LATEST ADDITIONS

According to the Consumer Electronics Association (CEA), the organization that runs the Consumer Electronics Show (CES), 140,000 people attended this year’s annual confab in Las Vegas, NV. In past years, attendance has typically hovered around 100,000. But with the shrinkage of the normally even larger computer show, COMDEX, in 2003, followed by its cancellation this past November, the Intels, IBMs, Apples, Hewlett Packards, and other assorted bits-and-bytes vendors, and their customers, descended on CES with a vengeance.

For me (and, I'm sure, for many others), CES 2005 marked the year that 1080p took off. I'm not talking about 1080p broadcasts or pre-recorded content; it will be a few more years before we see that, and even when we do, it will likely be 1080p/24, not 1080p/60. But 1920x1080 fixed-pixel displays&mdash;plasma, LCD (panels and projectors), DLP, and LCoS&mdash;were suddenly <I>everywhere</I>, unlike last year, when they were as rare as than hens' teeth.

As the first three-chip DLP projector to pass through my studio, the InFocus ScreenPlay 777 generated more than a little excitement. Apart from its futuristic, streamlined appearance, its size and weight&mdash;not to mention its price&mdash;immediately set it apart from the one-chip designs that have come to dominate the home-theater projection market.

There's an old saying: "Good things come in small packages." In our industry, however, there's often a perceived correlation between the size of an AV component (speakers, amplifiers, plasma TVs) and its level of performance. Here, the working mentality seems to be "the bigger (or pricier), the better."