My sister gave me a Border's gift certificate for Christmas, and rather than do the conventional thing and buy some books that I would then be obligated to read, I bought some CDs instead. Among them are a remaster of Genesis's 1973 epic, "Selling England by the Pound" and Pink Floyd's last, and sorely unappreciated, "Division Bell." Now, I have both these on vinyl already, and although I'm in the process of thinking about the possibility of getting restarted on the vinyl-to-digital project, I felt it safer and most expedient to just buy the damn things and get them into my iPod post haste.
CEDIA 2006 was something of a riches to rags story. We saw many three-chip 1080p DLP projectors announced at prices that were ridiculous and embarrassing, stretching into the many tens of thousands of dollars. And they were introduced with straight faces. Granted, these are high light output designs that can drive enormous screens. But I didn't find these many of these designs particularly interesting. Too many recently announced projectors appear to be aimed at the ultra-wealthy sliver of the market, and don't back up their high prices by offering technical innovation that can't be found in more reasonably priced models. About the only things these announcements did was to make the $15-20K single-chip DLPs seem like they aren't quite as hideously over priced!
One of the stories of CES 2007 that didn't make it into <A HREF="http://blog.ultimateavmag.com/ces2007/"><I>UAV's</I> Blogs</A> is Sony's Internet TV, which is a two-part concept that includes an add-on module for its BRAVIA TVs and streaming broadband content provided by Sony's music and movie arms and partners like AOL, Yahoo, and Grouper. The BRAVIA Internet Video Link requires an Ethernet connection and is compact enough that the BRAVIA LCD flat panels can still be wall-mounted with the module in place.
Our budget entry hails from a company that's devoted to producing inexpensive flat-panel displays: Vizio, formerly known as V, Inc. The 42-inch GV42L is a 768p LCD HDTV that costs just $1,500. You can buy the GV42L direct from www.viziotv.com, but it's fitting that you can also find this TV on the shelf at Costco; like everybody's favorite wholesaler, the GV42L gives you a lot for your dollar.
If you're willing to step up around $1,100, your LCD options increase dramatically, with plenty of choices from the big names in the TV business. One such option is Toshiba's $2,600 42LX196. The most obvious feature upgrade is the move from 768p to 1080p, but that's not all this TV brings to the table. It boasts a well-rounded features list to suit a wide variety of setup needs.
There was a time in the not-too-distant past when a 46-inch LCD was a rarity, and a $3,800 asking price a bargain. As prices continue to plunge in this category, a $3,800 46-inch LCD finds itself occupying high-end territory. If a manufacturer wants to compete in this space, they had better be prepared to meet high-end expectations in features, performance, and style. The question before us now is, does Sony's KDL-46XBR2 do just that?
Pricewise, these Definitive Technology ProCinema speakers and this Pioneer Elite A/V receiver are a perfect match. Even visual cues unite them, with the receiver's shiny-black metal faceplate echoing the satellite enclosures' black-gloss curve. In other ways, they may seem like an odd couple (or septet, rather). Wouldn't that big receiver be too much for those little speakers? No, say the specs. With the satellites rated to handle as much as 200 watts per channel, the receiver's hefty rated 140 watts are well within the acceptable range, although the speakers' 90-decibel sensitivity suggests that they'll play fairly loudly, even with a lower-powered amp. Therefore, it is legal to marry these speakers to this receiver, at least in Massachusetts, Canada, Spain, and the Netherlands.
The component that put NAD on the map in the mid 1970s—the 3020 integrated stereo amplifier—didn't look like a giant killer. Finished in an indeterminate shade of grayish-brown and devoid of gee-whiz features, the 3020 nevertheless became one of the best-selling audiophile amplifiers of all time—and not just because it sounded better than anything going for two or three times its humble MSRP. The 3020 had that special something that made it, well, lovable. Over the decades, the engineers squeezed a bit of the 3020's magic into every NAD product, but they've pulled out all the stops with the new Masters Series components. They had to, as the ultimate NADs are competing with the likes of Anthem, Arcam, B&K, and Rotel. They're playing with the big boys now.
A little less than a year ago, a predecessor to this TV competed in one of our Face Offs with five other RPTVs. It didn't do well. Despite the fact that it posted some of the best measurements of the group (including the most accurate color points and the best contrast ratio), it came in fourth place out of six sets. The reason was a video processing "enhancement" called DNIe, which two-thirds of the reviewers flat-out hated. It couldn't be disabled. Just the fact that the same processing on this HL-S5679W is defeatable would make it worth a review. (In fact, you can't enable DNIe at all in some modes.) As it turns out, this isn't even the most interesting feature on this RPTV—not by a long shot.
As consumer electronics technologies continue to morph into ever more complex forms, convergence is key. Elan Home Systems was founded in 1989 in Lexington, Kentucky, and convergence is their raison d'tre. In the past, they have brought together wholehouse automation and touchpanel control of music, phones, lighting, intercoms, and TV functions. More recently, they acquired a high-end home theater electronics company, Sunfire. Four years ago, Elan jumped into the speaker business with a line of highly regarded in-walls. This brings us to Elan's new line of converging speakers, the aptly named TheaterPoint series.