AV Receiver Reviews

Price: $2,999 At A Glance: Beefy but balanced performer • Top-of-the-line amplifier design • Entry-level Audyssey 2EQ

There are things I just won’t do. I won’t let a door slam in the face of a parent pushing a stroller. I won’t desecrate discs from the public library with fingerprints and scratches. I won’t have a second martini (learned that one the hard way). I won’t use the word anyhoo. That’s not even a word. Look it up. And I won’t let two-channel loyalists glory-hog the high ground when they claim the audio/video receiver is always an underperformer, never more than the sum of its attention-getting features, and somehow irredeemably anti-high-end.

Good sound made easy by Lexicon and Canton.

In case you didn't believe we were serious about dedicating more of our pages to the overriding reality of home theater—the necessity of individual components coming together to form a cohesive system—we offer exhibit B, our new Spotlight System review. Exhibit A, for those keeping score, is our Hook Me Up column: Sometimes it includes reviews, and sometimes it doesn't, but it always keeps an eye on system issues, especially connections. This new column contains all of the elements of a standard gear review, with the notable exception of being focused on a system, rather than individual components.

Little speakers are looking up.

Pricewise, these Definitive Technology ProCinema speakers and this Pioneer Elite A/V receiver are a perfect match. Even visual cues unite them, with the receiver's shiny-black metal faceplate echoing the satellite enclosures' black-gloss curve. In other ways, they may seem like an odd couple (or septet, rather). Wouldn't that big receiver be too much for those little speakers? No, say the specs. With the satellites rated to handle as much as 200 watts per channel, the receiver's hefty rated 140 watts are well within the acceptable range, although the speakers' 90-decibel sensitivity suggests that they'll play fairly loudly, even with a lower-powered amp. Therefore, it is legal to marry these speakers to this receiver, at least in Massachusetts, Canada, Spain, and the Netherlands.

Price: $580 At A Glance: Incredibly intuitive Setup Assistant • Apple AirPlay • Assignable power amps • Network/Internet streaming

As much as the phrase “plug and play” has saturated the electronics world to the point of near-ubiquity, it’s not a label we’ve ever seen applied to the giant mess of inputs, outputs, and speaker connections that define the A/V receiver. That’s not to say that Denon is labeling the AVR-1913 as such, but you could make the case. Or, if not plug and play, perhaps plug and poke and plug and poke and plug and poke and play. (The comedic value would at least outweigh any drawbacks in marketability.)

Price: $650 At A Glance: AirPlay and direct iDevice link • Expansive Audyssey suite • Browser control, network audio features

In A/V receivers, there are two prevailing philosophies when it comes to certain must-have features—room correction and dynamic volume modes being good examples. Some manufacturers prefer to develop their own in-house versions. This gives them the ultimate control over what they sell to consumers, sometimes offering greater versatility or an unusual spin. Others are content to license features from other companies. The advantage of resisting the “not invented here” philosophy is that technology licensors such as Audyssey devote all of their attention to making their stuff work and are constantly improving it.

Price: $899 At A Glance: 3D and HDMI 1.4a • Audyssey MultEQ, Dynamic EQ, Dynamic Volume • DPLIIz height enhancement with seven channels • Built-in digital HD Radio tuner

Installer’s Pet

It’s not every day that I get to review a product from a 100-year-old brand name. But Denon is indeed celebrating its centenary in 2010.

Denon punches their ticket to the universal dance.

When you boil it all down, you realize that most format wars are somewhat ridiculous. Sure, it's fun to get the blood up every few years, and those of us in the A/V press certainly appreciate the opportunity to ramble on about these conflicts' various aspects and ramifications. Format wars ultimately belong in the software section, though, where the most that a wrong decision will cost you is the $20 or $30 that you spent on a disc, tape, or whatever else. When it comes to hardware, format wars can cost people hundreds, if not thousands, of dollars. Ultimately, that's no good for either side, let alone the buying public as a whole. Thanks to universal disc players' rapid emergence, the previously contentious (and occasionally ugly) high-resolution-audio war is now software-based, as it should be. This doesn't mean that the DVD-Audio and SACD camps don't still take shots at one another. Now high-resolution-player buyers have the luxury of either ignoring the conflict altogether or simply enjoying it for what it always should've been, secure in the knowledge that big bucks are no longer on the line. With competition between the various and ever-growing assortment of universal-player makers, capitalism survives, but nobody gets burned. The result should be a boom in universal-player buying over the next couple of years.