Ears On

Are Apple's new higher-fidelity downloads worth their premium prices? No, says a recording engineer writing for the Sci Fi Tech blog. Critic Leslie Shapiro downloaded 20 songs from iTunes Plus at 256 kilobits per second and compared them to 128kbps versions (both using Apple's favored AAC codec). "I bought into the idea that the difference would be drastic, or at least noticeable," Shapiro writes. "I spent hours listening, switching from 128 to 256 and back, straining to hear something--anything--different about the tracks. My critical listening skills are pretty good, but this was pushing the limit. To be fair, there were differences, but they were subtle. For example, on David Bowie's 'Space Oddity,' the high-end clarity was a bit more pronounced on the 256-kbps version, and on KT Tunstell's 'Other Side of The World,' the guitars were slightly more detailed. It would've been extremely hard to distinguish had I not been switching instantly from one format to the other." True, Shapiro might have reached different conclusions if comparing MP3s at the same data rate--or compressed files to lossless ones. But considering what Apple's charging for these higher-bit-rate downloads, the winner (at least for people who care about sound quality) may be the dear old CD. After all, you can rip it to any codec you like, and even change your mind in the future. Mmmm, my bulging CD shelves are sure lookin' good!

The iPod has a way of erasing all boundaries between itself and the rest of your life. Why shouldn't you be able to listen to it through your home theater system? After all, some people do use their iPods more than their whirring disc players--though as an audio snob, I'm obligated to point out that uncompressed CDs sound better than compressed file formats (and SACDs can sound better than CDs). To test the product, I found another use for it. Still, the iPod has become the way many people organize their music consumption, and the people's voice must be heard. That's why some surround receivers have optional iPod docks. And for those that don't, there's a veritable army of docking devices like DLO's Homedock Deluxe.

The British Broadcasting Corporation has been busy lately. Its iPlayer is about to relaunch following a beta test. It will enable viewers to download single episodes or entire series a month after airing. In other BBC news, an archival project will put a million hours of historic material online for free, according to the Guardian. In this case there's a catch. You'll have to pay the annual BBC license fee to access it. The archives include an interview with John Lennon and Yoko Ono, conducted two days before the shooting, in which they candidly discuss the impact of their relationship on the Beatles. There's also an interview with Dr. Martin Luther King Jr., conducted the day before his death, in which he says: "The important thing isn't how long you live, but how well you live."

One of the cool things about digital television is the potential for creativity on the subchannels. Case in point: The Tube. It's carried in many markets by DTV stations owned by Raycom, Sinclair, Tribune, and others; and by Comcast, Time Warner, and other cable systems. The independently owned channel delivers nonstop rock and pop music videos with minimal channel IDs and no commercials. Programming races back and forth in time, from the 1960s to the present, mixing raw live footage with conventional promo music videos. Some items in heavy rotation are surprising--I would never have gone out of my way to add Queen concerts to my DVD stash, but wow, Freddie rocks! My only complaint is that heavy audio compression results in harsh, grainy sound with virtually no dynamic range. Even so, it's a great place to surf during commercial breaks on other channels, and repays longer spells of attention with a wide and ever-changing array of music. Check the Wiki to see if The Tube is available in your area. The channel also has an official site, an unofficial site, and a myspace presence.

Recent press reports that Jack Valenti passed away last week were not quite complete. This blog has learned that the man who likened the VCR to the Boston Strangler was, in fact, strangled by a VCR. Police say the videocassette recorder snuck into the bedroom of the former head of the Motion Picture Association of America as he slept. Spitting out a cassette, the VCR uncoiled the tape and wrapped it around the neck of the veteran lobbyist who once told Congress: "I say to you that the VCR is to the American film producer and the American public as the Boston Strangler is to the woman home alone." The murder was captured by a security camera connected to, ironically, another VCR. Valenti began his career as a publicist and served in the administrations of presidents Kennedy and Johnson. At the MPAA he pioneered the rating system and cried wolf insistently enough to secure passage of the unbelievably fascistic Digital Millenium Copyright Act, which criminalizes anything and everything to do with home recording devices, including just looking at one. According to police, forensic evidence in the form of Super Avilyn particles may eventually tie the murder weapon to the rogue VCR. They also say the getaway car was driven by a TiVo.