AV Receiver Reviews

For as long as I can remember (although the time scale is questionable nowadays), Yamaha has been a strong player in the AV receiver game. While Yamaha is not really a "high-end" company mentioned in the same breath with the likes of, say, Krell, Classe, or Lexicon, it certainly pioneered the behemoth, all-in-one-piece- hernia-inducing monster AV receiver starting with the $4,499 RX-Z9 several years ago (Yamaha's latest, biggest, and baddest, the 11.2-channel RX-Z11, will appear in November for $5,499).

Home theater has its sweet spots. In the surround sound arena, the slickest compromise between "in a box" basics and "cost no object" indulgences would have to be the $999 A/V receiver. History tells us that Yamaha has a long track record of hitting this target with one best-selling model after another. So the RX-V2400 comes with a distinguished pedigree—and THX Select certification—even without the ground-breaking addition of automatic equalization. There's nothing new in the concept of using equalization to correct flaws in room acoustics. Custom installers have been using carefully tweaked EQ for years. What's new is that the idea has trickled down from custom home theaters to bleeding-edge preamp/processors to the humble receiver.

At A Glance
Plus
Five amp channels
Virtual Cinema Front
Darkish tonal balance
Minus
Bargain-basement speaker terminals
No wireless or network audio features

The Verdict
The Yamaha RX-V377 is an accessibly priced entry-level receiver with most of the essential features and mercifully dark-toned voicing.

If you think surround sound is just for the well-to-do, think again. The Top Picks page on this site is loaded with compact 5.1-channel speaker systems, starting at $520 for a setup based on the Pioneer SP-BS522 monitors, designed by loudspeaker guru Andrew Jones. Cheap Blu-ray players abound, these days. All you’d need to do is add another $300 for something like the Yamaha RX-V377 receiver, reviewed here, and your starter system weighs in at under a grand (and those are list prices).

Yamaha RX-V473 A/V Receiver
Audio Performance
Video Performance
Features
Ergonomics
Value
 

Yamaha RX-V573 A/V Receiver
Audio Performance
Video Performance
Features
Ergonomics
Value

Conventional wisdom amongst us A/V geeks who put audio performance above all else is that there’s no such thing as a good $500 A/V receiver anymore. At least not from the big, well-known manufacturers whose wares you’d find at the typical electronics store. This mythical beast did exist before the dark days, before the Features Wars, but given that even a mid-priced offering these days is expected to sport all sorts of streaming audio and video goodies, something had to give. And sound quality has traditionally been that something.

So it’s something of a novelty for me to be sitting here with not one, but two good $500-ish receivers from Yamaha. The company’s RX-V473 and RX-V573 look identical from the front and both fall within $50 of that target price point—the former fifty bucks down, the latter fifty bucks up.

Used to be even the most basic receiver came with two accessories: a cheap wire dipole FM antenna and a plastic-loop AM job (which most often seemed to degrade reception). You still get the antennae, even if nobody except dental-office denizens listens to much terrestrial radio anymore. But you get a lot more with your receiver today.

Performance
Features
Ergonomics
Value

AT A GLANCE
Plus
Class-leading DSP surround
5.1.2-channel Dolby Atmos/DTS:X decoding
Useful Scene memory feature
Wireless surround speaker (and multiroom) option via MusicCast speakers
Minus
No 9-channel (front- and rear-height) Atmos/DTS:X expansion option
Slow DLNA audio streaming respons

THE VERDICT
Yamaha’s unique DSP-surround technology sets apart what is otherwise still a strong A/V receiver in a highly competitive market niche.

I get to review a lot of A/V receivers. Familiarity breeding— well, familiarity— I confess that I tend to sort new examples into one of three classes. The flagship models cost a lot, pump out 140 or so watts from each of at least nine and often more channels, and they tend to cram in every conceivable feature. Entry-level jobs are cheap, five- or seven-channel affairs that usually top out at 65-or-so real watts per channel and incorporate more basic feature sets.