Bookshelf Speaker Reviews

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Daniel Kumin  |  Jul 02, 2006  | 

Old joke: Heaven is the place where the police are British, the cooks are French, the lovers Italian, bureaucrats Swiss, and the engineers German. Hell is the place where the cooks are British, the engineers Italian, bureaucrats French, lovers Swiss, and the police German.

Mark Fleischmann  |  Jun 15, 2006  | 
Go with the intergalactic flow.

Crime in New York gets more and more bizarre. The other day, someone broke into my apartment and redesigned my speakers. I'm not sure if our local burglars are capable of this. No, the KEF KHT 3005 is clearly the product of an extraterrestrial mind. Who else would reimagine a loudspeaker as a glossy-black egg? Indeed, who else would reimagine a subwoofer as a giant, staring eye?

Steve Guttenberg  |  Apr 09, 2006  | 
Great balls of fire.

Anthony Gallo Acoustics' speakers had me thinking about the old Humpty Dumpty nursery rhyme. If you'll recall, after Humpty took a nasty fall and was smashed to pieces, all of the king's horses and men could never make him whole again. Following my cracked-up analogy, two- and three-way speakers break up the sound, sending it through woofers, midranges, and tweeters (and still sound great), but they can't ever really make the sound perfectly whole again. That's why full-range, single-driver speakers are the Holy Grail for some audiophiles. Enter Anthony Gallo Acoustics' latest set of balls, the new A'Diva Ti satellites, which get awfully close to that ideal. Heck, the wee A'Diva Ti is almost full range. Its 3-inch titanium/paper driver covers all frequencies from about 90 hertz to 22 kilohertz!

Mark Fleischmann  |  Apr 09, 2006  | 
Trendy yet rebellious.

The audio industry seems about to leap off a cliff. Permit me to suggest that this may be a rash decision. True, component audio sales have diminished, but that's no excuse for the industry to abandon its principles and give up on sound quality. What consumers are rebelling against is not good sound but bad design. They've had enough of big, dumb, room-hogging speakers. "It doesn't suit the room, but it sounds good" doesn't cut it anymore. "It looks as good as it sounds" is the winning combination.

Mark Fleischmann  |  Mar 17, 2006  | 
Xtremely good on the desktop.

What you are about to read is partly a review of the JBL speakers known as CONTROL 1Xtreme, partly an essay about how I rediscovered stereo, and partly a tale of audiofool upgrade fever run amuck.

Darryl Wilkinson  |  Jan 11, 2006  | 
Home Theater in a (Very Narrow) Box.

Thanks to plasma TVs, everyone is convinced that skinny and flat are where it's at when it comes to home theater—and those now-out-of-work robotic assembly lines that used to crank out CRTs by the boatload haven't been the only ones affected by the slender-is-better trend. You can't throw a crumbled-up extended-warranty brochure in an electronics store nowadays without hitting some sort of sleek, on-wall, "plasma-friendly" home theater speaker. Some manufacturers, fully embracing the slim trend, have created three-in-one (left front, center, and right front) single-cabinet on-wall speakers designed to be mounted above or below your flat-panel TV—or set on top of a rear-projection TV. Boston Acoustics, Definitive Technology, Atlantic Technology, and Mirage, for example, have all come up with their own variations of three channels coexisting in one narrow box.

Mark Fleischmann  |  Jan 10, 2006  |  First Published: Jan 11, 2006  | 
Gear from the Net that demands respect.

Outlaw Audio and Aperion Audio both pursue the decidedly nonmainstream business model of selling quality surround gear directly to consumers over the Internet. Back when I worked for an Internet startup—don't fall asleep now, or I'll poke you with a stick—my now dead-as-a-doornail company caught a lot of flak for facilitating Internet sales of audio equipment. Isn't it unwise to buy something you haven't heard?

Darryl Wilkinson  |  Dec 22, 2005  | 
So little, yet so big.

Flat-panel TVs—both plasma and LCD—are wall candy. I've never heard anyone say, "I'm going to buy a plasma TV because the picture looks so much better than what you get from a (fill in your favorite display technology acronym here) projection TV." Nope. People buy flat-panel TVs for one or more of three reasons: they're thin; they're cool; and, boy, do they make your friends RGB with envy. Half a millennium ago, I'm sure that people who could afford it covered their walls with the finest tapestries for exactly the same reasons. Is it any wonder then that panel after panel goes into homes with teeny, tiny, embarrassingly little home-theater-in-a-grocery-bag speakers next to them—or simply with no speakers at all? I blame the salespeople (or lack thereof). I blame the imperialistic, aggressive TV manufacturers who would have us all on bended knee in subservience to the great, glowing flat-panel on the wall. (Talk about must-see TV. . .) And I blame AM talk radio for convincing people that the idea of really good audio cohabitating with nice video is just another wacko liberal concept that will undermine this country. (Yeah, I have issues.)

