LATEST ADDITIONS

PRICE $2,200

AT A GLANCE
Plus
Impressive black depth and uniformity
Excellent color
Good set of streaming options
Low-glare screen

Minus
Picture processing adds edge-enhancement, noise
Poor handling of images with film grain
Washed-out-looking highlights

THE VERDICT
Vizio’s P-Series comes with a full-array LED backlight and 4K Netflix streaming, but its performance is marred by overly aggressive video processing.

Editor’s Note: This review has been updated following a recent firmware revision. Please see postscript at the end of the review.

Vizio is known for making TVs that consistently beat the competition on price—often by a significant margin. In some cases the performance of Vizio’s sets also ends up being equal to or better than the competition, though the company’s track record on that count isn’t as consistent. The last two Vizio HDTVs Sound&Vision tested, the 2014 entry-level E- and step-up M-series models, delivered very good performance at an affordable price. Now the company’s P Series, its first UHDTVs for 2014, have hit the street. It should come as no surprise that the price here is nice: the 65-inch P652ui-B2 model I tested lists for $2,200. But does Vizio’s budget bigscreen UHDTV continue the company’s streak of high performance/low cost? Let’s take a look.

Bruce Hornsby could never be accused of being an artist who rests on his laurels. "I’m such a different musician in every way than I was 20 years ago," he admits. Prime evidence of the master pianist's ongoing creative evolution can be found all over the double-disc Solo Concerts (Vanguard), where Hornsby explores a variety of styles from behind the keyboard: everything from blues ’n’ boogie to New Orleans funk to the tenets of modern classical music. He also recasts the character of some of his best-known songs, such as turning "The Valley Road" into a blues vamp and giving "Mandolin Rain" an indelible bluegrass stamp. Here, Hornsby, 59, and I discuss how he "makes friends" with new pianos, when and when not to use reverb, and his philosophy of A/B'ing to find the proper live SQ baseline. Pushing the creative envelope — that's just the way it is with Bruce Hornsby, and we hope it's something that never changes.

A fairly common complaint I hear in my custom showroom is the inability to hear dialog while watching TV or movies. The scenario plays out almost identically every single time. A couple will come in, usually older, and the husband will stand there sheepishly while his wife explains that her husband’s hearing has deteriorated and now it’s to the point where he can’t hear the TV unless he blasts the volume which is then too loud for her to tolerate. The husband will then usually chime in that his hearing is fine, and that he just has a hard time with the dialog. But do we have anything that would help so they could both enjoy TV together?

So, first off, guys! I’m not sure what it is that we’re doing in our younger years, but, dammit! It is causing us all to go slowly deaf as we get older! We need to pull it together!

Spinal Tap band member Nigel Tufnel is showing his equipment to director Marty DiBergi and points out that the volume controls on his Marshall guitar amp go to 11. “It’s one louder,” he helpfully explains. DiBergi asks why not just make a “10” setting louder. A confused Tufnel replies, “These go to 11.”

The scene is renowned and has entered the popular culture as a way to point out needless excess, and particularly excess that demonstrates confusion, or otherwise serves no purpose. It’s my opinion that some audio technology now has knobs that go to 11.