Remarkable things are happening in the plasma-display market. Just the other day I saw one for sale in Costco for under $6000. Costco! While one might ponder the cosmic significance of plasma televisions at a warehouse retailer, there's no denying that these displays attract a lot of attention. A big, flat screen hanging on the wall has universal appeal.
You wouldn't know it to look at the "mine's bigger than yours" installations featured in some home theater magazines, but having a decent amount of money to spend on a whole-house audio/video system doesn't necessarily translate into gaudy opulence. Or, to put it another way, modesty isn't always dictated by a limited budget.
Anyone who's set up a home theater system knows how much work is involved. Once you find the right TV and speaker system, you need to round up a stack of components, including a DVD player, a video recorder, and, perhaps, a satellite receiver. Then you have to spin a frightening web of wires to route all of those signals through your A/V receiver or preamp/surround processor.
No wonder people have fallen in love with DVD extras. Increasingly, releases have a little something for everybody, going beyond the usual deleted scenes, commentary tracks, and "behind the scenes" documentaries to include games, Web links, and elaborate featurettes on things like costume design and special effects.
One of the primary obstacles to getting high-bandwidth video such as HDTV to the home via cable is the limited signal-carrying capacity of what is termed "the last mile." Currently, cable modem users share a data pipe with TV channels that can carry about 30 megabits-per-second (mbps) into their homes.
Many home theater enthusiasts grumble about the slow pace of the development of digital television without considering the cost of the transition for broadcasters—approximately $2 million per studio. The great change isn't occurring only in our viewing rooms, but also in studios throughout North America.
<I>Renée Zellweger, Hugh Grant, Colin Firth, Gemma Jones, Jim Broadbent, James Callis, Shirley Henderson, Sally Phillips. Directed by Sharon Maguire. Aspect ratio: 1.85:1 (anamorphic).Dolby Digital 5.1 (English), Dolby Digital 2.0 (French). 98 minutes. 2001. Disney Studios B00003CXT7. R. $29.99.</I>
Warren Lieberfarb, head of <A HREF="http://www.warnerhomevideo.com">Warner Home Video</A>, thinks Hollywood just doesn't get it when it comes to DVD. In his view, the film industry is making a big mistake by continuing to support the rental market when the real bucks are in sales.
One of the biggest names in video projection technology has a hot new DLP projector on the market. (DLP, or "Digital Light Processing," originated at Texas Instruments and has been licensed to projector makers worldwide.) Runco's VX-1000c uses a new TI digital micromirror device (DMD) with a 1280 x 720 pixel array, ideal for 16:9 screens.