CES 2012

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Scott Wilkinson  |  Jan 12, 2012  | 
Although it was first introduced at CEDIA last September, I missed seeing the Mitsubishi HC-7800D DLP projector at that show. This 3D-capable single-chip model uses IR-sync'd active glasses that boast a much shorter inter-eye blackout time (when both lenses are closed) than most active glasses—0.2 milliseconds compared with about 3ms—which means they let more light through for a brighter 3D image. The HC-7800D provides 2D-to-3D conversion and vertical lens shift with manual zoom and focus. It is available now for $3000, including the IR emitter but no glasses (except now through the end of February, when you get one pair in a special promotion—which is a good deal, since the glasses cost $200 each!).

I saw a demo on a 110-inch (diagonal) Vutec Silver Star screen using a clip from Yogi Bear, an awful movie that nonetheless has great 3D, and it looked quite good with no discernable crosstalk. But even with the reduced inter-eye blackout time, the image was still pretty dim.

Brent Butterworth  |  Jan 12, 2012  | 

Surely there’s never been such a vast display of headphones in the history of the universe as at CES 2012. From super-high-end models to bottom-feeder stuff, there was something for every budget and every taste.

Tom Norton  |  Jan 12, 2012  | 
Handing out the Daily Rag at a trade show can be a mundane exercise elsewhere, but in Las Vegas it rarely is.
Tom Norton  |  Jan 12, 2012  | 
Dish Network’s Hopper greeted everyone passing through the main doors of the Las Vegas Convention Center.
Tom Norton  |  Jan 12, 2012  | 
The entry point for the LG booth (why do they call them booths when they’re more like stadiums?) was perhaps the knockout of the show, with dozens of LG flat panel displays arrayed in a video wall displaying a stunning loop of 3D images. And because LG is using passive glasses in all of its LCDs, it was able to show 3D not only on these screens but on most of the screens in their booth as well, providing either regular or clip-on passive glasses to all comers.
Tom Norton  |  Jan 12, 2012  | 
JVC demonstrated three of its projectors, the DLA-X30R ($3500), DLA-X70R ($8000), and the DLA-X90R ($12,000). The DLA-X30R was demonstrated in 3D with an anamorphic lens on a 2.35:1 source. The ability of the JVC projectors to do 3D with such an add-on lens new for 2012. Previously, and with some other projectors, the internal processing did not have enough horsepower to handle both 3D and the anamorphic vertical stretch needed for use with an anamorphic lens.

The DLA-X70R was used for a 2.35:1 2D source, but here by using the zoom method to fill the screen (a convenient option here thanks to the lens memories that all three projectors offer. A review of the DLA-X70R is in the works and should appear in our May 2012 issue. Both of these projectors were used on Screen Innovations Black Diamond screens (1.4 gain, 100-inches wide) in a well-darkened space.

The DLA-X90R was demonstrated in JVC's 4K e-Shift theater on a 150-inch diagonal (about 130-inches wide) Stewart DT Reflection screen (gain 1.7). the images were stunningly vivid, and the demo all too brief!

Tom Norton  |  Jan 12, 2012  | 
According to the CEA (the Consumer Electronics Association, the CES show-runners) the CES exhibit space covers the equivalent of 34 football fields— likely enough to hold all of the NFL playoff games with room left over for the Super Bowl, both this year and next. Sony's booth must be occupying at least two of those fields, with the same dizzying array of new products as in all the big booths, from the sublime to the gadgety. More than a few of those products are mentioned in these pages; for more on several of them, including Sony's Crystal LED technology demonstration, see our video blogs.
Tom Norton  |  Jan 12, 2012  | 
It may have been one of the less dramatic introductions at CES, but Sony's new, lightweight active 3D glasses will be welcomed by those of us with red bumps decorating the bridge of our nose after every 3D movie.
Mark Fleischmann  |  Jan 12, 2012  | 
GoldenEar Technology continues to produce thoughtful, independent-minded, and well-engineered new products. Pride of place in the company's exhibit went to the Triton Three powered tower, whose 800-watt DSP-enhanced digital amp drives a 5- by 9-inch sub driver, further reinforced by two 6.75- by 8-inch passive radiators. With the top end handled by GoldenEar's signature folded ribbon tweeter and Audio Research electronics, the speaker left the room awash in delicious sound. Another notable debut was the SuperCinema 3D Array soundbar. This LCR bar includes, in triplicate, the folded ribbon and a 4.5-inch woofer. Cancellation of inter-aural crosstalk gives it the ability to sound anywhere from slightly to considerably (almost unnervingly) bigger than the width of the bar itself. Since it's an LCR, factor in the cost of surrounds and sub. Pricing for either one: $999/each. Also shown was the Invisa HTR 7000 in-ceiling speaker, the first product in that genre to include the folded ribbon ($499).
Mark Fleischmann  |  Jan 12, 2012  | 
The gorgeous green Focal Diablo Utopia was fed in style by the Devialet D-Premier, winner of a CES 2012 Innovations award. The D-Premier combines the functions of streamer, DAC, preamp, and hybrid amp in a svelte flat form factor. At $16,000 it doesn't come cheap.
Mark Fleischmann  |  Jan 12, 2012  | 
This metal grille has a lotus pattern that is said to be acoustically transparent. You'll find it in Morel's new Sopran tower ($12,000/pair) and Octave 6 ($6500/pair for the tower, $3500/pair for the monitor).
Mark Fleischmann  |  Jan 12, 2012  | 
Interesting shapes were seen in the exhibit of this Danish loudspeaker maker.
Michael Berk  |  Jan 12, 2012  | 

It may not have involved OLED, but one of the biggest consumer electronics announcements of the month - Gibson Guitar Corporation's acquisition of a majority stake in Onkyo USA and a large chunk of Onkyo Corporation proper, with the establishment of a Hong Kong-based R&D-oriented joint venture - happened last week rather than at CES proper, but today the CEOs of Gibson and Onkyo, Henry Juszkiewicz and Munenori Otsuki took some time to clarify the finer points of the partnership, which left many observers' scratching their heads. Rather than holding a press conference in one of the maze-like structures in which most of us have been spending our time this week, Juszkiewicz and Otsuki invited a few reporters to meet them on the Gibson bus, a fully blinged-out luxury liner styled in the tradition of Nashville's golden age.

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