Born in the U.S.A., Snell would love to build a set just for you.
Snell's new LCR7 speaker system stopped me in my tracks at last year's Consumer Electronics Show in Las Vegas. The look was so new and fresh, yet elegant, and there was just something about the way their aluminum ends set off the speakers' curves that spoke to me. Yeah, I'm a sucker for style; but, when I learned that the legendary speaker designer Joe D'Appolito had a hand in creating these snazzy Snells, I was hooked. I doubt there's another designer with more name recognition—he lent his name to the ubiquitous woofer-tweeter-woofer arrangement—a.k.a. D'Appolito array—way back in the early 1980s. His goals for this new generation of Snells were disarmingly straightforward: to have them play loud with low distortion, provide an amplifier-friendly load, and produce razor-sharp imaging. Even a cursory audition of an LCR7 speaker will prove that Joe D'Appolito isn't resting on his laurels.
There are essentially two types of high-resolution audio: that which comes out of a high-end player and that which doesn't. Now, before I go on extolling the virtues of high-end players—and when I say high-end, I'm not talking about price alone—I should point out how impressed I am even by what inexpensive players can do with SACD and DVD-Audio. I've heard these formats sound good coming out of sub-$500 players, and that, to me, is one of the most telling indications that these formats are indeed living up to their promise of significantly higher-quality digital sound. But, as with CD, vinyl, or any other format that preceded SACD and DVD-Audio, they sound that much better through a top-shelf player. You can't say you've truly experienced a format until you've experienced it from a high-end system, and a true high-end system starts with a high-end player.
Boston Acoustics has been perfecting the art of speaker design for 26 years, so I guess they're ready to try something new. For 2005, the company set their sights on the fiercely competitive A/V-receiver market and released a classically handsome, custom-installer-savvy contender, the AVR7120. To keep it all in the family, I checked out the receiver with a contingent of Boston VR Series speakers.
It has been interesting to follow the development of the 7200 Series from InFocus. Two years ago, I reviewed the 7200, the first high-end home theater projector from what was, up to that point, a company primarily known for business projectors. A year later came the 7205, which had some updates, including a new chip from Texas Instruments. It was brighter, had a better black level, and was cheaper. Now, a year after that, the 7210 follows this same progression.
You'll be hearing things that aren't there, like surround channels.
The wheels of compliance grind slowly, but they do grind. With the ongoing mad rush to embrace DVD's audio and video potential, many consumers have expressed an interest in wireless surround speakers to simplify setup, while others—spoilsports, really—insist that they lack either the room or the desire for dedicated surrounds. As a result, we saw and heard more products than ever at this year's Consumer Electronics Show that put all of the gear up front while creating an illusion of surround, some more successfully than others. So expect to see more reviews in this burgeoning category from me and the gang. Even your run-of-the-mill home-theater-in-a-box requires a dollop of basic HT know-how to configure: running wires, connecting speaker cables, and, of course, allocating space for five loudspeakers and the subwoofer. Don't get me wrong: I've never viewed these steps as a chore, but, for some, it's just too much, and it's perpetuating the schism betwixt DVD wannabes and DVD gurus.
Over the past quarter-century, consumers have been bombarded by portable electronics. From the Walkman, to the PDA, to video players and handheld games of every description, the allure of technology-to-go has proven irresistible. But what constitutes a truly great portable? Ask anyone who has juggled three or more disparate devices, and he'll tell you that a convergence of different technologies is key to pushing the entertainment experience forward, in the same way that camera and PDA phones have enhanced productivity, as well as the coolness factor. Quality is at issue, too, as is a supply of worthwhile content.
DVD: 12 Monkeys Special Edition—Universal
Based on the short French film La Jetée, 12 Monkeys follows poor, hapless convict and time traveler Cole. He is tasked with preventing a plague that wiped out most of humanity. Time travel not being an exact sport, he is tossed around a bit, and everybody thinks he's insane. Monty Python alum Terry Gilliam directs one of the best science fiction movies of the 1990s. Bruce Willis plays poor Cole, while Brad Pitt is truly incredible as nutcase Jeffrey Goines.
MoDesign (Monster, LLC)
Are you looking to house your various electronics in a way that will add to your room's décor rather than detract from it? MoDesign's $2,500 Audio/Video Component Tower 6000, part of their Centra line of home theater consoles, is made with a smoked-black-tinted glass door and sleek, lustrous wood. If you don't like the glass, wooden doors with either a light- or deep-cherry finish are also available separately. The unit is functional, too. According to MoDesign, a dual-fan cooling system helps your components perform as they should, and the glass door is specially designed not to interfere with signals from remote controls. The Monster Cable Management System helps keep your cables neatly organized.
MoDesign (Monster, LLC) (866) 563-6388 www.MDesignLife.com
Joel Brinkley | Jul 17, 2005 | First Published: Jul 18, 2005
We all know Outlaw as the company that builds and sells sophisticated pieces of audio/video equipment exclusively through the internet at prices that are hard to believe. And no device in a home-theater system is more sophisticated and complex as the preamp/processor. So it was with great interest that I agreed to look at the company's new entry in this market, the Model 990, a 7.1-channel processor that sells for the more than agreeable price of $1099.
Viewing a good movie in a darkened room is an immersive experience. The image and sound command your full attention. Nevertheless, large numbers of potential buyers avoid projectors because they don't want to watch television and video in a completely darkened room. Many are infrequent moviegoers whose reference viewing environment is a domestic space, not a darkened theater. (There's an audio equivalent to this. I know audiophiles—<I>audiophiles</I>—who prefer watching movies with mono sound because they've been watching movies on their television so long that they consider surround—or even 2-channel stereo—to be a distraction!)