Ultra HD Blu-ray Movie Reviews

An attempt to revive the popular Saw franchise, Spiral (full title "Spiral: From the Book of Saw," whatever that means) continues the legacy of creative torture-horror under the direction of Darren Lynn Bousman who long ago helmed Saws II-IV. The sadistic madman-with-an-axe-to-grind known as Jigsaw is long dead and now a new serial killer is on the loose, an apparent copycat except this time the murderer is specifically targeting dirty cops with his elaborate, painful deathtraps. Once again, the victims must make the brutal choice to do something horrible to themselves to escape or die in gruesome fashion.

As someone nicknamed "Almost Famous" by the road crew of a band I've been embedded with on scores of their North American tours over the past two decades, I can attest firsthand to the accuracy of every backstage moment seen on unadulterated display in director/screenwriter Cameron Crowe's film of the same name. Indeed, Almost Famous is Crowe's love-letter depiction of his early/ mid-1970s zeitgeist years spent as a geeky teenage scribe desperately trying to act cool while seeking to chronicle the true essence of rock & roll and life on the road.

In what will surely go down in history as a textbook example of a successful online campaign to release a much-wanted movie, the #releasethesnydercut movement ultimately convinced Warner Bros. to complete and distribute director Zack Snyder's original vision for his DC Comics Extended Universe ("DCEU") team-up flick, Justice League. Snyder's departure from the project during production led to the hiring of Joss Whedon to oversee final work on the movie for its November 2017 theatrical debut, writing and directing new scenes on the way to a two-hour cut. That version largely left audiences cold, particularly fans of Snyder's previous DCEU films, despite co-star Gal Gadot's wave of popularity from her Wonder Woman solo film a few months earlier.

George Bernard Shaw's play Pygmalion premiered in London back in 1913. Loosely based on an ancient Greek myth, its plot involves a linguistics professor, Henry Higgins, teaching a bedraggled flower girl, Eliza Doolittle, to speak proper English—not only well enough to pass her off as a duchess at an embassy ball, but to "get her a job as a lady's maid or a shop assistant, which requires better English!"

Gattaca tells the story of a future where genetically engineered humans are provided all the benefits of an advanced civilization while those that are genetically inferior are relegated to more menial jobs and not afforded the same opportunities as society's elite. Ethan Hawke plays Vincent, an "in-valid" who takes on the identity of one of the genetically elite, Jerome (Jude Law), to realize his dream of becoming a navigator at Gattaca, a prestigious space exploration corporation. The film moves slowly, but with stylish cinematography and excellent performances, it holds up well nearly 25 years after its initial release.

Legend has it that director Zack Snyder was streaming his Dawn of Justice one day and was unhappy with the color, specifically red, a shade relevant to much more than a certain Last Son of Krypton. And so, the studio took the unusual step of remastering the movie from the existing 4K video transfer and rereleasing it, with the new version addressing Snyder's crimson concerns as well as showcasing the de rigueur IMAX scenes in their full and correct 1.43:1 aspect ratio.