Many people have turned to the iPad as the controller of choice for their home's automation system. Using systems from the likes of Control4, Crestron, Savant, or URC, you can turn even the humblest iPad into a powerful automation controller capable of adjusting lights, HVAC, alarm, TV and about anything else you can think of. But where to you put the iPad when you're not using it? Do you just plop it on a sofa cushion or leave it on a counter somewhere until the next time you need it, and then hope the battery isn't dead?
They could have started out the press conference that way, and it would have been so cool if they had. Of course, then they would have had to have thrown someone from a competing lighting/shading company down a huge hole; and that probably would not have been acceptable behavior at a CEDIA press conference.
But, in essence, Lutron did throw the gauntlet – and a very fancy gauntlet, at that – down as far as other shading and control companies go...
Nestled among the few dozen companies exhibiting at CEDIA 2013’s Media Preview was Soundwall, a Boulder, CO-based startup specializing in speakers that masquerade as art (or is it the other around?). The artwork of your choice is printed on a foam-core board mounted in a 2.5-inch-deep frame that hangs on the wall. Left- and right-channel exciters attached to the back of the board (and powered by a small amplifier), vibrate the “canvas,” turning it into a speaker.
No, they’re not stylized Daleks from Dr. Who or PVC termite mounds. The objects pictured above are actually a couple of pretty impressive all-weather speakers from NEAR. There are a couple of things that are newsworthy about these speakers, not the least of which is that they are the first environmental speakers designed by NEAR specifically for the consumer/custom installation market in about a decade and a half. In fact, it’s been exactly 14 years since NEAR last had a booth or display at a CEDIA EXPO.
Bad pun. The Kordz Neo-S3 has nothing to do with cancelling your TV cable service for wirelessly streaming your programs from the Internet. Rather, it involves 4K and ultra long HDMI cables, as might be found in many custom installations. It consists of a pair of powered HDMI dongles ($349) to which you attach your existing HDMI link, one at each end. It’s said to allow for an HDMI run of up to 30 meters, even in 4K. Kordz also offers HDMI cables, though the HDMI cable is not included with the Neo-S, just the dongles. Available in October.
Epson’s new lineup of projectors is topped off by its PowerLite Pro Cinema 6030UB ($3500, mid-October), shown here on the left, offering both 2D and 3D. On the right is the company’s Ultra-Bright PowerLite Pro Cinema G6900WU. The latter ($7500, 2D only),available now exclusively through CEDIA and specialty dealers) is said to offer a brightness of 6000 lumens. The projectors were shown on static display in today’s Media Preview. Epson’s demos will commence tomorrow when CEDIA formally opens. More about those demos later in the show; check this space.
If you’re angling for a ceiling installation, but are put easy adjustability in roll, yaw, and tilt—everything but left-right; it’s up to you to insure that the projector's lens is centered on the screen.
Custom installations aren’t all about audio and video hardware, and the field in recent years has expanded into peripheral areas such as custom window blinds of various sortsfrom decorative to blackout. The Hunter-Douglas Pirouettes shown here, available in manual and powered versions (battery or hard-wired), appear to be of the former variety, though when closed (they’re shown open here) they’ll dim (but not darken) the room.