LATEST ADDITIONS

You must allow me a bit of hyperbole for the sake of a powerful opening statement (which, as I assume they say in journalism school, is important). The truth is, the CD is about as dead as the analog television, which means it's alive and kicking just as it has always been. Still, the writing is on the wall for both formats. While the CD can at least take consolation in the fact that it doesn't have government mandates guaranteeing its demise, the future of audio has most definitely arrived (as with television) in the form of high-resolution. Let's not forget multichannel, either. While the hard-core music lovers are salivating over the potential of high-resolution, most are well aware that popular acceptance in America usually requires the new and different to be as big and flashy as possible. On many systems, the multichannel format is undoubtedly going to represent a more-noticeable change in the way people listen to music.

We know all too well that there are lots of new formats out there. We also know firsthand that this means a lot of spending and a whole lot of studying to try to keep pace. If everything falls into place as it should, there will come a day a couple of years from now when you'll slide into that easy chair, throw some high-definition television on the screen or some high-resolution audio into the speakers, and smile from ear to ear, wondering how you ever lived without either. No one ever said change was easy; however, from what I've seen and (more importantly) heard over the past couple of years, I have no doubt that this change will be worth it.

"In George Orwell's novel <I>1984</I>, everyone had a television in their home that monitored their every move," reads a June 26 report from the <A HREF="http://www.cme.org/access/index_acc.html">Center for Digital Democracy</A>, a Washington-based advocacy group. Orwell's good citizens dutifully watch, and are watched in turn, their every move tracked and recorded.

A threatened strike against the entertainment industry by actors will probably be avoided. Negotiators for film studios and television networks, and for two actors' unions, worked late Saturday, June 30 and resumed work Sunday morning in an effort to avoid a strike. The situation is a replay of one enacted two months ago by writers and producers, who arrived at an agreement May 4.