LATEST ADDITIONS

Barry Willis  |  Oct 29, 2000

If <A HREF="http://www.c-3d.net/"> Constellation 3D, Inc</A>. succeeds with its ambitious plan to develop a high-density optical disc, "FMD" will be the next acronym to enter the technophile lexicon. The letters stand for Fluorescent Multilayer Disc, a recordable format under development that promises 100 gigabytes of storage on a disc no bigger than an ordinary DVD.

 |  Oct 29, 2000

Hoping to fulfill the long-awaited promise of delivering broadband entertainment direct to the television, <A HREF="http://www.intertainer.com/">Intertainer</A>, <A HREF="http://www.uniview.com/">uniView Technologies</A>, and Microsoft have buddied up and announced that they will join <A HREF="http://www.zoomtown.com">ZoomTown.com</A> to market-test a service that will provide asymmetrical digital subscriber line (ADSL) broadband entertainment directly to consumers' televisions. ZoomTown.com says it expects to deploy the service to its more than 35,000 subscribers next year following completion of the trial.

Joel Brinkley  |  Oct 29, 2000

Seldom in my life as an equipment reviewer has a product arrived that, out of the box, I've known I wanted to own. The Pioneer DV-AX10 is one of them&mdash;the first universal player that can handle CD, Super Audio CD, DVD-Audio, and DVD-Video, complete with progressive-scan video output. It's a wonder to behold and a joy to use.

J. Gordon Holt  |  Oct 29, 2000

Something that never fails to irritate me is an intemperately enthusiastic review of an outrageously expensive product. I'm sure this is partly because I hate reading about something that might just be every bit as good as the reviewer says it is when I can't afford to buy it. But I think the greater part of my pique is because I suspect the reviewer was so awestruck by the product's princely price that he couldn't bring himself to find fault with it. Oh, sure, he'll pick a few nits just to show how perceptive he is, but his "report" will essentially be an exercise in idolatry, with nary a question about value for money.

Clint Walker  |  Oct 28, 2000  |  First Published: Oct 29, 2000
Polk vs. Klipsch vs. RBH

Gestalt
Time after time, I find myself asking, "Now what did I go and say that for?" Recently, while sitting in our weekly staff editorial meeting, I once again opened myself up to an idea that would inevitably lead to more work for me. After requesting speaker systems to have on hand for review, I realized that they all shared one common similarity: They were all around $3,500 or less. I don't know of a retailer on this planet where you can audition Polk, Klipsch, and RBH speakers at the same time, yet I'm sure it will cross some reader's mind who's looking to spend that extra change under the mattress.

Chris Lewis  |  Oct 28, 2000  |  First Published: Oct 29, 2000
No matter which side of the receivers-versus-separates debate you find yourself on, it's simple to understand why A/V receivers have the broad appeal among home theater buyers that they do—they're easy, period. A well-executed receiver is easy to purchase, easy to set up, and easy to use. These are commodities that go a long way in any market today, regardless of bottom-line performance. And let's face it, the performance of receivers has improved considerably in recent years. You're still not going to see dedicated theaters or music rooms built around a receiver, but you won't get laughed out of the room anymore when you start comparing its performance to that of comparably priced separates. Context is key in the receiver game. What do you really need, where do you need it, and how much are you willing to pay for it?
Bruce Fordyce  |  Oct 28, 2000  |  First Published: Oct 29, 2000
Installing a multiroom in-ceiling speaker system. Let's face it, gang: Many of us spend our lives swinging through the work week like modern-day Jedi Knights, slicing through red tape and stupidity only to languish for 45 minutes inching through vicious gridlock to get home. The only thing keeping yours truly from eating the business end of a Browning pistol is knowing that, when I get home to my suburban stucco castle, I can slip into a nice sixer of Harp lager and listen to the soothing melodies of classic Dead Kennedys.
Mike Wood  |  Oct 28, 2000  |  First Published: Oct 29, 2000
We've often said that a projector is only as good as the processor that feeds it. The most expensive projector on the planet won't save your picture from a bad video processor. Until now, most people bought projectors and processors like dim sum: à la carte or piece by piece. With few exceptions, they would buy a projector from one company and a processor from another. Runco is looking to change all that by tailoring their processors to work with specific display devices so that you can get the most out of both.
Mike Wood  |  Oct 27, 2000  |  First Published: Oct 28, 2000
Wondering what those confusing charts in our gear reviews are really telling you about a product? Just ask senior technical editor Mike Wood. This month, he explains speaker measurements.

Unless you're looking at a powered speaker (with built-in amplification), the power-handling rating (which is often incorrectly referred to as the number of watts a speaker has) will tell you little about how the speaker integrates into your system, let alone how it sounds. This isn't to say that the spec is useless. After all, some people like to play music really loud—I'm talking head-near-the-speaker-stack-at-a-rock-concert loud. In those rare cases, this specification may be useful. However, for the rest of us, this is probably the least necessary information, even though it's usually the most common question we get about speakers.

HT Staff  |  Oct 24, 2000
Video projectors are massive and cumbersome, right? Think again. How about a projector the size and weight of a desktop telephone, with full HDTV capability? That's what Wilsonville, Oregon-based InFocus Corporation is promising with its new UltraLight X350, part of its Proxima line of products.

At only three pounds, the X350 is among the most portable projectors ever made. That alone would be sufficient incentive for most corporate buyers. The UltraLight, however, is aimed at a bigger market: the millions of movie fans who have the enthusiasm but not the space for a traditional projector. Proxima makes its incredible performance: weight ratio possible by incorporating the latest "smart" electronics and Texas Instruments-developed Digital Light Processing technology.

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