Subwoofer Reviews

RBH Sound has been around for 25 years, but don't think you're out of the loop if you haven't heard of the Layton, Utah company. My introduction came only a few years ago, and I've been in the loop a long time. RBH built speakers for other brands for many years, but began concentrating on establishing its own brand name about six years ago, when the home-theater boom began. Today their products are sold through 400 dealers and custom installers. After spending a few months with one of RBH's top-performing, most expensive systems, I can tell you that finding one of these dealers will be well worth your while.

Performance
Build Quality
Value

So, who the hell is REL Acoustics? That’s a question you might be asking yourself if your favorite places to shop for the latest in A/V gear happen to be Sears, RadioShack, or Big Jim’s Family Pawn & Gun Shop. I’m not saying there’s anything wrong with those establishments (well, Big Jim’s might be a little iffy), but REL’s subwoofers are not a cash-and-carry kind of thing. As a matter of fact, REL—a British company that makes only subwoofers—claims its products “are not traditional subwoofers, but true sub-bass systems.” Starting with this slightly different concept of what a subwoofer should be, it’s no wonder that REL subs require a somewhat out-of-the-ordinary setup and that the company recommends parameter settings that are a bit unusual. As a result, REL subwoofers are found only at retailers that have silk-robed salespeople who have been trained by mystical, shoeless REL Zen Bass Masters to be highly skilled in the ancient acoustical arts of transducental bass reproduction.

Small Acorn, Big Tree

In a 1970s television commercial, storm clouds brewed and thunder rolled ominously after an embarrassed Mother Nature tasted Chiffon margarine and pronounced it butter. “It’s not nice to fool Mother Nature,” admonished the announcer, Mason (“with a name like Smucker’s”) Adams.

R<I>evel</I>. Interesting name for a new speaker company. The most apt definition of the word from my old dictionary is "to take much pleasure; delight." Or perhaps those who chose the name were intrigued by the wordplay they could make with "revel-ation."

Founded just a few years ago, Revel has rapidly developed a reputation as a speaker company to reckon with. Its designs have been consistently praised by reviewers and sought by audiophiles. Revel's speakers aren't cheap, but, as they say in the movie business, the budget is all up there on the screen&mdash;or, in this case, in the sound.

Performa3 F208 Speaker System
Performance
Build Quality
Value

B112 Subwoofer
Performance
Features
Ergonomics
Value

AT A GLANCE
Plus
Superb overall performance
Impeccable fit and finish
Effective subwoofer EQ
Minus
Complex subwoofer EQ setup

THE VERDICT
While not inexpensive, the Performa3s can challenge anything out there on either music or movies, and likely come out in front.

Has it really been six years since I last reviewed a Revel speaker system? It has. That system, anchored at the front by the Ultima2 Studio2s, is still available—but combined with a five-star dinner for two, it will cost you around $40,000. Although I imagine its sales have met expectations, I suspect that system isn’t exactly flying out the doors at Fred’s High-Ende Audio Shoppe.

The speaker world is anything but conservative. Think of the different types you can buy: good ol' cones 'n' domes, electrostatics, planar magnetics, ribbons, horns, pulsating spheres, and more, mounted in all sorts of enclosures or in no enclosures at all.

The world of custom home theater is less daring. Installers want speaker systems that sound great, play loud as hell for hours on end, place reasonable demands on amplifiers, and install easily. This is why you rarely see anything but cone 'n' dome speakers used in custom home theaters.

Of the companies catering to the custom market, BG Radia is one of the few that does things differently.