Ultra HD Blu-ray Movie Reviews

Director Stanley Kubrick's seminal sci-fi epic, co-written with author Arthur C. Clarke, takes the whole of human history as its subject—from the initial flicker of intelligent thought in hominids, to the present day where humans live with the assistance of computer-generated artificial intelligence. The film literally works as a space opera: long stretches pass dialogue-free with just classical music serving to enhance the hyper-realistic images of ships and passengers aloft in the cosmos. (2001: A Space Odyssey won an Oscar for best visual effects, the only one it managed to take home from the 1969 ceremony.)

Both a prequel and a sequel, Mamma Mia! Here We Go Again tells two stories: the first set in the present day as Sophie Sheridan (Amanda Seyfried) prepares for the grand reopening of her mother Donna’s (Meryl Streep) hotel, and the second when the young Donna (Lily James) first arrives on the island in 1979. Sophie learns about her mother’s fun-filled adventures with the young Dynamos, Tanya and Rosie, and how she first met her three possible dads, Harry, Bill, and Sam, all those years ago.

The most fun thread in the Earth-bound tapestry of the Marvel Cinematic Universe owes much to the presence of star/co-writer Paul Rudd, whose comedic charms and dramatic sensibilities embiggen an otherwise diminutive hero. Two years after the fallout from Captain America: Civil War, when ex-con Scott Lang (Rudd) illegally fought as Ant-Man, he’s nearing the completion of his house arrest and ready to get his life back on track.

Like its sci-fi counterpart, the horror film genre is packed with “cult classics.” But there are only a few horror titles that can lay claim to “classic” film status. Universal Monsters films from the 1920s through the 1950s notwithstanding (see Boxes of Joy on page 28), my list is limited to The Shining, The Exorcist, Night of the Living Dead, Psycho, Rosemary’s Baby, Halloween, and Carrie.

Although never quite as disturbingly dark nor as overtly sexual as the original, Deadpool 2 is nonetheless a more-than-worthy sequel, recapturing that sublime balance between raunchy comedy and edgy action. The story has surprising heart, as super-powered contract killer Wade/Deadpool (Ryan Reynolds) struggles to cope with a sudden loss while reluctantly coming to the aid of Firefist, a powerful teenage mutant in crisis.

How many more movies and TV shows will simulate virtual reality to tell a “thought-provoking” story about the fate of society? I gave up on Netflix’s Black Mirror because I could not bear another tale of VR gone awry, but Ready Player One brings the pedigree of Steven Spielberg, plus Ernest Cline’s bestselling novel. How could it miss?