The heart of I’m Your Man is a celebratory concert of the recently passed Leonard Cohen’s songs performed by an oddball assortment of top talent at the Sydney Opera House. Between each number come interviews with performers telling of the inevitable life-changing moment of hearing Cohen for the first time. In addition, the poet/singer-songwriter/Jewish Zen Buddhist monk himself delivers anecdotes on personal history, his long, arduous working process, and meaning behind certain ballads illustrated and illuminated by archive poetry recitations, artwork, and photos and footage from childhood and career.
Director Ang Lee’s middling story really isn’t the reason to force your way through this film; it’s the innovative photography that’s worth your time. Lee shot the film at 120 frames per second, which is a perfect multiplier of the UHD Blu-ray’s 60 fps and Blu-ray/Blu-ray 3D’s 24 fps, so it made it easy on Sony to release the film on multiple formats and into theaters.
With TV listings divided between what’s on and what’s streaming, CBS has been salivating at the prospect of collecting subscriber fees from cord cutters and mobile users much like its sibling, the premium service Showtime, has been doing.
Dish Networks yesterday launched a DTS Play-Fi-enabled mobile app that lets owners of its Hopper 2 or Hopper 3 satellite receiver/DVR stream and control music on speakers throughout the home.
15 Minutes with the Society for Information Display’s Dr. Taka Tsujimura
To commemorate the 30th anniversary of the OLED display, we reached out to Dr. Taka Tsujimura at the Society for Information Display (SID) to discuss the past, present, and future of a TV technology whose future looks nearly as bright as it did three decades ago when researchers cobbled together the first practical OLED device.
Although it seems like an eternity, it’s only been eight years since the federal government pulled the plug on analog TV, giving way to today’s all-digital world of television.
2D Performance 3D Performance Features Ergonomics Value
PRICE $1,500
AT A GLANCE Plus
Very good picture quality for the price
Flexible installation options
Fully backlit remote
Minus
Inaccurate out-of-box color
Some motor noise from Auto Iris
High fan noise in certain picture modes
THE VERDICT
Epson’s mid-range projector delivers very bright images, but it also offers enough refinement to make it a worthy upgrade over cheaper budget-priced models.
Let’s face facts: Budget home theater projectors can be a mixed bag. Last year, I tested a trio of such models from Optoma (December 2016 issue), InFocus (soundandvision.com), and ViewSonic (September 2016 issue). More recently, I checked out BenQ’s HT1070 (May), another projector that proved to be a high-value find. But while I liked the idea of getting a big, bright 1080p-resoluton picture for under $1,000, the less-than-impressive picture contrast and sparse installation features put a cap on my enthusiasm. When I look back at the bunch, it seems clear that “better” means “more expensive” when it comes to projectors.
Q I received an el-cheapo Victrola Vintage turntable for Father’s Day. Bypassing the built-in speakers, I eagerly connected the turntable’s RCA outputs to an auxiliary input on my Denon AVR X4200W receiver and played “Bohemian Rhapsody” from Queen’s Greatest Hits. I expected to be greeted by the warm, crackly sound of vinyl playing through my GoldenEar Technology Aon 3s (with help from a 12-inch JL Audio E-Sub), but instead heard a shrill, disappointing mess that lacked low-end and had virtually no stereo image. Comparing the vinyl to a Hi-Res digital recording I own of the same track, the vinyl sounded more like AM radio. Here’s my question: is vinyl all hype, or am I the victim of a low-end turntable? —Chris Wilson, Alpharetta, GA