LATEST ADDITIONS

Brett Milano  |  Feb 05, 2007

Peter Pachal  |  Feb 05, 2007

CLEAR CENTER Nothing that special about supermodel-thin speakers (3.5 inches) made to match flat TVs . . . unless they're designed to give you three channels of sound from just two speakers.

Peter Pachal  |  Feb 05, 2007

TRICKS FOR THE TRADE Denon threw that conspicuous "CI" into this receiver's product number to let you know it has some special tricks for custom installers. Trick 1: Source renaming, so your front panel doesn't just have to say "DVD" - call your player "Philips 721" or even "Ralph" if you want.

Geoffrey Morrison  |  Feb 05, 2007
Video: 3
Audio: 3
Extras: 5
The original Clerks, released in 1994, was the seminal work for people of my generation. That should be as disturbing as it sounds. I doubt there was a film school in the country that didn’t spew out Kevin Smith wannabes at a tremendous rate for the better part of a decade. All of them, and every other fan of that film, surely got a twang of disappointment when they heard about Clerks II. Had the great bearded auteur finally sold out? Well, amazingly enough, he pulls it off. Where Clerks was about a bunch of losers wanting to do something with their lives, Clerks II takes place 11 years later and finds the same losers now disappointed that they really haven’t done anything with their lives. It actually works, it’s funny, and it’s a story worth telling.
Chris Chiarella  |  Feb 05, 2007
Video: 4
Audio: 4
Extras: 4
Peter Jackson not only creates elaborate special editions of his movies, he lets audiences know that bigger, better versions are in the works when the initial theatrical cuts first hit the store shelves so we can choose wisely. He did it with his Lord of the Rings trilogy and now with his King Kong remake, offering a subsequent director’s cut with new extras that complement the original release.
Mike Prince  |  Feb 05, 2007
Video: 2
Audio: 2
Extras: 3
Ah, the joys of high school: acne, proms, SATs, vengeance. At least that’s what John Tucker Must Die leads me to believe. See, John Tucker is the BMOC, the basketball captain, and a playa with the ladies. Unfortunately, three of John’s ladies (all WB girls, I think) have found out about one another and enlist the help of the new girl, Katie, to enact revenge. Hijinks and female empowerment ensue.
Adrienne Maxwell  |  Feb 05, 2007
Video: 4
Audio: 4
Extras: 4
Let’s do a little math. If a film comes out in 1992, and its 10th-anniversary Special Edition DVD arrives in 2002, what year should the 15th Anniversary Edition DVD be released? Granted, I was an English major, but even I can count to five—something Lionsgate apparently cannot do. How else do you explain the October 2006 release of this two-disc set? Perhaps the more relevant question is, do we need a 15th-anniversary DVD of Reservoir Dogs?
Steve Guttenberg  |  Feb 05, 2007
Video: 2
Audio: 4
Extras: 0
Over his long career, Van Morrison has recorded close to 40 albums, but his video appearances are rare. That’s why I so fondly remember the Van Morrison: The Concert VHS tape, a stellar show recorded in 1989. But it never came out on DVD. Long-deprived fans will relish Live at Montreux 1980/1974, a two-disc set with both complete shows (selected by the man himself).
Adrienne Maxwell  |  Feb 05, 2007
Video: 4
Audio: 3
Extras: 4
Based on a comic strip by Michael Fry and T. Lewis, Over the Hedge follows a group of critters who, after a long winter’s sleep, wake up to find a housing development in their backyard. Enter RJ, a self-serving raccoon who introduces them to the glory of potato chips, cookies, and other human scraps—and dupes the nave foragers into helping him repay a food debt to an ominous black bear. The film serves up likable characters, some laugh-out-loud moments, and a script that cleverly lampoons humans’ tendency to overdo, well, everything—yet it doesn’t quite possess the allure and enduring charm of a Shrek or Finding Nemo.
Geoffrey Morrison  |  Feb 05, 2007
Video: 5
Audio: 5
Extras: 4
V for Vendetta is the heartwarming tale of a near future where the government has taken an Orwellian turn for the oppressive extreme. Ironically, this time, John Hurt plays the oppressor instead of the oppressed. His government subdues all, except for the “terrorist” V, who decides he’s mad as hell and isn’t going to take it anymore. Adapted from the graphic novel of the same name, V is decent, but it’s disappointing in that it could have been a lot better.

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