LATEST ADDITIONS

Mark Fleischmann  |  Jul 26, 2006
The weeks of carefully orchestrated of leaks and rumors surrounding Microsoft's iPod-like Zune have approached the viral intensity of an Apple product launch. Confirmation finally came in Billboard with the announcement of "a family of hardware and software products" by Chris Stephenson, general manager of marketing for MSN Entertainment Business. As rumored, the product will ape Apple by integrating a music player with software downloads. But it will also one-up the iPod by offering wi-fi for functions that will include downloading, purchasing, and exchanging songs with a limited number of other users. Not an original idea, but maybe a powerful one. Stephenson raised several other possibilities without confirming any of them: "The ability to connect the different devices is a key part of the strategy. Whether it's a portable media device, or a phone, or the Xbox or Media Center PC, the idea is you can access your entertainment from anywhere." The music industry, eager for "flexible" pricing, will be happy to release its foie-gras-engorged gut from the 99-cent corset imposed by Steve Jobs and iTunes. Not so pleased are the manufacturers and download services who have licensed Microsoft's PlaysForSure DRM. They are effectively frozen out of the new integrated Zune hardware/software environment. Prospects for Zune's survival? Send me one and I'll get back to you.
Shane Buettner  |  Jul 25, 2006  |  First Published: Jul 26, 2006

<I>The Last Samurai</I> is a movie that succeeds more than I expected it to in spite of Tom Cruise giving one of the worst performances of all time by an actor of his stature (and I’m not referring to his diminutive height here). I didn't see <I>Samurai</I> in the theater because I was repelled by its marriage of subject matter and star. And no, I'm not a Tom Cruise hater at all. I just had a hard time imagining him in a Samurai picture of any kind. And even my lowered expectations didn't prepare me for how laughably unconvincing Cruise is here as the adrift Civil War hero Nathan Algren. Cruise's performance is all the more frustrating because the man can be nothing short of brilliant when he wants to be (see <I>Born on the Fourth of July</I>, <I>Magnolia</I> and even <I>Interview with the Vampire</I> for proof positive).

Shane Buettner  |  Jul 25, 2006  |  First Published: Jul 26, 2006

Before there was <I>Rocky</I> there was, in real life, James J. Braddock. Braddock was a respectable fighter and contender in the late 20's who fell on extremely hard times during the depression. He was reduced to poverty like so many millions of Americans and barely put food on this family's table between boxing and working the docks. In the mid-30's he went on the right winning streak at the right time, culminating in his capturing the heavyweight title in 1935. Offering some idea of what an underdog Braddock was in his title bout with Max Baer, he entered the ring that night with the very pedestrian record of 44 wins and 23 losses. The "Cinderella Man's" story inspired millions, not to mention the impact it's had on sports movies over the decades.

Shane Buettner  |  Jul 25, 2006  |  First Published: Jul 26, 2006

"It was whiskey done it, much as anything else." So says William Munny (Clint Eastwood), a man of notoriously vicious and mean disposition, when asked how he killed so many men so easily in his younger years. <I>Unforgiven</I> deconstructs the myth of the western gunman, a character Eastwood himself played to such great effect earlier in his career.
This is a bleak film to be sure, one in which the kindest characters are inflicted with the cruelest fates. In westerns we typically see some rough form of justice meted out by the gunman/hero, and we cheer when the bad guys "get what's coming to them." According to Eastwood's Munny, "we all have it comin."

Thomas J. Norton  |  Jul 25, 2006

Denon has reported that audio component sales, long declining, increased significantly last month (June). Not coincidentally, the company's own sales increased by double digits in the past year to the point where, in dollar sales, it holds the second place market share in the receiver/amplifier/tuner category (after Yamaha).

Mark Fleischmann  |  Jul 25, 2006
Stepping up its anti-obscenity campaign, the Federal Communications Commission is asking broadcasters for tapes of live sporting events. Government employees are going to sift through them just to make sure an athlete, coach, or spectator hasn't spoken the f-word or some other weapon of mass corruption. This does not sit well with broadcasters who have added on-field mics and in-car cameras to give viewers more of a you-are-there feeling. "It looks like they want to end live broadcast TV," one anonymous TV executive told The Hollywood Reporter. The latest federal obscenity law imposes fines of as much as $325,000 per violation, a tenfold increase from the former law. It remains unclear how this would affect President Bush, who signed the anti-pottymouth law and then went off to a summit full of world leaders and uttered the s-word into an open mic.
 |  Jul 24, 2006

1080p display devices have been proliferating rapidly, and it's been bit of a surprise that DLP front projection, which has led the charge of digital displays for years, has been late to the party. Not anymore.

Geoffrey Morrison  |  Jul 24, 2006
720p isn't dead yet.

Like any type of product, toward the end of its run, you tend to find the most advanced, best examples. Years of development culminate in the last few models in a category. Take, for example, the few high-end CRTs on the market. They're some of the best. DVD players are currently cheaper and, in many cases, better than models we saw just a few years ago. Then there's the high-end 720p DLP projector. With 1080p here in the form of Sony's VPL-VW100, and 1080p DLP on the horizon, the real question is, should you spend the money on a high-end projector that is only 720p? Well, I can't say for sure across the board, but, in this case, I can say most assuredly, yes.

Chris Chiarella  |  Jul 24, 2006
One speaker, a subwoofer, a source component . . . and you.

Virtual surround is nothing new: Some people don't have the space, the know-how, or perhaps the ideal room layout for a pair of surround speakers for true 5.1-channel audio. Wireless surrounds are an option for some. But even those need a place to live, and they still require power cables. All manner of technologies have addressed the virtual-surround challenge, but not until I tried the two-piece Binaura Sound Environment B102A (in our November 2005 issue) did I believe that such simplified gear could produce truly respectable audio. Cambridge SoundWorks of Newton, Massachusetts, is the first third-party manufacturer to license Binaura's patented technology for their own products. They have integrated it into a complete home theater system—three boxes instead of two—with the addition of a progressive-scan DVD player/receiver. Said receiver provides Dolby Digital 5.1, Dolby Pro Logic II, and DTS decoding, and this signal then goes to the subwoofer, where all of the amplification and Binaura processing take place.

Chris Chiarella  |  Jul 24, 2006
The fruit takes root in the living room.

A while back, we Home Theater drones were all on Macs, and life was good. Then, one day, the powers that be told us that the bulk of us were switching to PC, and that was that. I had a few annoying differences to work through, but I eventually forgot my first real computer. And then the Mac mini showed up for review in its pretty white cardboard box, and it reminded me of the experience of bumping into a friend from the old neighborhood: familiar, sure, but with a lot of catching up to do.

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