LATEST ADDITIONS

Chris Lewis  |  Apr 09, 2002  |  First Published: Apr 10, 2002
Who says HTIBs have to sound bad?

I can still remember the first time I heard the phrase "high-end home-theater-in-a-box" uttered in public and the reaction it brought at a press conference. Half of the crowd simply laughed off the idea, and the other half began muttering about the demise of civilization, openly pondering the oxymoronic nature of what they had just heard. Admittedly, I counted myself in the former group. While I didn't take the announcement as confirmation that the apocalypse was upon us, I did chuckle, make a few sarcastic remarks to those around me, and begin setting an over/under in my mind for how long it would take for this piece of marketing magic to expire. After all, who was going to pay thousands of dollars for a system that came in a single package?

Steve Guttenberg  |  Apr 09, 2002  |  First Published: Apr 10, 2002
Back to square one.

I can't listen to B&W speakers without thinking about my audio buddy Ralph. Back in 1977, Ralph was a hot young artist rolling in dough. He had just become an audio junkie and picked up an amazing set of B&W's potbellied, time-aligned DM 6s. Sure, they looked kinda funny, but their sound was so good that I developed a bad habit of regularly barging into Ralph's Greenwich Village loft, armed with a bag of take-out Chinese food and a stack of LPs.

Mike Wood  |  Apr 09, 2002  |  First Published: Apr 10, 2002
Determining amplifier-power requirements for your home theater system.

Power output is often the biggest selling point for receivers and standalone amplifiers. Bells and whistles aside, you can often spend a lot less money for an amplifier or receiver that has a lot less power. While there are several factors that influence an amplifier's sound quality, we're not going to go into many of them in this article. We're going to focus on power. Ideally, an amplifier should be rated with low distortion, measured over the entire audible frequency range and with all channels driven. You should always listen to an amplifier before you purchase it. Whether you should test the 60-watt model or the 150-watt version depends on many factors, including your listening environment, the speakers you'll be using with it, and your listening habits.

Chris Lewis  |  Apr 09, 2002  |  First Published: Apr 10, 2002
Another contender in the $1,000 range.

It can be a daunting task for some: dipping your toes into the deeper end of the home theater pool and crossing over the $1,000, advanced-swim rope. Sure, we all know that there are people in our little world who will spend thousands of dollars on cable alone. However, the simple reality is that, for those who are unwilling or unable to spend as much money on an audio/video system as they might on a car or a house, stacking up that first pile of 10 or more C-notes for a single system element isn't a decision made lightly. Luckily, options abound at this level, especially in the receiver market. I don't know of a company that makes receivers that doesn't have at least one around the $1,000 price point, beckoning the frugal to dive in. Once you've decided to take the plunge, the only hard part is figuring out which one is right for you.

HT Staff  |  Apr 09, 2002
With its latest offerings, Rotel has leveraged four decades of experience in designing affordable high-end equipment for serious audiophile and home-theater fans. The new RSP-1066 Surround Processor/Preamplifier is a sophisticated A/V control center that combines simplicity and convenience with the latest in digital-surround technologies for film-sound and music.
Barry Willis  |  Apr 07, 2002

The first week of April was a tumultuous one for <A HREF="http://www.echostar.com">EchoStar</A>. On April 3, the Littleton, CO&ndash;based direct broadcast satellite (DBS) service abruptly announced that it would terminate any further effort to promote Internet access via StarBand Communications, Inc. The next day, the FCC ruled that EchoStar was in violation of federal regulations with its "two-dish" system for delivering local television signals. The week's one bright spot for the service was a settlement with Walt Disney Company that will keep Disney and ABC programming on EchoStar's menu.

 |  Apr 07, 2002

Home theater and high-end audio enthusiasts attending <A HREF="http:// www.homeentertainment-expo.com">Home Entertainment 2002</A>, The Hi-Fi and Home Theater Event in New York City on May 31&ndash;June 2, 2002, will have an opportunity to participate in a series of interactive seminars and panel discussions on the latest advances in technology&mdash;all included with the price of admission.

 |  Apr 07, 2002

Playback of any kind can never be any better than the recording. With this engineering truism in mind, <A HREF="http://www.photon-vision.com">Photon Vision Systems, Inc.</A> has developed a new image sensor said to offer four times the resolution of high definition television.

Michael Metzger  |  Apr 07, 2002

<I>Donald Sutherland, Elliott Gould, Tom Skerritt, Sally Kellerman, Robert Duvall, Roger Bowen, Rene Auberjonois, Jo Ann Pflug, Gary Burghoff, Fred Williamson, Bud Cort. Directed by Robert Altman. Aspect ratio: 2.35:1 (anamorphic). Dolby Digital 2.0. Two discs. 116 minutes. 1970. 20th Century Fox 2002709. R. $24.99.</I>

Barry Willis  |  Apr 07, 2002

Federal Communications Commission (FCC) Chairman Michael Powell has asked major networks to boost their digital programming to at least 50% of their prime-time schedules for next season. He asked broadcasters in major markets to make sure they can transmit digitally by next January without degrading their analog signals. He also asked electronics manufacturers to include digital tuners in coming generations of television sets&mdash;in 36" or larger sets by 2005, in 25" or larger sets by 2006, and in 13" or larger sets by 2007. Tuner requirements have been contested by the Consumer Electronics Association (CEA), which claims that it does not want TV design to be "dictated by Washington."

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