LATEST ADDITIONS

Marc Horowitz  |  Mar 12, 2007
20th Century Fox
Movie ••• Picture ••••½ Sound •••½ Extras •••½
Forest Whitaker'
Mark Fleischmann  |  Mar 12, 2007
A new royalty structure approved by the federal Copyright Royalty Board has webcasters quaking. Formerly they paid the music industry's SoundExchange between 6 and 12 percent of their revenue. But under the new royalty structure, they'll pay $0.0008 to stream one song to one listener, rising to $0.0019 in 2010. That may not sound like much, but it would amount to 1.28 cents per listener per hour, more than estimated current ad revenue of 1.1 to 1.2 pennies per hour. And that's just for starters. Rates would continue to rise every year. More bad news for small webcasters: There would also be a minimum charge of $500 per year per channel. And the new rules don't apply to songwriter publishing royalties, potentially an additional expense. Whether all this will kill web radio as widely predicted remains to be seen. But the fledgling medium will certainly have to find a more lucrative business model if it wants to survive. So, a speculative question: Just how much would you be willing to pay for Internet radio?
 |  Mar 11, 2007

After Nielsen Videoscan sales numbers showed Blu-ray outselling HD DVD by a two-to-one margin in January, Sony up and declared the format war as over. February's sales data probably isn't going to do much to reign in the confidence of the Blu-ray camp. A Video Business article cited industry sources claiming that the Sony-backed format outsold HD DVD by two-to-one again in February: 250,000 units to 125,000 units.

Thomas J. Norton  |  Mar 09, 2007

In the past few months we've seen a revolution in the video projection business. A revolution no one expected. The prices of home theater front projectors have been dropping nearly as fast as flat panel displays.

Thomas J. Norton  |  Mar 09, 2007

I predicted years ago that we would be downloading music over the Internet long before <I>high quality</I> downloads were possible. That's the state we're in at present. Downloads that offer genuine CD-quality sound (forget about downloads up to SACD or DVD-Audio standards) are still more a promise than a reality.

Geoffrey Morrison  |  Mar 09, 2007
Video: 3
Audio: 4
Extras: 3
Amazingly, the first time I saw this movie was just a few months ago. What can I say? I’m a Batman kind of guy. Superman is campier than many of the more serious comic-book adaptations of late, but, compared with other comic-book movies of the time (and for many years after), it’s downright somber. It holds up well and is still the quintessential Superman movie. Covering the last days of Krypton to the time when Superman saves Earth from a toupeed Gene Hackman, it’s quite a film. It’s not least recognizable for its excellent score, which earned John Williams one of his 4,383 Oscar nominations.
Aimee Giron  |  Mar 09, 2007
Video: 4
Audio: 4
Extras: 5
And so the pirate saga continues. Johnny Depp boards the Black Pearl once again in Dead Man’s Chest, taking the ever-flamboyant Jack Sparrow on a soul-searching journey…literally. As the legendary Davy Jones resurfaces, it seems our favorite cap’n has a huge debt to pay. Jack may be good, but his pirating skills won’t be enough unless he finds the fabled chest and barters its contents with the formidable Jones, brilliantly portrayed by Bill Nighy, who takes villainy far above sea level. Orlando Bloom also returns as the virtuous Will Turner, offsetting his pretty-boy charm by adding a bit more ruggedness to the character this time around.
Mark Fleischmann  |  Mar 09, 2007
I'm looking for a lead. Let's see, famous people named George. OK, my pick is George Harrison. Asked what he called his then-unusual Beatle moptop, he replied in a magnificently deadpan manner: "I call it Arthur." In similar spirit, Chestnut Hill Sound calls its iPod-centric compact audio system George.
Steve Guttenberg  |  Mar 08, 2007  |  First Published: Mar 09, 2007
Scott Weber, Tom de Gorter, and Frank Morrone talk with HT about mixing ABC TV's Hit series, Lost.

ABC TV's Lost is a phenomenon recalling the best of The X-Files or Twin Peaks' mind-warping weirdness as it slips between edgy drama and scintillating sci-fi. The show's creators, J.J. Abrams (Alias) and Damon Lindelof (Crossing Jordan), set Lost on a mysterious tropical island in the Pacific Ocean, populated it with an ever-expanding cast of survivors, and pepper the episodes with flashback scenes that add depth and complexity to the show's epic story arc. The episodes are shot on location in Hawaii, but they're edited and mixed at Buena Vista Sound at Disney Studios in Burbank, California. To learn more about how Lost's incredible soundtrack shapes up every week, I spoke with the show's supervising sound editor Tom de Gorter and rerecording mixers Frank Morrone and Scott Weber. Lost is currently in its third season; seasons one and two are available on DVD from Buena Vista.

Graham McKenna  |  Mar 08, 2007  |  First Published: Mar 09, 2007
THX is setting a new standard for picture quality and making shopping for HDTVs easier.

When you think of THX, you think of great sound, right? Those three letters have been synonymous with cinema and home audio for more than two decades. So, when THX launched a new certification program for high-definition video products at last year's CEDIA and helped introduce several new THX-certified projectors from Runco and Vidikron, it raised a few eyebrows in the consumer electronics community.

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