LATEST ADDITIONS

Rad Bennett  |  Apr 02, 2007
20th Century Fox
Movie ••½ Picture •••• Sound ••• Extras ••••
If you're one of those viewers who feel
Darryl Wilkinson  |  Apr 02, 2007
IBM is showing off a prototype optical transceiver chipset that's capable of reaching speeds at least eight times faster than other optical components available today. The new tiny gizmo moves information at 160 Gigabits - that's 160 billion bits of information for the techno-term-challenged - per second. Such speediness is accomplished not by using wires, but by using light.
Darryl Wilkinson  |  Apr 02, 2007
Axiom Audio says its new EP400 powered subwoofer is designed for maximum bass output in smaller rooms. The sub itself is relatively small, measuring 13.75" high and 10.5" wide, but it's supposed to be capable of generating an in-room SPL of 116 dB and a low-end response of 23 Hz. The sub was designed primarily for use in small rooms, such as bedrooms, dens, or home offices. (It's probably not appropriate for bathrooms, where you really don't want to see another bottom end.)
Darryl Wilkinson  |  Apr 02, 2007
Sony took the lens caps off of two new front home theater projector bargains last week.
Mark Fleischmann  |  Apr 02, 2007
The news that EMI will sell no-DRM downloads through iTunes couldn't have come at a better time. Music downloads are growing but not fast enough to offset sinking CD sales. Electronic libertarians assert that digital rights management is a big part of the problem, because it balkanizes the music-player world, preventing iTunes purchases from playing on non-iPods. Steve Jobs flew to London especially to join EMI in announcing that the big label's entire catalogue will become available in AAC, the iPod's favored file format, without DRM, and at 256 kilobits per second, which should provide higher quality than either MP3 at the same data rate or standard iTunes downloads at 128kbps. You'll have to pay a premium price of $1.29 per track. And if your music player doesn't do AAC, you're out of luck. However, EMI will cover those bases by selling through other download services in MP3 and WMA. For law-abiding music lovers, this is great news. Note, however, that this move is more a breakthrough in marketing than in law. EMI and Apple aren't saying you can copy anything anywhere. But it would be fair to interpret this as tacit recognition of reality--the beginning of the end of the criminalizing of fair use. It has been at least several months in the making, following the anti-DRM manifesto of Jobs and small-scale experimentation by EMI. No word on when the Beatles catalogue will become legally downloadable. Yet.
Josef Krebs  |  Apr 01, 2007

(Paramount) Clint Eastwood's cinematic debunking of wartime heroism makes for a terrific home theater experience. The clear, crisp, and bright DVD picture has depth and detail to burn, even in the many nighttime scenes. Although the combat images are tinted like old photographs, bursts of orange flames cut through the sea of green and brown when the big guns blast.

 |  Apr 01, 2007

Sony issued a press release last week announcing that the latest James Bond film, <I>Casino Royale</I>, has hit another milestone, surpassing 100,000 units shipped to retailers. This follows that same title's debut in the top ten in DVD sales at Amazon, and both feats are firsts for either HD format. In addition, according to Sony this early success also puts BD ahead of where DVD was at its inception.

Thomas J. Norton  |  Apr 01, 2007

We haven't spent a lot of review time here at <I>Ultimate AV</I> on two major trends in speaker design. One of them is euphemistically referred to in the industry as "architectural speakers." That is, speakers designed to be mounted either in or on a wall. The other, an outgrowth of the on-wall category, is the tall, slender column speaker that takes up little floor space.

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