LATEST ADDITIONS

uavKrissy Rushing  |  Dec 22, 2002

<I>Jeremy Davies, Angela Lindvall, Elodie Bouchez, G&#233;rard Depardieu, Massimo Ghini, Giancarlo Giannini, John Phillip Law, Jason Schwartzman, Billy Zane. Directed by Roman Coppola. Aspect ratio: 1.85:1 (anamorphic). Dolby Digital 5.1. 88 minutes. 2002. MGM. 1003757. R. $26.08.</I>

Barry Willis  |  Dec 22, 2002

New generations of television products should be easier to connect to cable systems and easier to use, as a result of an agreement signed Thursday, December 19, by cable providers and electronics manufacturers.

Barry Willis  |  Dec 22, 2002

Warner Home Video president and DVD pioneer Warren Lieberfarb abruptly departed from the company Friday, December 20. No official reason for his resignation was given, but some industry insiders alluded to his dissatisfaction with upper management at media conglomerate AOL TimeWarner.

 |  Dec 22, 2002

The best rear-projection set reviewed to date? Thomas Norton lavishes high praise on the <A HREF="http://www.guidetohometheater.com/showarchives.cgi?72">Hitachi 51SWX20B HD-ready CRT rear-projection television</A> and is especially fond of its handles.

HT Staff  |  Dec 19, 2002
In January, football fans will get an unprecedented opportunity to explore high-definition television thanks to an agreement reached December 20 between CBS Television and Thomson Multimedia's RCA division. The partners have signed a deal for sponsorship of American Football Conference Divisional Playoff games on January 11 and 12, 2003, and the AFC Championship game on January 19, 2003.
Geoffrey Morrison  |  Dec 19, 2002  |  First Published: Dec 20, 2002
Upping the ante.

Thanks to consumer interest, competition, and their fundamental coolness, high-resolution audio players are falling in price to a point where almost everyone can afford them. Sony's DVP-NS755V, for example, is only $250, and it features SACD capability and progressive scanning. A year ago, this player's predecessor excited us as an inexpensive progressive-scan DVD player. Now Sony ups the ante by adding SACD and keeping the price the same.

Chris Lewis  |  Dec 19, 2002  |  First Published: Dec 20, 2002
A flagship pre/pro, Arcam's way.

If there's one thing I know about Arcam, it's that they like to do things their own way. Yes, this is a high-end company and, as such, is relatively small—which usually means that they wouldn't have the resources to do major product overhauls or built-from-scratch developments very often. This being Arcam, though, it didn't surprise me when I heard that they were spending gobs of time and money developing a new statement pre/pro for their top-shelf FMJ line. Back in February, I spent some time with their DV27 DVD player—another built-from-the-ground-up effort—and was sincerely impressed, so I was curious to see what these fellows across the pond could accomplish when they set their sights on the world of flagship pre/pros.

Chris Lewis  |  Dec 19, 2002  |  First Published: Dec 20, 2002
Lexicon's MC-12 pre/pro gets a high-powered playmate.

I suppose that I'm starting to sound like a broken record when I talk about the concept of matching in home theater, but how else can I call attention to one of the most important aspects of creating a successful system? After all, matching audio/video equipment is not unlike matching in other areas of our lives. The proper combination of amps, speakers, room characteristics, and, well, everything else can create an exciting, dynamic, and highly satisfying experience for all involved. The wrong combination is usually mundane, lifeless, and, if you will, impotent. Sparks in the listening room come about in a similar way as sparks in other rooms of the house—they require experience and effort. A little bit of passion never hurts, either.

Darryl Wilkinson  |  Dec 19, 2002  |  First Published: Dec 20, 2002
Just how does the StudioCinema 350 speaker system find that mystical balance between high performance and low price?

I used to wonder why I felt such an affinity for so many of Definitive Technology's speakers. What is it, I asked, that gives these slender, sock-smothered sirens their perennial appeal? Is it magnetism? (Well, surely, they use magnets, but that couldn't be it.) Is it the sexy allure of not being able to yank off a speaker's grille cloth to reveal what's hidden underneath? (Instead, you have to gently coax the soft sock covering down, slowly undressing the speaker. It's an act best done in the privacy of your own home after the children have gone to bed.) Maybe it's some secret, arcane knowledge inherited from the Knights Templar (promising riches, wealth, and speakers with popularity beyond reason)—or possibly it's from an earlier era, gleaned from chiseled hieroglyphics on the ancient stone walls of the pyramids at Giza (regaling in an afterlife filled with music and movies).

Josef Krebs  |  Dec 18, 2002
Movie Images Courtesy of New Line

I'm standing in the rain watching a large group of soldiers in medieval armor poke at dead horses and slain warriors lying in the mud of a riverbank. There are bright lights, smoke, and machines spraying everything with water despite the steady downpour nature is providing.

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