world unconcerned. Manned space flights were routine and no longer covered on TV. It wasn’t until a fateful explosion left the crew potentially stranded in space that anyone cared about the mission and its three-man crew. Ron Howard’s 1995 historical docudrama about the ill-fated mission won two Oscars for its taut editing and its brilliant sound design. Tom Hanks’ portrayal of Jim Lovell catapulted him into the stratosphere as a serious dramatic actor, and Bill Paxton also put in one of the strongest performances of his career as Fred Haise.
Born under the stars crossing the Atlantic while her mother immigrated to the United States, Jupiter Jones was told she was destined for great things. Unfortunately, it looked like her destiny was to clean toilets as a poor immigrant teenager in Chicago until Caine, a genetically engineered alien, arrives on Earth to save Jupiter from a band of Keepers (alien hit men). It turns out that Jupiter’s genetic markings label her as intergalactic royalty—she’s the reincarnation of the matriarch of the House Abrasax, who was murdered and somehow reborn on Earth. This upsets the balance of intergalactic politics, and Jupiter’s now in mortal danger.
Spongebob Squarepants is a fry cook at a popular fast-food diner called The Krusty Krab in the undersea city of Bikini Bottom. The Krusty Krab is famous for a particular burger-type delicacy called The Krabby Patty. They’re insanely popular, and the secret formula is kept under lock and key. Unbeknownst to Spongebob and his compatriots, an enterprising surface-dweller pirate named Burger Beard, played with delightful relish and gusto by Antonio Banderas, has found an ancient text that essentially tells the story of the movie you’re currently watching. This gives Burger Beard the ability to rewrite the story as it progresses.
Fame, wealth, power, and success are the enviable goals of most people in Hollywood. Once achieved, the struggle and pressure to maintain them are unrelenting and will drive some to drastic lengths to ensure their survival.
Havana Segrand (Julianne Moore) is an actress in the twilight of her career who still lives in the shadow of her more famous deceased mother. Constantly plagued by jealously, insecurity, and personal demons, she is desperate to keep her star status active while the delicate balance of her life and sanity rapidly unravel.
When it comes to dystopian movies of the 1980s, John Carpenter’s Escape from New York clearly stands out as one of the hallmarks of the period and genre, creating a futuristic vision of a society that has deteriorated to the point where the prison system has become a world entirely of its own. In fact, crime in America has gotten so out of hand the entire island of Manhattan is converted into a maximum-security prison from which there is no parole, and where the inmates—a merciless yet colorful lot—are left to govern themselves. But after terrorists strike Air Force One, tough-as-nails convicted bank robber Snake Plissken (Kurt Russell) cuts a deal to rescue the president, who has survived a crash-landing within the walls of New York City only to be held hostage on the eve of a critical global summit.
Screenwriter James Lapine and director Rob Marshall’s adaptation of the brilliant Stephen Sondheim’s stage musical (book by Lapine) is a highly entertaining, moving, and inspiring film that, in this Blu-ray’s presentation, makes for great home theater.
The story cleverly weaves together four fairy tales through a plot device centering on a baker and his wife who are unable to have children because of a witch’s curse. In order for the witch to lift the curse, the baker must bring her the cow from Jack (of the beanstalk), Little Red Riding Hood’s cape, Rapunzel’s hair, and Cinderella’s slipper.
Among the most anticipated and admired films of 2014, Selma depicts the epochal series of marches by Dr. Martin Luther King, Jr. (David Oyelowo) in Selma, Alabama, which led to the passage of the Voting Rights Act of 1965. Brought to the screen with power and sensitivity by director Ava DuVernay, this Oscar-nominated docudrama features a host of inspired and often intimate acting and noteworthy musical selections, which include the Oscar-winning song “Glory.”
If not the first movie to expose the true inner workings of organized crime—in contrast to Coppola’s seminal, romanticized The Godfather—GoodFellas is arguably the most influential, and the most enduring. It is also one of Martin Scorsese’s most popular films, a near-perfect intersection of source material and cinematic execution. Nicholas Pileggi’s book Wiseguy: Life in a Mafia Family recounted bona-fide gangster Henry Hill’s rise from two-bit mob gopher to prolific felon, as well as his ultimate downfall, and the many escapades in between. Adapted with ample violence and profanity, GoodFellas (renamed to avoid confusion with contemporary TV series Wiseguy) is also incredibly funny, often darkly so, for a more deeply entertaining tale.
American Sniper introduces us to Chris Kyle, on his first tour of duty in Iraq as he’s protecting an advancing Marine patrol. Through the scope of his sniper rifle, he spies an Iraqi mother as she hands a grenade to her preteen child with the intention of killing as many Americans as they can. Kyle must choose to take the life of this kid or risk losing his brothers in arms. To Kyle, the choice is clear: He must protect the troops at any cost. And so we can understand why he went on to become the most lethal sniper in U.S. military history, with 160 confirmed kills during his four tours.