Video Processor maker DVDO is to be commended for spending all of its press conference discussing Ultra HD in general, instead of flacking its own products. Shown here is a summary of what is at present the "roadmap" to full Ultra HD. As you can see, there's much work to be done (and not universal agreement on everything, particularly Rec.2020 as the color gamut of choice). While we'll see more and more Ultra HD material in the coming 18 months or so, initially its major benefit will be 4K resolution. The color enhancements we ultimately hope to see will take longer.
Wisdom Audio teamed up for its demo with Datasat (preamp-processor), Barco (projector) Seymour Screen Excellence, and HTE (Home Theater Environments), and likely others to whom I apologize for leaving out here due to my rapidly scribbled notes. The wide-ranging selection of program material was particularly noteworthy. 2K from Blu-ray, and no Atmos in sight, but it was excellent nonetheless (though the videophile in me whispers that the gamma was a bit too high, making for rather dark and contrasty images!). HTE deserves special mention for the most stylish room at the show, which should be evident from the picture above. But HTE is from Italy, so that's not surprising!
…who you might run into at a trade show but there he was—Buddy Valastro (aka The Cake Boss), surrounded by throngs of camera-crazed showgoers. America’s favorite baker delivered the massive cake shown above to help home automation powerhouse Elan celebrate its 25th anniversary. The base of the cake is modeled after the company’s next-gen g1 system controller. The globe…well, we’re not sure what it signifies—perhaps the desire for world domination? (Actually, it’s probably a nod to Elan’s tagline: “Your World Made Simple.”) Valastro is no stranger to Elan. His 7,000 square foot New Jersey home (next door to Tony Soprano) and state-of-the-art bakery production center are both equipped with an Elan g! system.
Outdoor TV and accessory manufacturer, SunBriteTV, showed off to CEDIA attendees the company’s full line of Signature Series outdoor TVs for residential use. As with SunBriteTV’s previous Signature Series models, the new TVs are designed to be installed and left on display outside permanently thanks to weatherproof technology that protects the TV’s innards from salt air, humidity, rain, snow, dust, and even insects. The new Signature Series models range in screen sizes from 32-inches to 65-inches (pictured above) and have a depth of only 3.5 inches. The new sets are both the slimmest and lightest of any TVs yet made by SunBriteTV.
One reason for the surprisingly thin form factor is that...
Florida-based NextGen is introducing a new Universal Learning Radio Frequency Remote Control that’s a standard 4-in-1 device IR remote control with a built-in RF transmitter. The package includes one of the company’s RF Receivers, which can be used with the handheld remote to relay commands through closed cabinet doors, walls, floors, and ceilings and has a range of up to 100 feet. The system has automatic RF addressing, so there’s no need to pair remotes to the receivers. The package also includes a three-eye IR emitter cord.
The Universal Learning RF Remote Control is expected to be available in November with an MSRP of $99.
Focal ingeniously integrates a soundbar with a subwoofing TV stand. They're two separate products, but notice how they fit together. The Dimension 5.1 soundbar ($1399) is a "true 5.1" bar with a brushed aluminum chassis holding five inverted dome full-range drivers and lateral bass drivers, driven by six times 75 watts, along with HDMI, lossless surround decoding, and touch controls at the right side. Four dip-switch DSP controls compensate for room size, seating distance, and whether you're using a wall mount or placing the bar on a cadenza. Both standing and wall brackets are provided. If you want more bass, place the Dimension SUB ($399) behind the bar. Wouldn't that block the sub's drivers? No, the elliptical drivers are on the sides. The demo sounded excellent, with a warm, un-screechy midrange and full bass.
One of the largest selections of Dolby Atmos compatible surround receivers and pre-pros was at the Integra booth. They included these receivers: DTR-70.6, 11.2 channels, 135 watts per channel with two channels driven; DTR-60.6, 9.2 channels, 135 watts; DTR-50.6, 7.2 channels, 130 watts; DTR-40.6, 9.2 channels, 110 watts; DTR-30.6, 7.2 channels, 95 watts; and the Atmos-incompatible DTR-20.4, 5.2 channels, 80 watts. Then there were the pre-pros, of which only the first had Atmos: DHC-80.6, 11.2 channels; and DHC-60.5, 7.2 channels. Finally Integra showed the DTA-70.1 nine-channel power amp, rated at 150 watts per channel. Most of the receivers (except the last) are THX Select2 Plus certified while the pre-pros and multichannel amp are THX Ultra2 Plus certified. Select models also have ISF video certification and the HDBaseT HDMI extension interface. We'll update with prices when we get them.
One question about Dolby Atmos that we haven't seen raised before: What effect would it have on auto setup and room correction systems in receivers and pre-pros? D+M's Atmos demo provided the answer: Audyssey has updated its technology to handle Atmos related concerns. The D+M demo used vaguely specified products including a Marantz pre-pro, Marantz multichannel amp, and Snell speakers. It used the same Dolby Labs clip disc as every other Atmos demo at CEDIA, but because it wasn't abusively loud, we enjoyed it more than most of the others.
The rethought CM Series from Bowers & Wilkins includes three towers, three monitors, two centers, and one sub. They use a double dome aluminum tweeter array which combines a dome with a ring radiator, stiffening the driver and shifting its breakup mode from 30 to 38 kHz. Nautilus-style tweeter tube loading is employed in all of these new speakers though it's most visible in the tweeter-on-top models (the CM10 S2 tower and, pictured here, the CM6 S2 monitor). Woofers continue to be Kevlar. The models, all priced per speaker, are the CM10 S2 tower ($2000), CM9 S2 tower ($1600), CM8 S2 tower ($1200), CM6 S2 monitor ($1000), CM5 S2 monitor ($800), CM1 S2 monitor ($550), CM Centre2 S2 ($1250), CM Centre S2 ($700), and ASW 10CM S2 subwoofer ($1500).
You might suspect the top-firing driver in Sonus Faber's Lilium tower ($70,000/pair) makes it a Dolby Atmos enabled speaker. But you'd be wrong. That's a bass driver, not a height driver, and it's complemented by a bottom-firing passive radiator. The 3.5-way system is triwired and, as you'd expect from the luxury-minded Italian manufacturer, dressed to kill. Price: $70,000/pair.