Plasma screens are among the most promising current video technologies. Most consumers who’ve seen them say they'll buy—when the prices drop.
<I>Jason Biggs, Shannon Elizabeth, Alyson Hannigan, Chris Klein, Natasha Lyonne, Thomas Ian Nicholas, Tara Reid, Seann William Scott, Mena Suvari, Eddie Kay Thomas, Eugene Levy. Directed by J.B. Rogers. Aspect ratio: 1.85:1 (anamorphic). Dolby Digital 5.1 (English, French), DTS 5.1. 105 minutes. 2001. Universal 21769. R. $26.08.</I>
Until recently, the beer-budget options available for equipping a home theater with a projection system were severely limited. You either bought used or you settled for a projector designed primarily to serve the business market. Both approaches saved money, but neither was ideal. You can luck out buying used gear—a car holds its value far longer than a video projector—but you can also get burned. A business projector can perform reasonably well at home, but it won't be optimized for home applications and often lacks important features, such as full control of aspect ratio.
Long noted for its non-participation in the rollout of digital television, the cable industry is now making conciliatory noises about supporting the new format. But even with its support, the changeover from analog is going to take a long time, according to recent statements from Robert Sachs, president of the <A HREF="http://www.ncta.com">National Cable Television Association</A> (NCTA).
<I>Directed by Chris Hilson. Aspect ratio: 1.85:1 (anamorphic). Dolby Digital 5.1, Dolby Surround, PCM 16-bit/48kHz. Two DVDs. 180 minutes. 2001. Columbia Music Video C2D 54071. NR. $29.98.</I>
<IMG SRC="/images/newsart/he2002.infocus.jpg" WIDTH=100 HEIGHT=63 BORDER=0 ALIGN=LEFT>A great demo can be a thing of beauty—and InFocus, NAD, and PSB put together one of the best we've ever seen here at HE 2002. They started with a great concept: $10,000 can purchase a complete home theater package that can give anybody all the magic of a true cinema showcase. The system starts with InFocus' new $5000 ScreenPlay 110 DLP projector, which is optimized for DVD with a dual-mode TI DLP chip capable of both 16 X 9 and 4 X 3 projection. The unit incorporates Faroudja DCDI processing and a six-element four-speed color wheel. It will accept high definition inputs (though downscales them to 480p), has component inputs, and is NTSC, PAL, and SECAM compatible. The system included NAD's 80Wpc multichannel 761 A/V Receiver and T531 DVD player ($1500). PSB contributed a pair of Image 5T loudspeakers ($799/pair), an Image 9C center channel speaker ($399/each), a pair of Image 10S ($649/pair), and an Image SubSonic 6 powered subwoofer ($649/each). Add a Dalite grayscale screen and you'll "have enough left over from $10,000 for a nice meal," as the presenter put it.
What the best-looking video displays at HE 2002 were showing wasn't HDTV—New York is still crippled by the loss of the World Trade Center transmitter—and it wasn't DVD. In fact, it made DVD look broken. It's D-VHS, which outputs 1080i, and which has a total catalog, if you count the sampler included with the player and the five titles scheduled for release next week, of six titles.
For the last two years, only Pioneer has made products that bridge the gulf between DVD-Audio and Super Audio CD, the new, competing formats for high-resolution audio. The company's estimable DV-AX10, first offered more than a year ago, played both formats, plus DVD-Video discs—no other company offered a similar product. Back then, however, Sony and Philips, SACD's backers and licensers, sold only 2-channel versions of the hardware.
Widescreen Digital Light Processing displays are dropping in price, thanks in no small way to companies like Samsung Electronics. On May 31, Samsung announced two new high-definition rear-projection DLP screens that should get the attention of movie fans everywhere.