Chris Chiarella | Sep 28, 2024 | First Published: Sep 29, 2024 |
The Ladykillers (1955) Picture Sound Extras Murder on the Orient Express (1974) Picture Sound Extras
This month, Kino Lorber Studio Classics has dropped a pair of classic crime flicks, a dark comedy and one of the all-time great whodunnits. I first discovered The Ladykillers back in film school, and its endearing British charm remains central to its enduring appeal.
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<IMG SRC="/images/archivesart/403unbreakable.jpg" WIDTH=200 BORDER=0 ALIGN=RIGHT>Bruce Willis stars as David Dunn, the sole survivor of a horrific train accident who escaped not only with his life, but without any injuries to speak of. Dunn's survival prompts a visit from Elijah Prince (Samuel L. Jackson), a crazed man who believes that David possesses superhuman strength and is a comic-book hero come to life.
The incredible true story of Olympian and World War II veteran Louis Zamperini languished in Hollywood for decades. It was initially licensed as a project for Tony Curtis, who later abandoned it to star in Spartacus. Then came Laura Hillenbrand’s bestselling book, Unbroken, which caught the attention of producer/director Angelina Jolie and others, and Zamperini’s moving story has finally found its moment to shine.
Uncut Gems, like its lead character, Howard Ratner (Adam Sandler), is challenging. A brash, lying, motor-mouthed, but charming hustler trading in precious gems and jewelry from a store he owns in Manhattan's Diamond District, Howard's real talent is upsetting people—along with other self-destructive behavior like pissing off the loan sharks he's heavily in debt to.
An alien being comes to Earth and assumes the form of a gorgeous and seductive young woman and proceeds to drive around Scotland in a cargo van trying to lure unsuspecting male victims back to her lair. Once there, she begins to strip onto an inky-black floor walking backwards into the room. Hypnotized by her beauty, the men strip as they slowly sink into a black pool of death so their bodies can be harvested for some unexplained nefarious purpose. As the film progresses, our alien vixen begins to change and wants to explore what being human is about and is introduced to an Earthly phenomenon known as karma.
Unforgiven marked another turning point for Clint Eastwood and the Western genre. The deconstructed Western stars Eastwood as aged outlaw Bill Munny, who, after years of living a reformed life, is dragged back into his old ways. His wife has passed, and his pig farm is struggling, so an offer to avenge a brutalized prostitute is too much to pass up. He enlists his old running mate, Ned (Morgan Freeman), and they set off with the young “Schofield Kid” to collect the bounty.
Arriving in Berlin for a technology conference, Dr. Martin Harris (Liam Neeson) must make a mad dash back to the airport in order to find his left-behind briefcase that contains some valuable information and his passport. In his haste, he leaves his wife (January Jones) at the hotel check-in and doesn't tell her where he's headed. After a horrific accident, he awakens in a hospital four days later and is troubled to learn that no one has come looking for him. He tracks down his wife at the conference and discovers that she doesn't recognize him, and another man (Aidan Quinn) has assumed his identity. Is he going mad?
With his starring role in Taken, Neeson showed he had the chops to handle the action genre and he delivers another solid performance here. The pacing is fantastic and the story keeps you on the edge of your seat until the tidy and disappointing ending.
Director/producer Tony Scott is no stranger to action movies. His resume includes hits like Top Gun, Deja Vu, and Man on Fire, the last two starring Denzel Washington. The two team up again here in one of the better action movies to come out of Hollywood in 2010.
Based very loosely on a 2001 story of a runaway train in Ohio, writer Mark Bomback jazzes it up for the sake of entertainment and action. As in real life, the adventure begins when an idiotic engineer jumps from the slowly moving train in order to reposition a switch before the train can damage it. Successful in this task, he then tries to reboard the moving train as it gains speed, but to no avail.
From this point on, the facts go out the window as the fictional train loaded with toxic chemicals hurtles toward Scranton, PA, where an elevated curve in the track will cause the train to derail, creating an environmental catastrophe and costing many lives. Despite its best attempts, the rail company can't slow the train down, and two unlikely heroes emerge to hopefully save the day. Along the way, we witness a few narrow escapes, corporate incompetence, and one hell of a thrill ride.
Is it the search for assorted MacGuffii—bank-heist loot, giant opal, camera that records brainwave images the blind can see—that sends self-destructive Claire, her writer ex, and a bounty hunter after thief Sam Farber? Or is it love? Threatening in the wings is a nuclear satellite plunging to Earth that, if shot down, could create a chain-reaction atomic pulse that wipes all electronic circuit boards, including the file of the novel the film is being based upon.
Threatened with eviction from his lifelong home, Carl Fredrickson cuts loose in an unexpected way and sets off on a journey to the South American wilderness he and his late wife had long yearned to visit. Along the way, he picks up a few unwelcome (at first) fellow travelers: Russell, an 8-year-old Wilderness Explorer; Kevin, a rare bird and a key plot McGuffin; and Dug, a talking dog. Carl also runs into his boyhood idol, explorer Charles Muntz, who turns out to be less of a hero than he had long imagined.
<IMG SRC="/images/archivesart/up.jpg" WIDTH=200 BORDER=0 ALIGN=RIGHT>Carl Fredricksen (voiced by Ed Asner) fulfills his lifelong dream of adventure and exploration when he ties thousands of helium balloons to his house and escapes the construction hell surrounding his Oakland, California, home for the beautiful surroundings of South America. But shortly after takeoff, there's a disturbing knock at the front door—a local Wilderness Explorer named Russell (Jordan Nagai) looking to earn his "assisting the elderly" badge has stowed away for the trip.
<IMG SRC="/images/archivesart/upair.jpg" WIDTH=200 BORDER=0 ALIGN=RIGHT>Ryan (George Clooney) doesn't have the easiest job in the world. He's a corporate grim reaper who constantly travels around the country breaking the news to unsuspecting employees that their services are no longer required by their company. His company is there to aid them in the transition and make it as painless as possible. When a young Cornell graduate (Anna Kendrick) wants to transition the job onto the Internet, it's up to Ryan to show her how the process <i>really</i> works in order to preserve his livelihood and jet setting lifestyle.
With Get Out, his first film as writer/director, Jordan Peele introduced us to a refined new form of horror. He was the only filmmaker who could do justice to his Oscar-bound script, finding just the right tone and wringing that last bit of mood from every line, every shot, every performance. Now, with Us, he has raised the stakes, telling a deeper story on a much grander scale.