LATEST ADDITIONS

Build it and no one will come. That's been the broadcasting industry's worst nightmare since discussions about high-definition television began more than 10 years ago. Many executives have expressed dismay over the fact that the <A HREF="http://www.fcc.gov/">Federal Communications Commission</A> mandated their compliance with HDTV's launch---an effort that costs each station millions of dollars in new equipment and technical training---when there is almost no audience to see it. Dozens of stations are ready for the official nationwide launch of HDTV in just two weeks, but the few people who will see the first broadcasts will be engineers, journalists, and a handful of customers and salespeople in electronics stores.

High-resolution video technology leader <A HREF="http://www.faroudja.com/">Faroudja, Inc.</A> announced October 6 that Glenn W. Marschel, Jr. has been named its new President, CEO, and Co-Chairman of the Board of Directors. Mr. Marschel is replacing Michael Moore, who resigned "to pursue other interests." Chief Technical Officer and company founder Yves Faroudja will become the board's other Co-Chairman. William J. Turner will step down as Chairman, but will remain as a Director of the company.

Tele-Webbers---almost sounds like a mindless new children's TV show, but instead describes what a new report claims is the next big revolution in home television. According to the report from <A HREF="http://www.inteco.com">Inteco</A>, Tele-Webbers are the eight million adults in the US who use the Internet and watch TV simultaneously at least once a week. (So do another five million, but less often.)

There's nothing else in home theater like a cinematically stunning film transferred to HDTV videotape and displayed at 720p or 1080i/p. The only problem is that the frame rates for the two formats are not the same, creating a syncing nightmare for the transfer studio. Solutions have involved running a single film frame through more than one scan of the faster DTV format to create a seamless presentation. As networks begin DTV transmission this fall, the ability to transfer film---a major source of primetime programming---and to create original high-definition content in a variety of DTV formats has become even more critical.