When I think of home theater video projectors Hitachi isn't the first brand that comes to mind. Hitachi is probably better known for microwaves, compact music systems, and other mass-market consumer electronics. When Tom Norton offered me the HDPJ52 LCD projector for review I wasn't expecting very much. Simply put, every LCD projector I've reviewed in the past has been fatally flawed by poor color, inadequate black levels, and less than optimal resolution. Why should Hitachi do any better with LCD projectors than other manufacturers? What I neglected to consider is that Hitachi not only makes its own LCD panels and most other major components, they have been manufacturing business and presentation projectors for years. I packed my preconceptions into a large box and put it in the garage. With a newly open mind I unpacked the Hitachi HDPJ52. Welcome to the bright new world of 21st century LCD projectors.
I've been experiencing an unusual run of good films on standard definition DVD lately, though most are not of any special demonstration quality, nothing gets blowed-up real good in most of them, few were big hits, and several are set in the past. But I'm a sucker for almost any historical film or TV miniseries (HBO's two part <I>Elizabeth I</I> resides on the HD PVR in my cable box even now waiting for me to find the 4 hours I need to invest in watching it!)
Yes, I know. This film was received by critics as if it was the sequel to <I>Battlefield Earth</I> instead of the follow-up to the cult favorite, <I>Pitch Black</I>. Riddick, you may recall, was once a dangerous, sociopathic villain. Here, like a gravel-voiced Captain Kirk, he arrives just in time to save the universe from the Underverse.
A bored, rich widow, Laura Henderson (Judi Dench) buys a failed London theater on the eve of World War II. But she soon discovers she has no idea what to do with it. After she hires an experienced producer (Bob Hoskins) the theater is briefly successful running music hall reviews. But soon reality sets in and the competition drives them into the red.
As promised, here’s Gary’s review of the Toshiba HD-XA1. For those that want a little more depth, we’ll be running a longer version of the review and more in the August issue.
A new prerecorded video format is big news. It doesn’t come along every day. It’s been nine years since DVD was release, and it was 19 before that since LaserDisc. Enter HD DVD. Its higher transfer rate (35.5 mbps versus broadcast’s 19.4 mbps maximum) and advanced codecs (VC-1 and H.264) create a potential for audio and video quality to far exceeds broadcast HD, as well as containing a host of new features and capabilities. The first two models are the HD-A1 ($499) and HD-XA1 ($799). Both have the same performance; the step-up HD-XA model adds a better enclosure, a motorized door, RS-232, and a backlit remote.
DVD players have become so "commoditized" that it's typical today for players to sell for less than $100. And you know what? Some of these inexpensive players feature progressive scan output and perform quite well overall. I saw one such player advertised in my local paper today selling for $18! It wasn't too long ago that de-interlacing meant adding a $10,000 Faroudja scaler to an already expensive DVD player.
The explosion of flat-panel and microdisplays has multiplied the number of manufacturers and products on the market. Unfortunately this happy profusion leaves a performance gap on the audio side. My Sharp AQUOS LCD HDTV has excellent speakers—by TV-speaker standards—but I don't depend on them for movies. And the sound on a typical no-name LCD set is simply wretched for any content, even sitcoms. So what do you do when you've uncrated your new display only to discover that the other half of the home theater equation is a shaping up to be a big zero?