While Ireland is gearing up for a nationwide digital-cinema network (see <A href="http://www.ultimateavmag.com/news/032405Ireland/">news story</A>), the best the US can do is a network for digitally distributing <I>advertising</I> to commercial movie theaters. The project was recently announced by Thomson and Screenvision, a joint venture of Thomson and ITV. Technicolor Digital Cinema, part of Thomson's Services division, will provide technology, network operations, and digital-content management systems on an exclusive basis to Screenvision and its theater-advertising customers. Screenvision provides advertisement services to nearly 15,000 screens in the US, of which approximately 5,000 will be included in the initial rollout.
While religious and political animosity continues to brew between the Republic of Ireland and Northern Ireland, there is one thing they can agree on: digital cinema. A subsidiary of technology and services provider <A href="http://www.avicatech.com">Avica</A>, Digital Cinema Limited (DCL), has announced that they are starting to implement a nationwide digital-cinema network that will ultimately lead to a conversion of all 515 screens in both regions of the Emerald Isle to the digital format. After two years of planning, DCL began installing the first 25 projectors earlier this month and hopes to have all Irish screens operational within a year at a cost of over $53 million.
Linn picks fanciful names for its products, almost all of which incorporate the letter <I>k</I>: Klimax, Sondek, Akurate, Ittok, Kinos, Komri, etc. To hang a Linn speaker on the wall, you use a Brakit. To integrate multiroom/multisource systems, Linn offers the Knekt.
With its fold-down front panel and uninspiring plastic case, the Sanyo PLV-Z3 suggests nothing so much as a large (okay, very large) clock radio. In a world where, not so very long ago, video projectors were expected to require three or four strong longshoremen to deliver and set up, the newest digital designs still generate a sense of wonder. Even now, audiophiles continue to equate size and mass with quality, and "longer, lower, wider" are still the watchwords with car enthusiasts (though it's no longer politically correct to actually say so in polite company).
<IMG SRC="/images/archivesart/headshot150.tjn.jpg" WIDTH=150 HEIGHT=194 HSPACE=6 VSPACE=4 BORDER=0 ALIGN=RIGHT>It never ends. Today's fast-changing AV scene constantly generates an ongoing flow of myths, legends, and other blather that either arises spontaneously or is deliberately manufactured to push the bewildered consumer toward a certain product or technology. I'll make a valiant attempt here to explode a few of these video urban legends, nevertheless secure in the knowledge that, like Don Quixote, I'll find an endless supply of new windmills just down the road.
Take a minute to look at the measurement box. Keep in mind that this is an LCD-based product. At 0.003 foot-lamberts, the VPL-HS51 is only 0.001 ft-L higher than the Yamaha DLP projector that's also in this issue. Not bad for a projector that's less than a third of the Yamaha's price. And did I mention it's an LCD? Impressive.
We've reviewed several Panasonic projectors in the past few years. Their price ranges have varied slightly, but two things have remained constant: a decent picture and an ugly box.
While plasma and LCD flat-panel TVs get all of the media attention these days as "must-have" products, they're still rather high on the dollars-per-square-foot scale. Mitsubishi's HC900 blows the glass guys out of the water in terms of visual area capability per dollar spent and shows that the transition from the boardroom-presentation-projector market to the home theater venue can have significant benefits for the savvy home-cinema shopper.
My medication is obviously not working because I'm still talking to myself. Marveling at the redesigned PlayStation 2's jaw-droppingly slender form factor for about 10 minutes straight, I caught myself actually saying "Wow" out loud, even though I was alone. It's comparable in size to a paperback book, but it reminds me more of a portable DVD player, sans screen, in black. While some of the accessories designed for use with the original PS2 are not compatible with this new design (the vertical stand and the Multitap to allow four players instead of the standard two, although new versions of each are now available), I was happy to find that my step-up Monster Game products all still fit. The digital optical cable and component video adapter plugged into the obvious places, while the replacement AC cable now patches into the breakout AC adapter (the 8.5-volt power supply is now located outside the console, which is another secret to the PS2's profound weight loss). At just 2 pounds, it's half as heavy as its former incarnation and takes up one-quarter the space, leaving me with vast amounts of open air in my under-TV gear stack after a quick, new-for-old PS2 swap. I do wish it had a catchier moniker, rather than simply "the 70000 Series."
If you're going to mess with the Kenwood HTB-S715DV, better put on your game face. This home-theater-in-a-box comes to play. The HTB-S715DV blends a 6.1-channel surround package with creature-comfort features for the gamer of the house. It's a modern-day multitasker, too. While you're grooving to "Nasty Girl," your favorite little game-boy or game-girl can play Pikmin 2 on the big screen while immersed, oblivious to the outside world, in the gaming sounds of the HTB-S715DV's Dolby Headphone technology.