LATEST ADDITIONS

Mark Fleischmann  |  Apr 17, 2005
Plug in your cable feed and kiss that box goodbye.

I decanted Hitachi's 32HDL51 as though it were a vintage wine—delicately, so as not to stir up the sediment. I didn't want to lose a single one of its 1,049,088 pixels. This 32-incher converts all incoming signals to its native resolution, 1366 by 768, but processes video in the ultra-high-res 1080p format.

Chris Chiarella  |  Apr 17, 2005
What if you could put your home theater (virtually) anywhere?

Simply put, Belkin's PureAV RemoteTV accepts the output of any NTSC video source, converts that analog audio/video signal to MPEG-2, and sends it wirelessly to a display device in another location, in better quality than is possible from similar devices. It essentially eliminates the need for a second source component—not just the hardware, but any related service, as well. Already have a single TV/DVD setup but want to enjoy programming in another room? Want to keep an eye on what someone else is watching or be sure to get your money's worth by displaying your pay-per-view movie on two different TVs? This is the way.

Adrienne Maxwell  |  Apr 17, 2005
No more excuses; it's time to go digital.

Since the arrival of the DVD recorder several years ago, reviewer types have speculated about just what would have to take place for the DVD recorder to gain mass acceptance and replace the VCR in people's homes. Obviously, price needed to drop way below the original four-figure mark, but what else? Ease of use? Naturally, but how easy is easy? Features? Maybe. VCRs aren't exactly feature-laden themselves, but that doesn't stop everyone from owning one.

Chris Chiarella  |  Apr 17, 2005
A definite cut above the ordinary.

There are many different approaches to home theater, which is one of the reasons why this magazine is as burly as it is, month after month. The stereo speakers built into many modern televisions are nirvana for some, while carefully matched loudspeakers, preamplifiers, processors, and amps are the only solution that others would ever consider. Somewhere between those two polar extremes are the ubiquitous home-theater-in-a-box systems and novel products like the ZVOX 315 Sound Console. The idea here is simple, and noble, offering your TV a painless upgrade to the inadequate audio it was born with.

Mark Fleischmann  |  Apr 17, 2005
Small-speaker virtuosity trickles down.

Speakers needn't be big. Smaller speakers are better candidates for wall-mounting, they're less-visually intrusive on stands, and they're more-harmonious mates for flat-panel displays.

Steve Guttenberg  |  Apr 17, 2005
Synergistic sounds.

This review brings together two brands that are special to me: Harman/Kardon and Paradigm. When I was a teenager, I bought a Harman receiver with the money I earned running deliveries for the local supermarket. You know how that is: Nothing ever gets close to the thrill of the first one. I wore out several LP copies of Sgt. Pepper and Led Zeppelin II over that 15-watt-per-channel receiver. Much, much later, in the late '90s, I reviewed a set of Paradigm Atoms. Those little speakers sounded surprisingly huge, and, even more importantly, they were a lot of fun. The Atoms lingered in my listening room long after I finished the review, and that's probably the best indication of what separates good speakers from great speakers. For this back-to-the-future review, I paired Harman's DPR 1005 Digital Path Receiver with Paradigm's newly revised Monitor Series v.4 speakers. Looks like a good combination, but let's see.

user  |  Apr 16, 2005
As is their practice this time of every year, Mitsubishi recently invited dealers to a secret location (actually it was in Orlando, Florida) where, amidst much hoopla, wining and dining, and the all-important dealer/sales representative bonding (courtesy of the wining and dining), the company unveiled the HDTVs which will be available for delivery to home theaters later this year. Mitsubishi's introduction brought to light 17 new models and involved several of the world's most sought after display technologies.
Darryl Wilkinson  |  Apr 16, 2005
Normally the disclaimer* comes at the end, but why hide uncomfortable news? When it comes to home entertainment equipment and someone starts talking about a piece of gear being "wireless", they don't mean "wireless" - they mean "nearly wireless". Okay, now that we've gotten that out of the way, let's talk about Panasonic's new rear-speaker wireless-ready home theater systems. Oh, by the way, "wireless-ready" means you'll need an optional piece of gear to make the system nearly wireless. (But don't let that put a barbed-wire fence around your lofty goal of having free-range wireless chickens. There ain't no totally wireless lunch from any company in this neck of the woods, pardner, but that don't mean you can't dream...)
Scott Wilkinson  |  Apr 14, 2005

It seems that Voom is finally nearing the end of the line, despite Herculean (some would say Machiavellian) efforts to keep it alive by Cablevision founder Charles Dolan. In what can only be described as a real-life soap opera, Dolan's attempts to resurrect the HD satellite service have raised more than a few eyebrows and divided his own family squarely down the middle. (If you haven't been following the saga, you can get up to speed by <A href="http://ultimateavmag.com/news/030105voom/">starting here</A> and following the links.)

Thomas J. Norton  |  Apr 13, 2005  |  First Published: Apr 14, 2005

Digital rights management (DRM) was one of the hottest topics to be discussed at the recent Digital Hollywood conference, held March 31, 2005, at the Loews Santa Monica Beach Hotel in (where else?) Santa Monica, California. DRM is a key issue holding up the finalization of the specifications for both HD DVD and Blu-ray, the two competing contenders to become the next-generation optical-disc format.

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