We can live with the current album by GORILLAZ, Demon Days (Virgin). At least there are real artists behind this fake band - er, "virtual hip-hop group." Here, Damon Albarn, once again taking a Blurman's holiday, replaces Dan the Automator with Danger Mouse, he of The Grey Album.
"I hear the Man a-comin' / He's rolling 'round the bend - on 104 tracks!" Or so you'll sing in praise of the Man in Black's big boxed set, The Legend (Columbia/Legacy). His name, of course, is Johnny Cash, and the box serves up four CDs of songs that include seven previously unreleased performances.
Imagine the score for a 33-minute film noir with nonstop action. That's Béla Bartók's The Miraculous Mandarin in a nutshell, although it's actually a one-act dance suite. The story concerns three thugs who use a young woman as bait to rob a series of victims, culminating in the Mandarin. They murder him—but not before he consummates his passion for the girl. The plot had enough sex and violence to get it banned immediately upon its 1926 debut in Köln, Germany.
Even people who know nothing about Brazilian music recognize the urbane Latin syncopation of the bossa nova beat. The language, of course, is Portuguese, not Spanish. The key names in Brazilian pop music are Jobim and Gilberto; in orchestral and chamber music, Villa-Lobos. Arguably, the most alluring voice in Brazilian music today belongs to Rosa Passos, who partners with jazz bassist Ron Carter on this audiophile release.
By mere coincidence (or perhaps not), I sat down to review this new hybrid SACD on the rare rainy day in Los Angeles (although not quite as rare this winter). The two were a perfect fit. The Jazz Kamerata has a comfortable warmth about it, inviting you to wrap yourself in it and settle in for a lazy afternoon.