Darryl Wilkinson  |  Nov 22, 2005  | 
There's beauty in these boxes.

When you live with something or somebody long enough (no matter how good the body—or how great the personality), it's all too easy to become complacent about how well off you are. That thought came to mind the other night when I was watching, of all things, The Blues Brothers. I had forgotten how great the music is in that movie. But then I noticed that part of what had made me rediscover my appreciation for the movie was the truly nice Triad Silver speaker system I had been living with for a little while but had stopped noticing.

Chris Lewis  |  Nov 17, 2005  | 
A fresh look at form and function.

One thing you can't say about speaker designers and manufacturers is that they haven't been busy over the last 10 to 15 years making drastic changes to the standard speaker form. There may have never been another period like it in the annals of speakerdom. What you can debate, however, is what the driving force for all of this change has been. It strikes me that a good portion of it has been aesthetically and ergonomically motivated, and far less of it has been geared toward making speakers sound better. Now don't get me wrong—I'm not here to trash flat panels, in-walls, wireless speakers, or anything else. Some of these designs can sound very good, despite their inherent compromises, and they are getting better as they mature. They all have their purposes, and many of them have well served people who may not otherwise be interested in speakers outside of those in their televisions, or those folks who aren't willing to give up floor space to accommodate speakers. But special congratulations must be given to those speaker makers who, either through new technologies and designs or not, are actively trying to improve the sound quality of such designs. This quest is as important now as it has ever been.

Darryl Wilkinson  |  Oct 22, 2005  | 
Feed your hungry eyes and ears on an attractively entertaining meal of lean on-wall speakers and tender, choice electronics.

Whether by nature or nurture, I'm a speaker guy. I'm more captivated by speakers than any of the associated electronics in a home theater system. As a result of this singular infatuation, I've always believed, as a general rule of thumb, that you should allocate at least half of the total cost of the audio portion of your system to the speakers. I don't know why the math seems to work out that way, but, in my mind, it just does. So what am I to make of a system in which the Primare electronics cost twice as much as the Sequence/REL speaker package?

John Higgins  |  Oct 15, 2005  |  First Published: Oct 30, 2005  | 
Bouncing off the walls.

In a time when housing prices are rising at an exponential rate, making affordable square footage scarce, one of the major challenges to having a home theater system is space. The home-theater-in-a-box phenomenon has attacked this problem by packaging smaller, matched speakers together with a receiver, but there's still the issue of finding space for proper speaker placement and the messy wiring that follows. Yamaha offers the YSP-1 Digital Sound Projector to alleviate this problem.

Kevin Hunt  |  Aug 30, 2005  |  First Published: Aug 31, 2005  | 
Energy takes the plunge: It's a new lifestyle.

At about the same time the Spice Girls hit number three on the Billboard charts with "Say You'll Be There" in 1997, Energy Speaker Systems was striking gold of their own with a set of tiny home theater speakers called Take 5.

Chris Lewis  |  Aug 30, 2005  |  First Published: Aug 31, 2005  | 
The international systems tour rolls on.

You may recall that I've usually tried to dip into the historical well when introducing the many international audio systems that we've reviewed lately. This at least spares you from yet another opening paragraph of worn-out exaggerations about paradigm shifts and in-your-face phrases like "in your face." I'm somewhat stumped here, though. The Japanese and English seem to have avoided pairing up, or squaring off (directly, at least), in any high-profile military conflicts. There have really been no economic or cultural wars between them. I can't even find a case where they've faced off in a major sporting event. But one place they have gotten together often is in the listening room—and I suppose that is what we're here for, after all.

Adrienne Maxwell  |  Jul 20, 2005  | 
Thinking outside the box.

Who says you have to sacrifice performance to create a small, affordable speaker system? Not Atlantic Technology. With the new $899–$999 System 920, they set out to prove that we can and should expect more than we're currently getting from most tiny sub/sat and HTIB speakers. I put their claim to the test for this Spotlight review by mating the speakers with Onkyo's brand-new $300 TX-SR503 A/V receiver. Add an inexpensive universal disc player to this combo, and you've got a complete home theater system for about $1,400.

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