LATEST ADDITIONS

Mike Mettler  |  Feb 26, 2014
Performance
Sound
The term supergroup gets a bad rap—but with good reason. Often, it’s applied to a collective of hot-shot all-star musicians who look pretty good together on paper, but the resulting music usually proves the individual parts are actually greater than the sum. Discerning listeners tend to cast a wary eye, er, ear toward such lineup mashups—unless the pedigree is an impeccably progressive one intent on exploring the cosmos of composition to achieve a common sonic goal.
Thomas J. Norton  |  Feb 26, 2014
Ultra HD Blues…and Reds, and Greens I recently completed a review of Sony’s new VPL-VW600ES Ultra HD (4K) projector. This isn’t a sneak peak—that would cannibalize our coverage. The review will appear in the May 2014 issue of Sound & Vision. But for those who can’t wait, I’ll just say here that while the 600ES isn’t the champ in all respects, it’s still, overall, the best-looking projector I’ve yet had in my home theater.

Mike Mettler  |  Feb 25, 2014
Performance
Sound
“On the surround mix, it sounds just like you’re in the room with Steve Howe while he’s playing those guitar harmonics.” Steven Wilson is describing the clarity of the gorgeous acoustic intro to “And You and I,” the second track on Yes’ groundbreaking 1972 LP, Close to the Edge. (Said intro is keenly accented by Rick Wakeman’s understated organ fills that lightly season the rear channels.)
Brent Butterworth  |  Feb 24, 2014
Five Subwoofer Masters Explain How They Work Their Magic

Subwoofer design has undergone a revolution. No, the physics of woofers, amplifiers, and enclosures haven’t changed. But new technologies have made it possible to push the bass-ic laws of nature to their limits, such that the best of today’s inexpensive subwoofers can outperform many of the top models from 15 or 20 years ago.

Affordable digital audio processing lets designers tune subwoofers in ways the engineers of the 1990s could only have imagined. High-efficiency amplifiers pound out powerful bass from boxes hardly bigger than a basketball. New speaker drivers use high-tech materials to produce sound levels that would have pushed older models way past the breaking point.

Since things are so different now, we thought this would be a great time to revisit some of the fundamentals of subwoofer design and examine how the old rules might have changed in the digital age.

Leslie Shapiro  |  Feb 24, 2014
Life is good. Having just moved into a house with a room for a dedicated home theater, it was time to get set up. More to the point, time for shopping. Usually, the last thing I want to do is to buy furniture, but the search for the perfect chairs for my home theater became my quest. Seeking perfection, I pored over furniture catalogs, websites and scoured any furniture in my path. A woman’s home theater is her castle, right? I already had furnished my girl-cave, I mean home office, and the A/V room, although last on the decorating list, was in my mind, the most crucial.

Barb Gonzalez  |  Feb 21, 2014
Showtime Anytime lets you stream Showtime TV shows and movies to many devices and now includes Roku. DISH subscribers are left out. Here's a review of the CBS and DISH feuds over the years and why DISH subscribers probably won't be able to stream Showtime anytime soon.
Daniel Kumin  |  Feb 21, 2014

Performance
Features
Build Quality
Value
PRICE $1,500

AT A GLANCE
Plus
Powerful, deep bass from a compact 10-inch box Elegant visual design Flexible, fully implemented two-way crossover
Minus
Expensive

THE VERDICT
A small, or at least smaller, subwoofer that goes truly low, loud, and clean—and looks sharp doing it.

What can you say about a subwoofer? It goes this low, that loud. It has these jacks, knobs, and features and is yea big and costs yon dollars. And really, that’s about it; almost all other discussion is so much verbiage.

Response “flatness” from a speaker covering barely two octaves is of little consideration unless a sub is horribly peaky (a few are), especially since room effects invariably dwarf such variations anyway.

Josef Krebs  |  Feb 21, 2014
Picture
Sound
Extras
Interactivity
There’s not much gained by the contemporary setting to offset the oddness of having Shakespeare’s characters seem like a bunch of Wall Street stockbrokers speaking strange in the Hamptons as if in a Woody Allen comedy, but otherwise the Bard’s words flow well enough from the pretty mouths of the cast.

Lauren Dragan  |  Feb 21, 2014
There’s been a lot of talk lately about premium streaming music services, especially now that Dr. Dre, (creator of Beats headphones) has thrown his hat into the ring. It’s a compelling proposition Dre makes, especially considering that he single handedly re-invented and reinvigorated the headphone industry. But as an observer, I find myself exceptionally torn about the idea of a streaming service both as a consumer and creator of media.
Mark Fleischmann  |  Feb 20, 2014

Performance
Build Quality
Comfort
Value
PRICE $300

AT A GLANCE
Plus
Sweet mids, solid bass
Super comfortable
Sporty look
Minus
Reticent highs
Plastic construction

THE VERDICT
These full-size headphones are comfortable, sweet sounding, and suitable for portable signal sources.

Some companies jump into the now-trendy headphone category on a wing and a prayer. Sony, on the other hand, is the steward of Sony Music and the master of numerous audio product categories, including a long history in headphones. So a set of midpriced ’phones from Sony raises high hopes. With the MDR-1R, they are largely fulfilled. I like these headphones, not because they’re perfect, but because they feel right.

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