Projector Reviews

While plasma and LCD flat-panel TVs get all of the media attention these days as "must-have" products, they're still rather high on the dollars-per-square-foot scale. Mitsubishi's HC900 blows the glass guys out of the water in terms of visual area capability per dollar spent and shows that the transition from the boardroom-presentation-projector market to the home theater venue can have significant benefits for the savvy home-cinema shopper.

NEC's HT1100 DLP projector is the follow-up model to the company's well-received HT1000, reviewed in the July/August 2003 SGHT (review available at www.UltimateAVmag.com). Based on an NEC business design but refitted for home-theater use and remarkably compact for the performance it provided, the HT1000 went on to become our Editor's Choice Gold Award winner for 2004 (SGHT, January 2004).

This unassuming little projector surprised me. It's not as attractive as the Epson, it's not as compact as the BenQ, and its price is between them both. Without a doubt, though, this was our winner. Why? Well, in a word: black level. OK, so that's two words.

Technology, like time, never stands still. Take DLP projectors, for example. Since their inception, Texas Instrument's DLP display chips have continued to evolve at a dizzying pace. For both reviewers and home theater enthusiasts, opinions based on one generation of DLP projectors are quickly overturned by the next generation.

• $6K
• 1920x1080 single-chip DarkChip3 DLP
• Key Connections: TBD

In some respects, the Optoma HD20 is an exceptional value, providing a razor-sharp 1080p image for just about as little money as any projector I know of. It's overall detail and color are excellent via HDMI, and it offers extensive controls, surprisingly advanced features, and a well-organized user interface. However, the lack of lens shift makes placement difficult without invoking the keystone control that can degrade the detail a lot. And even if you solve that problem, the shadow detail is poor, which causes dark scenes have large areas of solid darkness rather than subtle low-level details. Finally, at the largest image size I could manage in our studio given the lack of lens shift, the black level was quite high, which means the black of space was dark gray and letterbox bars were obvious. For better performance in this critical area, a larger image is a must.

Sure, 1080p is getting all the buzz, but even the cheapest 1080p displays are still really pricey. For example, the lowest-priced 1080p projector is 4.5 times the price of this little Optoma. The HD70, while "only" 720p, has a distinction all its own that makes it one of the coolest products to come out in months: It's the lowest-priced HD projector ever.