Netflix is eyeing the movie-download market, according to Variety. Eric Besner, VP for original programming, told a movie- and TV-production conference in LA that a new service would download movies overnight into a proprietary set-top box. Pricing may be the same as existing subscription fees for hard copies by post. Though scrapping with Blockbuster to shore up its existing business, Netflix sees the writing on the wall (and the profits in the rack). Various services are already bidding to replace videodisc rental. One of them, Movielink, is reportedly up for sale. The 800-pound gorillas are Verizon and AT&T, whose set-top boxes may ultimately become ubiquitous for movie downloads and dozens of other uses—but only if they cut the right deals with Hollywood. If Netflix wants a piece of the movie-download pie, it'll have to move fast. Besner said the service may begin before year-end.
Meet AVCHD, the latest disc format from Sony and Panasonic. No, they're not throwing another body into the moshpit that currently includes Blu-ray, HD DVD, and a few others. AVCHD will be a camcorder format that records 1080i or 720p images using existing DVD-R, DVD-RW, DVD+R, and DVD-RAM media. Panasonic will also use it to record onto SD memory cards. The AVC in AVCHD is the MPEG-4 AVC video compression standard, also known as H.264. This highly efficient codec is the presumed heir to MPEG-2. It's already being used by DirecTV to transmit high-def signals and will also be supported in Blu-ray and HD DVD. No word yet on availability of AVCHD products.
Pass around the Prozac. <i>24</i>, <i>Prison Break</i>, <i>The Unit</i>, <i>Lost</i>, <i>Alias</i>, and the <i>capo di tutti capo</i> of all shows<i>The Sopranos</i>, are over for the season (or in the case of <i>Alias</i>, forever). But the end of the school year doesn’t necessarily signal the death kneel it did back when a warm summer breeze shot me into a verse of “No More Teachers, No More Books.” Now, we have options.
A product as wildly successful as the iPod inevitably produces a few bad Apples. Anecdotal evidence of consumer unhappiness like this British newspaper report are common. Then again, so is evidence of consumer happiness, as in my torture test of an iPod case—the nano inside it survived repeated abuse. The only reports that should be taken seriously are those involving enough people to be statistically meaningful. That's why this survey from MacInTouch is compelling, if not exactly conclusive. It covers more than 4000 users and nearly 9000 iPods in the field. Please note that the methodology is loose. Among other things, it doesn't factor in time, and you know everything fails eventually. The good news for nano owners is that flash-based players, not surprisingly, are more reliable. In fact I'm rather pleased to discover my 2GB nano is twice as reliable as the 4GB (now I can stop feeling inferior). The bad news is that hard-drive players are more failure-prone, though the newer video models do quite well. The good news about the bad news is that the hard drive may be not dead but merely disconnected. For safety reasons, our lawyers would probably have me add, have a qualified service person do the work.
Do you want your home fed with the highest bandwidth for HDTV, Internet service, and telephone? Then you want this. It's an optical network terminal, it goes with Verizon's fiber-optic FiOS service, and the company has begun installing them in 14 states (seven with video delivery service) as part of a nationwide rollout that will take many years. Not that I'm their publicist or anything—as a matter of fact, I'm a former Verizon customer—but no other company has set itself such an ambitious task. AT&T is Verizon's leading competitor, but that system is a hybrid of copper and fiber, while Verizon brings fiber right up to the wall of your house. Of all the digital pipes that might feed your home, a pure fiber-optic system is the most capacious. This particular wall belongs to a demo house at Verizon's R&D and network facility in Waltham Massachusetts. For more details and plenty of pictures see the Gallery.
In these still early days of HD DVD, it's a little creepy that three of the releases have been films about bad cops: <I>Assault on Precinct 13</I>, <I>Training Day</I> (see below) and now <I>16 Blocks</I>.
<I>Training Day</I> is about a bad cop. A very bad cop who has convinced himself that if he can do good in questionable ways and get a little action on the side for himself (not to mention for a few bad cop buddies), that’s the name of the game. When it comes to breaking in a rookie, however, he gets more than he bargained for.
Stephen Sommers, director of a fun ride in <I>The Mummy</I> and an unnecessary, overblown sequel in <I>The Mummy Returns</I>, brings us a whole bevy of uglies in <I>Van Helsing</I>. It's a monster mash, with Dracula getting together with his vampire brides, the Frankenstein monster, Mr. Hyde, wherewolves, and various other hangers on.